Showing posts with label Golem. Show all posts
Showing posts with label Golem. Show all posts

Wednesday, July 10, 2024

Book Review - Michael Chabon's The Amazing Adventures of Kavalier and Clay

The Amazing Adventures of Kavalier and Clay by Michael Chabon
Published by: Picador USA
Publication Date: September 19th, 2000
Format: Paperback, 639 Pages
Rating: ★★
To Buy

In 1939 Europe isn't safe if you're Jewish. Josef Kavalier lives in Prague but is unable to use the travel visa his parents obtained for him due to the ever changing policies of the Nazi Party. "Joe" was studying escapology and his teacher, Bernard Kornblum, has a plan. To smuggle Joe out with the Golem of Prague, a prize the Reich desperately wants. Concealed in the coffin Joe eventually makes his way to New York City and his cousin Sammy Klayman. Joe's one mission on reaching New York City is to find a way to get his family to join him. This requires money. Upon learning of Joe's artistic abilities as well as his knowledge of escapology, Sammy comes up with a plan that he pitches to his boss, Joe and Sam, under the moniker Kavalier and Clay, are going to write a comic, The Escapist. The Escapist will fight Fascism and punch Hitler in his ugly mug and laugh in the face of Germans with his Golden Key that lets him escape any bonds. But the creators of the comics, while decently paid, often didn't get the monetary rewards or fame they deserved. Even when the comic makes the leap to radio. The cousins grow frustrated. Joe has his family to rescue and a girl he's fallen for, while Sam has literary ambitions and is coming to grips with his sexuality, awakened due to the voice actor who plays the Escapist. These aspects of themselves and their desires play out in the worst way possible. Joe's family dies. Even his younger brother, Thomas, whom he had managed to get out of Europe. Thomas's boat, The Ark of Miriam, was bombed by a German U-boat and he now lies dead on the ocean floor. Meanwhile Sam is involved in a police raid on a getaway with several other homosexuals. He is violently assaulted and raped by FBI agents. When he finally makes his way back to New York City he finds that Joe is gone, he's enlisted in the Navy, and his girl, Rosa, is pregnant. Sam's trauma after his assault makes him sublimate his homosexuality and he wants to live a "normal" life. A nice nuclear family in the suburbs with a white picket fence. Which is what he offers Rosa. They can marry and raise little Tommy as their own. Only they will know the truth. That is until one day when Joe finally returns to their lives. Will Kavalier and Clay reunite or will all their lives once again implode?

I have repeatedly tried to embrace Michael Chabon and I just can't. There's no doubt he has immense talent as seen in his stunning prose. I just don't like what the prose are about or how they're structured. And I really think that it's not just his writing I dislike, I dislike him as a person. But it hasn't evolved to the hate I hold for his microdosing wife. So yes, applaud his use of obscure and verbose language, which, coming from Columbia University leads to Pulitzers, but coming from me, is a backhanded compliment. You shouldn't need a dictionary to read a book. And the thing is, I really tired with this book. I really really did because it's one of my friend's favorite books and to just have to say it wasn't for me left my stomach completely tied up in knots. Seriously, the stomach acid produced was extraordinary. I had to see my doctor. But this mix of magical realism and historical fiction with a weird Lovecraftian sidequest just didn't work for me. Though what it really came down to is Jack Kirby. It would not be hyperbolic to say that comics as we know them would not exist without Jack Kirby. Kirby, with the occasional assist from Stan Lee, co-created some of the most famous superheroes that now make up the MCU, from Captain America to Thor to the X-Men. With Joe Simon he created the single most famous comic book cover of all time; Captain America punching Hitler. That cover was published in March of 1941, nine months before the United States finally entered WWII. And for many it felt like the call to arms it was. But also a shocking statement from an unexpected source, a Jewish comic book artist. Kirby died in 1994 and tragically his later years were spent fighting Marvel to exert control over properties he had created. A struggle that his children continued. Marvel wanted to consign Kirby to history while Stan Lee "hijacked" Kirby's legacy to embolden his own and become "the man." The only way to sum up Kirby's legacy is that he was done wrong by. Therefore I have major issues with this book. I know that in his afterword Michael Chabon states that he wants "to acknowledge the deep debt I owe in this and everything else I've ever written to the work of the late Jack Kirby, the King of Comics." So, you were so in his debt that you did what everyone else had done before and hijacked his life to create your fictional story!?! You had other artists creating his Captain America cover when real comic book artists appear in this book. You could defend Chabon by saying that his characters are an admixture of several real life comic book artists... And yet he singles out Kirby. Chabon, I don't care who or what you are but you done wrong by Kirby and therefore you done wrong by be.

Wednesday, September 12, 2012

Summer - George Mann

They sat beneath the crumbling arches of a ruined abbey, taking tea and scones in the waning afternoon light. Nearby, an automaton gave gentry folk a tour of the formal gardens.

The summer had passed in a haze of adventure: patchwork golems rendered of iron and flesh; glowing terrors on the welsh marshes; glass men animated by the strangest blue aether; revenants loose in the Houses of Parliament.

Newbury smiled warmly. "Finally," he said, taking her hand. "Some time to ourselves."

"I fear not," sighed Veronica, glancing over his shoulder. "Here comes Sir Charles, and his face is like thunder."


George Mann has been "messing around writing 100 word Newbury and Hobbes stories recently." So, when he offered to write one especially for Steampunk Summer I jumped at the chance. As he told me, he "might not have time for a lengthy blog post" but what he has written is pure magic. I quite literally spent a few months trying to find a picture that would complement the text but without taking away from the visual it created in my mind. I know it doesn't do the text justice, but it's a place your mind somewhat conjures, if not precisely, when you are lost in George's words. Look for more George in the coming days!

Tuesday, July 10, 2012

Book Review - Deborah Harkness' Shadow of Night

Shadow of Night by Deborah Harkness
Published by: Viking
ARC Provided by Viking
Publication Date: July 10th, 2012
Format: Kindle, 592 Pages
Rating: ★★★

To Buy

Diana and Matthew did it! They have successfully arrived in 1590 at Matthew's house in Woodstock. Diana thought that getting there would be the hard part, but that was easy compared to being thrown directly into the middle of the School of Night. The smartest and savviest and most renowned and infamous men of the age seem to view Matthew's house as their home... and they do not care for Diana, at first, or forever as the case may be with the lovestruck Marlowe. Soon it becomes apparent that maybe this wasn't the best idea. Matthew has drastically changed from the man he was then, not to mention the lack of a beard. And Diana... well, she obviously doesn't fit. From language to comportment to behaviour. She. Doesn't. Fit. Though as scary as being found out is, the summons from Matthew's father is even scarier. He could bring this world down around them in a flash.

Travelling to Sept Tours and living amongst Matthew's past is trying for Diana, as is the fact they have done nothing that they planned to do. She is still ignorant of her abilities and Ashmole 782 looks as if it is never to be found in the past. Matthew and Diana are buffeted around by all the people who have a claim on them, from Philippe to Queen Elizabeth to Emperor Rudolf II to the Congregation, from France to London to Prague, they try to fit there lives and their needs among the demands of these great people. As time goes on, there is more and more of a chance of effecting the past and there is more and more of a need for Diana to learn her craft and find her book and get home. Luckily, fate does seem to occasionally shine on them and sometimes their tragedies turn into greater joys.

Shadow of Night literally picks up right where A Discovery of Witches ended. While I enjoyed the first book, though didn't view it as a staggering piece of genius, but more as Twilight for the more educated adults out there, I found myself liking this book more. There were still times when I felt it was too Twilighty, what with the importance of Matthew's family, his desire for a wedding before coupling, the desire for Diana mixed in with feelings of blood lust, but at least it's obvious that Harkness knows this and she does parody it with a conversation about modern literature at Sept Tours. There where a few other mild annoyances I will mention here because they seem to fit this "Twilight" category versus any other. If Diana and Matthew had only been together for 40 days, how could her period be "off" when it barely had time to be on? Supposedly her torture changed her cycle... but only having your period different once doesn't indicate a trend of irregularity. Continuing in the vein of bodily functions, some of there sex scenes where veering towards the eww versus the aww.  "With my spine bowed, he was poised at the entrance to my womb." Icky, no thanks!

Now, let's discuss what really annoyed me, Diana's ignorance. For someone who is supposed to be a historian written by a historian, I might add, Diana is really dumb sometimes. Diana mistook a silver shaker, aka a Pounce Pot, for a salt shaker. Even if you don't know the technical term, anyone who has watched any period drama knows that there is a silver shaker that is on all writing desks that contains sand, or a similar substance, and it is an aid for absorbing excess ink in letter writing. Not one person I know would go, "oh look, salt" and then complain about it's grittiness. Grrr Diana. Also, how does a historian not know that at the time of Queen Elizabeth St. Paul's wasn't the St. Paul's by Christopher Wren, seeing as that wasn't for almost two hundred years and a great fire needed to happen. Then there's the use of the word tisane, which is an herbal tea. I can allow that Diana would use it, because she's from modern times, but the fact that others would understand it is impossible. It's from the 1930s! Then there's the quintain. I've known what a quintain was most of my life, probably because I have a younger brother who loved medieval jousting. Again, Diane must have seen a movie or a reference to the sandbags on pivots used to train in jousting. Even if she didn't know the name, she should at least know it's NOT a gibbit. The real shocker of ignorance though was when she asked a kindly Jewish man why he had a golden ring embroidered on his clothing. Facepalm Diana, facepalm. Even the Nazis used a similar method for the demarcation of being Jewish. Girl, you need to catch up on some history.

The School of Night was also another note of contention for me. Mainly because we are thrown, with Diana, head first into this group of intellectual men and have to spend the entire first part of the book listening to them bickering and sharing barbs and witticisms while desperately trying to remember who's who. These people are nothing to me. They are historical figures that are there to add to the mystique of Matthew's past, but instead just pissed me off. I liked Kit being a bitchy little boy, but other than that, I could take them or leave them. Which is much how I felt for many of the historical sections of the book... oh, who am I kidding, almost all of the historical sections. When I had an investment with Diana or Matthew or another character, than the history mattered and fascinated me. The characters she created of the young witch Annie and the street urchin Jack where lovely and broke my heart. When they where in Prague I couldn't put this book down. Yet previously I felt that we where being led on a tour of Elizabethan England. I was reading a travel guide for the time, not historical fiction. I quite literally cheered when Diana said it was "time to stop treating our sojourn here as an advanced seminar in Shakespeare's England." Because that was what the book was! Hundreds of pages of exposition, when they came to search for the Ashmole 782 and get Diana learned in the dark arts. I didn't need them playing Elizabethan house for the whole first half of the book!

Though the negatives, which I can pinpoint, while occasionally taking me out of the book (tisane, grummble grummble), didn't take away from the fact that this is a fun book. Once everything started to come together that is. When the magic started to be incorporated and we didn't dwell on the barbs and witticisms of the men, I felt the book finally became what Diana had set out to find. The way that spells are different than magic, at least for witches other than Diana. The familiars that would reside in you. Also, the way other religions magic was touched on, like the Jewish witch's Golem. A total aside, but golems are awesome, ever since I read Terry Pratchett's Feet of Clay I have been a friend of the Golems! Though not Tolkien's Golem, just so we're clear, my preciouses. This was when the book became what I was hoping it would be. We went beyond the typical challenges of a girl and a vampire love story and Harkness brought something new and interesting. Of course, seeing as this is the second book in a trilogy, we where left hanging to some extent, but at least I was satisfied enough till the next book.

Wednesday, September 8, 2010

Book Review - Terry Pratchett's Jingo

Jingo (Discworld Book #21) by Terry Pratchett
Published by: Harper Torch
Publication Date: 1997
Format: Paperback, 437 Pages
Challenge: Terry Pratchett, Typically British
Rating: ★★★★★
To Buy
Sir Samuel doesn't like the pomp and circumstance of his new job title and role of husband. And he really doesn't like tights. So when an assassination attempt is bungled during a parade, obviously for Sam it's an improvement. Because the chase is what it's all about. Worry about the details later. But why would anyone want to murder the Klatchian Prince? Could it be because a very strategic island has magically appeared between the two countries and war seems imminent? With the Guild leaders and other Lords becoming power hungry and war mad, forming up militias, it's short work for them to oust Lord Vetinari and even Sir Samuel. But the key to Sam continuing to keep the peace is that handy little "sir." That sir that means he must form his own band of merry men, and who could be merrier than the city watchmen? I mean watchtrolls, golems, dwarves, zombies, werewolves, kings and Nobby (you can't really categorize Nobby). Following the leads to one 71-hour Ahmed, who then flees with Angua, means there is a ship to be requisitioned and a friend to be rescued... even if that means going all the way to Klatch. Of course the Patrician has other plans for Sergeant Colon and Nobby in a mysterious underwater vessel. But once in Klatch things get out of hand, with the watchmen being held by the D'Regs, a nomadic desert tribe known for their ruthlessness and hospitality, as well as Nobby trying to pass for a woman. But will war be avoided and can life return to normal? And can Sam ever look at his butler the same after knowing he bit off a mans ear in bloody warfare?

Terry Pratchett is the ultimate in social satire and the skewering of political situations. His handling of war is no less acute and poignant. The majority of Pratchett books seem to take me awhile to get into, but once fully ensconced, it's one of the best books I've read in ages, and this was no exception. The beginning with the whole second bowman and allusions to the Kennedy assassination was not quite working. But once Sir Samuel's path was set as the head of his own private army, it being a lords duty to protect his land and county, the book just took off. Part raucous pirate story part Lawrence of Arabia I did not want to set the book down. It's not that it just shows the flaws of war and a society hell bent on just creating hell. It shows the humanity of not just one side but both sides. The children who end up fighting people who they thought of as their friends. The lack of justice in war and the real justice that doesn't exist and maybe should... also the pointlessness of it all. For centuries jingoism dominated all countries foreign policy. A policy bent on domination and control. But despite the more "racial" jokes, they are not used derogatorily, but to show the inherent racism that still exists without any justification. The blind hatred and stupid bickering over something that is there one second and gone the next is never shown more clearly than by Pratchett who makes us laugh at our own stupidity and history, but makes us think, and then, if we're smart enough to listen... change.

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