A Spy Among Friends
I'm sure I'm not the only one out there who remembers the miniseries Cambridge Spies. Starring Toby Stephens, Tom Hollander, Rupert Penry-Jones, and Samuel West as the famous Philby, Bugress, Maclean, and Blunt respectively. This was a whose who of top British talent that followed the infamous spies from their halcyon days at Cambridge up until they were exposed. Needless to say it was kind of a rose tinted view of spying. They had scruples but their idealism, their conviction that they were doing this for the greater good, outweighed the downside. Yes they would touch on issues like Burgess's alcoholism, but I think it was more because Tom Hollander plays a wonderful dipsomaniac than any darker import like guilt. I felt at the time that it was missing a beat. The DVD set I had rented had a documentary on it and I think that did a better job than the entire miniseries in showing how what they did was a betrayal of their country. They might have been idealistic fools but they were also traitors. Which is why I was so excited for A Spy Among Friends. Based on the nonfiction book by Ben Macintyre, this seemed like it would actually give us a version of the truth. Because the truth is that we will probably never know the whole truth. And even here, even in a world of "truth" we are warned that some things aren't as they seem. This miniseries gets to the heart of the old boys network by showing that the education and comradery forged within the upper echelons of British aristocracy was ripe for infiltration because in the world they moved in it was something that simply wasn't done. The question isn't how it was done or why it was done it's a more intimate look at two friends who come to the realization that their shared history isn't what they thought it was. Damian Lewis as Nicholas Elliot was sent to Beirut to interview Kim Philby as played by Guy Pearce and Elliot let Philby run. Much like in the Watergate scandal there was some missing minutes on their taped debriefing and that lead to much speculation. A Spy Among Friends spins out what could have happened in that time and who is playing who. It's a cat and mouse game involving Russians, Americans, Britons, and old old friends. But by pulling back the iron curtain and seeing what Philby's life in Russia was actually like gives his crimes a greater weight. Was this the glorious life he was fighting for? And what of those he left behind and those he's reunited with? Through flashbacks and dreams, we see these two men circle each other. We see the same events over and over again through different eyes with new knowledge. The genius of this miniseries is that it relies on two of the greatest actors today, Guy Pearce and Damian Lewis. They bring a weight to this miniseries that makes every betrayal land a punch. You actually feel the dead Philby's legacy is propped up with. I don't know if I have ever seen a better Cold War thriller and the fact that it rests on the shoulders of so few yet talented actors shows that with the right people and the right material you can make magic.
There are SO MANY adaptations of A Christmas Carol it's hard to find a unique new spin to get viewers to watch yet another version. Why would I want to subject myself to another adaptation that could never compare to the humor and horror of Scrooged, which in my mind is the only version worth watching, though I will let you argue in favor of the Muppets. The answer is Steven Knight. Steven Knight created the masterpiece that is Taboo, which I'm still waiting on season two and will gladly wait for years Steven just so you know! He's more commonly known for creating Peaky Blinders and oddly enough being one of the three creators of Who Wants to Be a Millionaire? So with Steven Knight at the helm and Guy Pearce staring and Andy Serkis bringing the haunting, I knew it was going to be dark and gritty, so I was instantly sold. Because, I'm sorry, the Victorian age was dark and gritty, and Dickens usually reflected that reality, except oddly enough in this, his most popular piece. So bring on the dark! Bring on the weird backstory about Scrooge being sexually abused? OK, I guess... I mean, it's nice to have some justification as to why Scrooge became who he was but there seemed to be too much riding on this revelation. To me it felt like the adaptation was saying abuse gives you a free pass to be a dick, but if possible, don't be one. So while I loved all this magic and mystery and the reason why these ghosts were called to haunt Scrooge, I felt that the backstory should have been finessed. Yet if we didn't get the backstory we wouldn't have gotten the dream sequence of Kayvan Novak, AKA Nandor from What We Do in the Shadows, as Ali Baba... now that's a tough choice to make. Let's go back to the Christmas wasteland with Marley and mull that over while Andy Serkis throws another memory on the pyre. 
