Showing posts with label Google. Show all posts
Showing posts with label Google. Show all posts

Friday, July 6, 2018

Left Bank Books

Bookstore: Left Bank Books

Location: St. Louis, Missouri

Why I Love Them: Back in 2010 my friend Sarah was getting married in Arkansas and that meant a road trip was in order! My friend Matt is from St. Louis so on the way to and from Arkansas we stopped for a few days in his hometown. With his family obligations and going to his favorite haunts it felt a little like pulling teeth to get a bookstore on the itinerary. But I prevailed! I wasn't going to go to St. Louis and NOT visit Left Bank Books. For years I'd heard of them because some publishers view the only stop in the Midwest worth sending their authors to is St. Louis. Hello, you've heard of Chicago right? It's a FAR EASIER drive for someone from Wisconsin, in that it's not over six hours one way! But enough about my gripes, because I finally got to pass through the hallowed doors of Left Bank Books and was surprisingly a little let down. The neighborhood is cute, lots of old brick buildings and mature trees. Inside though it's smaller than I imagined, not that that's a bad thing. I just couldn't picture how they had these massive signings on site, I now realize they probably were all offsite... But more than anything it was really open and bright and didn't have much stock. No signed editions laying about, no carefully curated specialty editions of books. Instead it seemed space was desired over books, and I personally can never approve that kind of stylistic choice, especially in a bookstore! Yet my issues do not indicate that I was unable to find something special... because there was one part of the store I loved. The basement!    

Best Buy: The basement of Left Bank Books is what a bookstore should be so it's rightfully where I found my best buy. It was jammed with shelves and shelves of used, remainder, overstock, all the goodness that I love. Here was the carefully curated sections that the first floor had eschewed. Here was a place where I could spend hours. Though I didn't have hours with a family dinner looming, I was able to take advantage of it's labyrinthine structure to get "lost" for awhile. Yes. I hid. Amongst the books. On purpose. There's never a better place to get lost. Plus, on a side note, we really didn't need to hurry as the dinner prep hadn't even started by the time we arrived. I could have stayed with the books longer! But no matter how long I stayed at the store I had already found my best buy, so time was now irrelevant. As I remember it I found a first edition of George Mann's The Affinity Bridge surrounded by light as there was this large window right next to the science fiction section with a white brick ledge. But I know this can't be so, we were underground! Looking on Google Earth there's no convenient pit or egress, so where did this light come from? Perhaps it was just the book. It knew it had to be mine because I'd heard such good things about it and as it turned out in just over a year I would meet George at TeslaCon. He has easily become one of my favorite writers, and I consider him a friend. All of this goes back to that bookstore and the light from a window that couldn't have been.      

Wednesday, November 1, 2017

Book Review - Dave Eggers's The Circle

The Circle by Dave Eggers
Published by: Vintage Books
Publication Date: October 8th, 2013
Format: Paperback, 497 Pages
Rating: ★★★★
To Buy

Mae Holland had dreams that took her east of the Rockies to an elite liberal arts college yet here she is, back in her home town, working nine to five at a utility company of all places. Whereas her college roommate Annie Allerton doesn't just work for the most important tech company on the planet, she's one of the Group of 40, one of the forty most influential people in the most influential company in the world. Thanks to Annie pulling some strings she gets Mae in the door for an interview at The Circle. As Mae walks through the campus she realizes that she is in heaven and she doesn't care if the job she's interviewing for is only in Customer Experience, answering questions and obsessively keeping track of her satisfaction rating, it's where everyone started, even Annie. Yet her transition into The Circle isn't that smooth, she makes more than a few mistakes in not fully engaging in the culture that the company wants its employees to embrace. She also upsets a few of her coworkers by her lack of participation.

But leeway is given as she's a friend of Annie and there are extenuating circumstances with her family. Her father is suffering from MS and her mother is struggling to cope. With Mae now further away they are relying heavily on Mae's ex, Mercer. The pressure to help, to be better, makes Mae reckless and one night she breaks into a kayak rental store she frequents after-hours and what happens next changes everything. It's not just that Mae is caught by technology that The Circle created, it's her blind ignorance that she was cheating others of a once in a lifetime experience that now only exists in her memories. Because sharing is caring. This experience is the beginning of her full integration into The Circle. Through a talk with The Circle's co-founders, Eamon Bailey and Tom Stenton, Mae becomes "transparent," broadcasting her life 24/7 to the world. Soon she has eclipsed Annie and becomes the face of The Circle. Mae has everything she could possibly dream of, what could possibly go wrong?

The Circle is an interesting book to read because I think I can say that it's easily the most uneven book I've ever read with an ill-defined endgame. Because of my blog and how many books I review in a year I kind of get a sense while reading about what star rating a book will end up with but here I was flummoxed. The narrative is continually waffling between searing satire and heavy-handed often clumsy world commentary. If The Circle hadn't ended on just the right note that it did, with that perfect level of cynicism pushing it towards darkness, it would have been a fail. With literally one witch-hunt worthy of the Wicked Witch of the West and a two and a half page conclusion everything comes together and all the faults can be overlooked when you finally see the bigger picture. That ill defined bigger picture is so badly articulated until those final moments when you learn what the end goal of "closing the circle" is that The Circle is almost a book without a plot relying on vaguely interconnecting scenes and too much kayaking. While a book can be redeemed by it's ending, it's far more satisfying to have enough clues that give you a hint of what's to come without actually being able to put all the pieces together. Structure is important to all things in life, not just architecture!

What struck me most forcibly reading The Circle is how it resonates at the moment. This transparency of life is exactly the opposite to how we are currently living. The trolls of the Internet are everywhere, even in the highest office of the land, and they hide behind fake news and fake identities. Truth isn't actually something you hear very often anymore. Yet The Circle created TruYou, where your identity isn't just synced across all platforms, but that it's verified as actually being you, like Twitter verification to the umpteenth degree that has access to your credit cards. Everyone can be held accountable for everything they do. This is just such a weird polarity to living in a world where the president doesn't even want to be on camera for plausible deniability. And all this got me thinking, could what is happening now spawn a future like Dave Eggers has created? Will all these lies lead the coming younger generation, who are the early adapters of all tech, to force a TruYou situation? Which I personally think would be the other extreme. Just because it looks perfect doesn't mean it is, that's the whole point of dystopian literature, it's someones utopia.

And as we all know, utopia is heaven, and heaven is found through religion and the church, and oh yes, there are religious metaphors aplenty here. While the most obvious would be to see this as very much of the school of Scientology, I think it's more the school of Apple, or Google, or even, to go a little homegrown, Epic. All secretive organizations, all have vast sprawling campuses that encourage a community formed of your work colleagues, and all kind of indoctrinate you. Years ago a study was done on true Apple acolytes and under scientific observation they had the same reaction to seeing the Apple logo as true believers when show the cross. Eggers is on fire when he leans towards the dark humor. The book soars when comparing the three founders to the father, the son, and the holy ghost, or, as the case is here, an octopus, a shark, and a seahorse. Their inability to see who is the most dangerous of the three founders. The dark intents that "the son" has for the future. I just want to yell it from the rooftops that this is what works, this is what makes the book such an amazing read. But then Eggers comes along every once in awhile and goes all earnest and I want to smack him. Being earnest has no place in a dark satire, and those scenes when Mae is smiling or frowning at 50 million different "tweets" or posts while using so many screens it's almost incomprehensible I want to highlight them and ask Eggers to make the rest of the book like this.

Because whenever Mae has to deal with anything outside The Circle it's like a damp towel has been thrown over the book. Her off-campus life is painful to read. It's not just that there's no spark, no subversive humor, it's that it's too earnest. Mae dealing with her family and Mercer is painful. Yes, I know that this kind of needs to be the case. There needs to be a disconnect between her old world and her new world, but that doesn't mean it has to be so bleak. Her parents dealing with MS was almost too painful for me to read, and not just because I've spent this year suffering from caregivers syndrome, but because it didn't read true. It read as plot contrivances. We need Mae's parents to push her further into The Circle and Mercer to be the sacrifice that is the nail in Mae's coffin. But could they at least have been written better? This needed the polish that the rapid fire dialogues Mae has with her co-workers received. It just needed to be a piece with the rest of the book. THIS is what makes the book uneven. This disconnect between her two worlds, like trying to shove a FireWire cable into a USB port, and it needed to be addressed. As did Mae's love life, because Eggers sure doesn't know how to handle sex in a way that isn't clunky and unbelievable. But I'm willing to tackle one subject at a time.

For my final subject I will tackle tech. Technology is rapidly changing and each year that passes it speeds up more and more. By the time you buy a new phone or computer it's already obsolete. Just think about this, in my lifetime computers have gone from the size of large rooms to being able to be held in the palm of your hand and I'm not yet forty. And that computer in your hand is FAR more powerful than the one that took up a large room or perhaps even several buildings. Phones are now in our pockets instead of only in houses and on street corners. Therefore in the five years that have passed since The Circle was first released the leaps and bounds in tech have lead the amazing and revolutionary tech that Eamon Bailey introduces in his big presentation that Mae goes to laughably out of date. SeeChange, the streaming camera service that causes Mae so much grief but then makes her a celebrity is common now. When Bailey is talking about how crystal clear images can be I was thinking, yeah, just look at Netflix, or Hulu, or even Skype. This "revolutionary" tech is no longer so. Which makes me wonder about the longevity of The Circle. Will it somehow become a dystopian classic that looks back on a certain time with it's quaint tech or will it be forgotten? Personally, I think it will be forgotten. If you look at the classics of this genre there's a timelessness to them. While they may have been written in the 70s or the 80s they don't quite feel of that time but of all times. The Circle feels very much of one time and I fear it's time has already passed.

Friday, March 4, 2016

Book Review - Gath Nix's Newt's Emerald

Newt's Emerald by Garth Nix
Published by: Katherine Tegen Books
Publication Date: October 13th, 2015
Format: Hardcover, 304 Pages
Rating: ★
To Buy

To celebrate Truthful Newtington's eighteenth birthday her father has invited the people she loves most in the world, her three cousins, Edmund, Stephen, and Robert, for a family dinner. The five of them have a wonderful repast where Truthful's father regales them with stories of his time at sea. Though his weather magic does accidentally bring on a real gale. Yet a small squall will soon be the least of their worries. While Truthful won't inherit the famous Newtington Emerald until she's in her twenties, her father brings it out from it's hiding place and they are all mesmerized by it's worth as a stone and it's power as a magical artifact. But the unthinkable happens and the emerald is stolen. Truthful's father is taken to bed and he blames the three young cousins. In an attempt to clear their names they vow to Truthful that they will solve this heist and restore her father's health. Frustrated that she can't go out into the world and try to find the emerald for herself Truthful concocts a plan. She was supposed to leave for her Great Aunt's house in London in a few weeks to be presented and have her first season. What if she just left a few weeks earlier and used that time to find the emerald? Dragging her begrudging maid Agatha along, Truthful has no idea of the adventures and dangers that await her in the thriving metropolis. With her Great Aunt's help they concoct a male identity for Truthful based on a distant relative so that she may move freely in the quest for the emerald. Truthful's alter ego soon has a compatriot, a Major Charles Harnett. Yet working with him so closely he's bound to find out the truth of her secret identity and her heart. Little does she know that no one is as they appear.

In his author's note Garth Nix freely admits that Newt's Emerald started out as a plot contrivance of another very different sort of book. I have to wonder if perhaps it should have stayed that way. It's like someone told him Regency sells really well and he went to his trunk and dusted off the skeletal remains of that previous book, forgetting that there's a reason trunk books stay in the trunk. Also, for a Regency book to sell, perhaps get the Regency right? Seriously, I CAN NOT stress this enough. If you are writing a period book, even if it's fantasy during a certain period, you need to know the societal conventions and mores so that IF you decide to break them you at least know that you are. Nix needed to spend more time actually doing research instead of re-reading all of Georgette Heyer and Patrick O'Brien. Or at least re-read all of Austen, instead of just a few. Austen wrote six books yet Nix had time to read all twenty-one books in the Aubrey-Maturin series? Not to mention all twenty-six Heyer Regency romances! I'm not slamming these books, it's just they are written after the fact by modern authors. To get an actual feel about the period read books from that period. There's more then one reason people revere Austen, and one is how she perfectly captures the time period in which she lived!

Or how about a reference book? What Jane Austen Ate and Who Charles Dickens Knew by Daniel Pool will fix such glaring errors of Truthful being improperly addressed. She is the eldest, and in fact only daughter of Admiral Newtington and therefore should be addresses as Miss Newtington, never Miss Truthful, which anyone who read Pride and Prejudice should know! Jane Bennet is addressed as Miss Bennet because she is the oldest, while Elizabeth, being younger, is addressed as Miss Elizabeth Bennet. But that is if Truthful wasn't a peeress. Instead she should be addressed as Lady Truthful Newtington, NEVER drop that Newt! I mean you can find this by simply googling "how to address a lady in the regency period" and seeing as Nix seems too busy to even provide a full glossary for his readers and tells them to use google, well the LEAST he could do is abide by his own ruling. But this doesn't even come close to the faux pas of Truthful dancing with men she has never been introduced to! What heathen society is this I'm reading about. This is not good ton! And this doesn't even scratch the surface of the sartorial errors. Gloves in the house! Bonnets at the dinner table! You'd look ridiculous carrying a reticule from room to room in your own house! And has Nix EVER seen a Regency silhouette, voluminous skirts my eye! The waist doesn't drop till 1820 with the skirts not going wide till 1825!

But the glaring errors weren't my only problem with the book. The fact that it goes on overly long was one, which I thought might be fixed reading the original novella, PS, it wasn't, because it was exactly the same and I was basically tricked into reading this book twice. Also I might have been a little more forgiving of Nix's lackadaisical attitude to the Regency if he had bothered to create a world that was interesting. Or at least logical. Reading other reviews I saw time and time again that the number one criticism of this book for those who aren't Regency obsessives was the lack of a convincing system of magic. Worldbuilding is KEY no matter if you are tweaking an already extant world or creating a new one. But seeing as Nix couldn't even properly reflect reality how can he be expected to create an entirely new magic system? There's obviously fairies, but how do they figure in? Glamors are key but how exactly do physical charms break them? Then there's weather magic... so one might assume that there is elemental magic... just where does this come from? How is it used? You can't just drop things all over the place and not explain them. Is magic primarily in the upper classes? Is it exclusive to women or men or are they equal? Just something please. Some basic rules. Like focus on the elemental magic, go with that. Build on that. Just build something. ANYTHING! BUILD YOUR WORLD! And what's with the talking to animals?

If we strip away all the fripperies as Nix sees them, such as historical accuracy and worldbuilding, we are basically left with Twelfth Night. I've never been a big fan of girls dressing up as boys to go fight or save the family honor or protect themselves. It's always seemed cliched and unbelievable and most of all trite. Which is probably why I hate Shakespeare's Twelfth Night so much. It's entirely unbelievable to me that Viola could pass as Cesario. Therefore I don't believe that Truthful could pass as the Chevalier. Yes, they make a big to-do that this wouldn't work without that little bit of glamor, but seriously? Ugh. I know it's all about saving the family honor and being a hero, or heroine as the case would be, but it's just so played out. And the falling in love with the hero while in disguise, gag me now. When it came out that her "disguise" actually makes her look like her cousin Stephen, I almost banged by head against the wall. Damn you Shakespeare and Twelfth Night! This is a hackneyed story. This type of story is over, it's done. It should have been killed off in 1985 with the horrid movie Just One of the Guys. Yes, there might be someone out there who could bring some originality to it, but it's not Nix and it's definitely NOT Newt's Emerald.

What made me even more annoyed with the cross-dressing trope was that all the adults in Truthful's life seemed to be in the know and were indulging her with a wink and a nudge. Excuse me? Her guardians were indulging her impropriety and the possibility of her being ruined? It just seems too unlikely. This wasn't exactly a time when people shook their heads and said "kids will be kids." This was a time following a very harrowing war with danger still lurking in the shape of French foreign agents and well gosh darn it all, let Truthful risk her life if she's having some fun. While yes, the only character I actually liked in the book was Truthful's Great Aunt Ermentrude because while appearing respectable she really was an exotic and wild old doyenne who sat around with scimitars and wore fezzes, she made an effort to be conventional in the eyes of society. So while, yes, she herself might conceivably be a little indulgent in Truthful's behaviour, I really think she should be more concerned with her great niece's welfare and reputation. By the time Ermentrude and Charles's aunt, Lady Otterbrook, are conspiring to make a match of the two young ones they seem gleeful with innuendo and sly asides. This isn't the French Court before the revolution people! This is staid old England, and while it was more human than some history makes it, there's just no credibility in the version that Nix is presenting us. There is just annoyance and a lot of rage reading. Twice over in my case.

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