strange and random happenstance

Twenty Seasons of Mobil Masterpiece Theatre 1971-1991 edited by Gregory Vitiello
Published by: Acme Printing Co.
Publication Date: 1991
Format: Hardcover, 112 Pages
Rating: ★★★★
Out of Print

Television needed something that was culturally significant. WGBH in Boston, underwritten by Mobil, brought us Masterpiece Theatre in 1971. A show to create a new golden age of television by airing the best that Britain had to offer. Not just shows by the BBC, but any British channel that produced quality could qualify. But they needed someone that would lend a gravitas and a voice to the show and that is where Alistair Cooke came in. Most known for his radio show, Letter from America, he was the voice of the Englishman abroad. Who better to be the standard bearer for this show that was being created? But he was extremely busy, but the brains behind Masterpiece Theatre were extremely persistent. Soon he was watching the shows wherever he was in America working on his thirteen-part documentary, America: A Personal History of the United States. He'd work out his thoughts, do research, and fly into Boston to film his bits making it the busiest time of his life. Aside from thinking that The First Churchills was filled with too many bewigged men who didn't know which direction the camera was facing, he knew they had something special. A feeling of the literary, a feeling of the theatrical, brought right into people's homes. A story they could follow over time that became the place to be. A place that was popular, and received many accolades in it's early years, but went stratospheric when they picked up a show that was their first wholly original show not based on historical figures. That show was Upstairs, Downstairs. Jean Marsh reminisces on how she and Eileen Atkins approached British executives about their idea for a show and how the only writer they could think of was Harold Pinter the playwright. While it was John Hawkesworth who helped bring the show to life with his stable of writers whose name you would see year after year on Masterpiece Theatre, Harold Pinter eventually did get a look in with The Heat of the Day which has a stunning poster by Bernie Fuchs. Upstairs, Downstairs ran for five seasons and won numerous awards and had Americans spellbound by the tales of the Bellamy family and their servants. It all came crashing down with the stock market crash of 1929, but the show had solidified itself as a classic of television. Year in and year out, Masterpiece Theatre was broadcasting shows that Americans were voracious for. Before the age of binge television they were the gold standard of event television. Though whomever scheduled Talking Heads: Bed Among the Lentils to repeat on New Year's Eve had a sick sense of humor. Masterpiece Theatre, no matter what it's name now, will forever be a masterpiece.

I feel so validated! Alistair Cooke didn't like The First Churchills either! And no, I did not buy this book off eBay to validate my opinion, it was just a happy coincidence that he trashed a show I deeply disliked in his introduction. I bought this book off eBay because I wanted the full color reproductions of twenty-six of the gorgeous posters Mobil commissioned for the series. Some of them I had never even seen before. In fact, there were around two-hundred movies and miniseries that aired while Mobil was a partner with PBS, and if they all had artwork that means despite my due diligence I have only seen around forty percent of them. Many of which I want on my walls. And I really want the Bleak House one with Diana Rigg if anyone is looking to buy me something really expensive. And until someone finally creates the definitive book of all the poster art over the years done by artists from Symor Chwast to Bernie Fuchs to Al Hirschfeld this is the next best thing. Other than the posters this book is thin on content. Aside from Alistair Cooke's "A Personal Memoir," Allen E. Murray, the Chairman and Chief Executive Officer of Mobil Corporation, does the forward, Brendan Gill, a journalist for The New Yorker, has a piece called "By Way of Homage," while the remembrances of Jean Marsh are probably the only writing in this book readers actually cared for as she talks about Master James polishing her Wellies. The book is organized chronologically and lists the original airdates and repeats of every single show aired over the first twenty seasons of Masterpiece Theatre. Each season has one but never more than two shows spotlighted with a paragraph or two on each and exactly three pictures. This is very much in the vein of guides you'd buy of shows before the internet era so that you'd know all the episode names and interesting facts, like the Buffy the Vampire Slayer: The Watcher's Guide, but on nicer paper and with less detail. So IMDb in book form. Life was so much harder before IMDb. Though I have to say some of the seasons when they went with a theme this book actually lists the titles far more accurately than any website I've consulted over the years. So take that IMDb! What I took away from this book, besides lots of pleasant memories of shows I have watched and all the posters I want to own, is that in the early days they really formed Masterpiece Theatre around literature and it's importance. How by airing a story over many weeks worth of Sunday nights they gave viewers the same experience of readers back in the day when a story was serialized by the like of Dickens in his literary magazine All the Year Round. They wanted to make a televisual event where they connected with their audience and created a cultural experience. There was no binging, there was a bringing together of like-minded individuals at a certain place and time. And all these years later as I make it my goal to watch every episode of Masterpiece Theatre, many of which are sadly impossible to find, I still feel that connection. That cultural zeitgeist that took hold of a nation before I was even born is alive and well.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alistair Cooke, Bernie Fuchs, Eileen Atkins, Fifty-Five Years a Masterpiece, Harold Pinter, IMDb, Jean Marsh, John Hawkesworth, Masterpiece Theatre, Mobil, Posters, Symor Chwast, The First Churchills, Upstairs Downstairs

Upstairs Downstairs by John Hawkesworth
Published by: Nelson Doubleday
Publication Date: 1971
Format: Hardcover, 243 Pages
Rating: ★★★
Out of Print

165 Eaton Place sits on the North side of the street in Belgravia. Above stairs there's Richard Bellamy, a conservative MP, and his wife Lady Marjorie. There two children are no longer at home with James in the Life Guards and Elizabeth at a finishing school in Dresden, Germany. Below stairs there's the butler, Hudson, and the cook, Mrs. Bridges. Under them are Alfred the footman, Rose the houseparlourmaid, and Emily the kitchen maid. The downstairs staff is completed by Miss Roberts, Lady Marjorie's Lady's Maid, and Mr. Pearce the chauffeur. The household are in need of an under houseparlourmaid after the last one came to a bad end. Lady Marjorie is interviewing one Clemence Dumas whom most of the staff are rooting against. Except Emily, but she's a romantic, and the tall tales Clemence spins have already won over the kitchen maid. Against all expectations Lady Marjorie takes on Clemence, rechristened Sarah, for a trial period. Almost at once she's causing a scandal by sitting for a portrait for the same artist that is painting Lady Marjorie. The painting of "the maids" is so salacious juxtaposed with the more traditional portrait of Lady Marjorie that the news is actually picked up by the local papers. Though it wouldn't be proper to send Sarah packing because of her naivete for trusting a painter the Bellamys themselves shouldn't have trusted. Thankfully they luck out soon enough when they are away for the summer and the servants play at masters and James Bellamy arrives home. A charged moment between him and Sarah makes her realize that she doesn't want to exist to prop up the lives of others, she wants to live her own life. A desire that may come back to haunt her. But for the Bellamys life goes on, Elizabeth returns from abroad, nowhere near as finished as they'd hoped and wanting to talk about German philosophers with everyone. A lady should only talk about the weather and never about politics, especially to politicians. Her behavior soon has her banished by her family from London. And despite their actions their dearest wish is that Elizabeth would be happy, so she comes and goes, trying to make a place for herself in society. But when the first man she falls for was using her as a pawn to get to her father and then runs off with the footman, she thinks that her love life is doomed. All is not lost. Not for her parents or for Elizabeth herself when she falls in with revolutionaries and meets the poet Lawrence Kirbridge. After much trial and tribulation, both for the masters and the servants, maybe an approximation of a happy ending is on the horizon. Though with Sarah back on the scene and stepping out with James the happy ending depends on your point of view.

If you're a fan of the original Upstairs, Downstairs I know the question on the tip of your tongue, and it's who the hell are these people on the cover of this book!?! It's like someone asked AI what the cast of Upstairs, Downstairs looked liked and this weird amalgamation of seventies business suits and mobcaps was churned out. But I can assure you, this is the real cover because I actually scanned it into the computer myself from my copy. My guess is that they were trying to lure in readers who weren't aware of the television show and therefore have these generic models because Richard Bellamy sure as hell wouldn't show that much ankle. Yet the selling point in the United States should have been that you could read the first season as it was meant to air, minus episode six, "A Cry for Help," and episode eleven, "The Swedish Tiger." Because when Upstairs, Downstairs first aired in the United States in 1973 what was shown was a weird hybrid of season one and season two where the twenty-six episodes where reduced down to thirteen. Obviously some of this had to do with the fact that the first six episodes were in black and white because of the Colour Strike with only the pilot being reshot for color. But still, that is A LOT of story to omit. So American audiences could have turned to this book written by John Hawkesworth, who turned Jean Marsh and Eileen Atkins's idea into the beloved show and produced the series and wrote twelve episodes of it as well. But the thing is, John Hawkesworth wasn't an author he was a screenwriter, so this book comes across more like a script treatment, where the dialogue is bulked out with minimal descriptors. So there's no insight and without the actors imbuing their characters with life they come across as flat and unlikable. In fact the omission of "A Cry for Help" in particular was detrimental to the understanding of Richard Bellamy's character. This lack of insight made the book feel more antagonistic, more us versus them instead of one household working together. What did work was the added history. Upstairs, Downstairs was known for it's incorporation of historical events, which occasionally verged on the preachy side with their teachable moments. I know everyone seems to love the episode "A Patriotic Offering" about Belgian refugees, but I've never liked it, mainly because of Hudson's racism. Though overall the extra bit of background, especially about the dreadnoughts, was welcomed. This is just such an odd book because it flattens some aspects and invigorates others, especially when the characters are away from the house. But in the end the problem is there is no arc to the book because there was no arc to the show. This book makes me simultaneously want to binge the show once more but also to never watch it again. It shows the ups and downs of the series rather well and, well, by the end of the book you could see even John Hawkesworth wanted it to come to an end as the episode dramatizations got shorter and brusquer. He just wanted it over with and regrettably so did I.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: 165 Eaton Place, A Patriotic Offering, AI, Belgian Refugees, Belgravia, Bellamy, Colour Strike, Eileen Atkins, Fifty-Five Years a Masterpiece, History, Hudson, Jean Marsh, John Hawkesworth, Novelization, Upstairs Downstairs

Emily Wilde's Compendium of Lost Takes by Heather Fawcett
Published by: Del Rey Books
Publication Date: February 11th, 2025
Format: Hardcover, 368 Pages
To Buy

The official patter:
"The third installment in the heartwarming and enchanting Emily Wilde series, about a curmudgeonly scholar of folklore and the fae prince she loves.

Emily Wilde has spent her life studying faeries. A renowned dryadologist, she has documented hundreds of species of Folk in her Encyclopaedia of Faeries. Now she is about to embark on her most dangerous academic project yet: studying the inner workings of a faerie realm - as its queen.

Along with her former academic rival - now fiancé - the dashing and mercurial Wendell Bambleby, Emily is immediately thrust into the deadly intrigues of Faerie as the two of them seize the throne of Wendell's long-lost kingdom, which Emily finds a beautiful nightmare filled with scholarly treasures.

Emily has been obsessed with faerie stories her entire life, but at first she feels as ill-suited to Faerie as she did to the mortal world: How can an unassuming scholar such as herself pass for a queen? Yet there is little time to settle in, for Wendell's murderous stepmother has placed a deadly curse upon the land before vanishing without a trace. It will take all of Wendell's magic - and Emily's knowledge of stories - to unravel the mystery before they lose everything they hold dear."

I am so excited for this book, not the least of which is what I have planned for my blog later this year.

The Confessions of a Lady by Darcy McGuire
Published by: Boldwood Books
Publication Date: February 11th, 2025
Format:Paperback, 320 Pages
To Buy

The official patter:
"A brand new spicy upstairs/downstairs historical romance featuring the Queen's Deadly Damsels!

Dare she risk revealing her secrets?

In the world of upstairs and downstairs, Lady's maid Penny Smith is able to work anonymously, quietly hiding in the shadows of of Lord William Renquist's household. She's seeking out perpetrators of the Devils Sons and she suspects the man she works for to be a member. But when she meets the infamous Liam, she's taken aback by his disarming eyes and feels her resolve begin to waiver.

Liam's intrigued by his newest maid. But as much as she invites a deep desire within, he knows he must keep his distance. Not only because society says so, but because he is the son of a wicked man and the sins of his family need to be repaid. He has made a vow to the Queen to avoid distraction and assist in her mission."

Could they share a mission and perhaps more?

The Viscount of St. Albans by Natania Barron
Published by: Rebellion Publishing Ltd.
Publication Date: February 11th, 2025
Format: Kindle, 350 Pages
To Buy

The official patter:
"Sense and Sensibility and Vampires.

Silas Drake, the Viscount St. Albans, is one of the most desirable bachelors in England: approaching thirty, wealthy, and poised to inherit his father's seat in Parliament. His aunt, the dowager viscountess, insists he marries well, and soon - or she'll take matters into her own hands.

But his love belongs to Viola Brightwell, who is a commoner of modest means...and a vampire. Newly transformed after the recent battle to save Netherford, Viola rages in a locked room in Silas's mansion, wrestling with the violent passions of her new affliction.

As Silas struggles to balance the demands of his rank with the desires of his heart, he finds himself at the centre of a conspiracy by ancient and terrible powers..."

Regency Magic!!!

The Moonlight Healers by Elizabeth Becker
Published by: Graydon House
Publication Date: February 11th, 2025
Format: Hardcover, 336 Pages
To Buy

The official patter:
"A powerful debut with a magical twist about one woman's discovery of her family's secret healing abilities and the mysterious consequences she must contend with when she uses them on someone she loves.

For generations, the Winston women have possessed an unspoken magical gift: they can heal with the touch of a hand. It's a tradition they've always had to practice in secret, in the moonlight hours, when the fireflies dance and the whippoorwill birds sing.

But not every healer has rightfully passed on this knowledge to her descendants, and for young Louise Winston, the discovery of her abilities comes in less-than-ideal circumstances - she brings her best friend back from death following an accident, the day after he professed his long-held feelings for her, five days before she's supposed to move away.

Desperate for answers, and to avoid this new reality between them, Louise escapes to her grandmother's lush Appalachian orchard. There, she uncovers her family's hidden history in a tattered journal, stemming back to her brave great-grandmother who illicitly healed Allied soldiers in war-torn France. But just as Louise begins to embrace her unique legacy, she learns that it can also come with a mysterious cost. And with a life hanging in the balance, she'll be forced to make the most impossible of choices...

Spanning eighty years, The Moonlight Healers is a deeply empathetic, heartfelt novel about mothers and daughters, life and death, and the beautiful resilience of love."

Definitely a Pushing Daisies vibe.

The Watermark by Sam Mills
Published by: Melville House Publishing
Publication Date: February 11th, 2025
Format: Paperback, 544 Pages
To Buy

The official patter:
"A quirky, literary love story like no other, one that veers wildly from contemporary Britain to Soviet Russia to a bizarre but recognizable future, from one of the UK's hottest young novelists...

Rachel and Jaime: their story isn't simple. It might not even be their story.

Augustus Fate, a once-lauded novelist and now renowned recluse, is struggling with his latest creation. But when Jaime and Rachel stumble into his remote cottage, he spies opportunity, imprisoning them inside his novel-in-progress. Now, the fledgling couple must try to find their way back home through a labyrinthine network of novels.

And as they move from Victorian Oxford to a utopian Manchester, a harsh Russian winter to an AI-dominated near-future, so too does the narrative of their relationship change time and again.

Together, they must figure out if this relationship of so many presents can have any future at all.

The Watermark is a heart-stopping exploration of the narratives we cling to in the course of a life, and the tendency of the world to unravel them. Kaleidoscopic and wildly imaginative, it asks: how can we truly be ourselves, when Fate is pulling the strings?"

A dark Thursday Next!

The Spirit Collection of Thone Hall by J. Ann Thomas
Published by: Alcove Press
Publication Date: February 11th, 2025
Format: Hardcover, 320 Pages
To Buy

The official patter:
"A young woman forced to live with ghosts in a mansion frozen in time must decide between forbidden love and the price of freedom in this Gothic fantasy where Jane Eyre meets The Haunting of Bly Manor, perfect for fans of Starling House.

At Thorne Hall, a grand estate nestled in the Berkshires, fifteen restless spirits roam, bound within the mansion's walls since the Gilded Age. Elegy Thorne bears the weight of her family's curse to preserve the mansion as it was in the 1890s, using ancient folk songs to keep the spirits secret and silent in order to avoid deadly consequences.

When a mischievous child spirit wreaks havoc on the manor, the Thorne family calls upon their trusted preservationist to restore the mansion. He brings along his son, Atticus - a vibrant man full of life and ideas of modernization - and Elegy is captivated by him, igniting a longing for freedom she's never dared to embrace.

Torn between her desire to follow her heart and her duty to her family and its legacy, Elegy begins searching for a way to release the spirit collection back to the afterlife and set both herself and the ghosts free. With century-old secrets, peculiar magic, and spirits both whimsical and deadly, Thorne Hall will haunt and enrapture readers - and you might just not want to leave."

This sounds like a very dark reboot of Ghosts.

Unburied: The True Story of Hannah Beswick, the Manchester Mummy by Hannah Priest
Published by: Manchester University Press
Publication Date: February 11th, 2025
Format: Hardcover, 264 Pages
To Buy

The official patter:
"The macabre tale of an eighteenth-century woman immortalised in folklore as the 'Manchester Mummy'.

In 1835, the Manchester Natural History Society opened the doors of its museum. Taking pride of place in its collection were three mummies: one was Egyptian, one was Peruvian and one was a woman from Cheetham Hill.

This is the first time the true story of Hannah Beswick, the so-called 'Manchester Mummy', has been told. Over the years, explanations for the Manchester Mummy have ranged from the chilling - Hannah's fear of being buried alive - to the downright bizarre - the legend of her buried gold - but the truth is more complex.

Exploring this fascinating episode from museum history, Unburied sheds light on the Victorian turn to the macabre and changing attitudes to the display of human remains. It debunks the legends and asks what Hannah Beswick can tell us about death and dying, mummies and museums."

Victorian England, you always have to be the weirdest now don't you?

The Crimson Road by A.G. Slatter
Published by: Titan Books (UK)
Publication Date: February 11th, 2025
Format: Paperback, 368 Pages
To Buy

The official patter:
"A captivating dark Gothic fantasy set in the same universe as the award-winning author's All The Murmuring Bones, The Path of Thorns and The Briar Book of the Dead. A tale of vampires, assassins, ancient witches and broken promises, perfect for readers of Alix E. Harrow, Hannah Whitten and Alexis Henderson.

Violet Zennor has had a peculiar upbringing. Training as a fighter in underground arenas, honing her skills against the worst scum, murderers and thieves her father could pit her against, she has learned to be ruthless. To kill.

Until the day Hedrek Zennor dies. Violet thinks she's free - then she learns that her father planned to send her into the Darklands, where the Leech Lords reign. Where Violet's still-born brother was taken years ago. Violet steadfastly refuses. Until one night two assassins attempt to slaughter her - and it becomes clear: she's going to have to clean up the mess her father made.

By turns gripping and bewitching, sharp and audacious, this mesmerising story takes you on a journey into the dark heart of Slatter's sinister and compelling fantasy world in a tale of vampires, assassins, ancient witches and broken promises."

Yeah, I wouldn't want to go to the Darklands with a Leech Lords either.

The Ballad of Smallhope and Pennyroyal by Jodi Taylor
Published by: Headline
Publication Date: February 11th, 2025
Format: Hardcover, 352 Pages
To Buy

The official patter:
"From the globally bestselling author of the Chronicles of St Mary's and Time Police series - the origin story of bounty hunters extraordinaire: Smallhope and Pennyroyal.

Meet Lady Amelia Smallhope, for whom there is no problem that can't be solved by a drink and a think.

And Pennyroyal, for whom there is no problem. Ever.

Everyone's favourite bounty hunters. Sorry - recovery agents. No bad guy they can't handle. No expense account too flexible. No adventure too outrageous.

Join them as they settle scores, break every rule in the book and take the world by storm.

Fasten your seatbelts. The timeline doesn't know what's hit it."

I'd like to be the type of person where there is no problem ever.

Helle and Death by Oskar Jensen
Published by: Serpent's Tail
Publication Date: February 11th, 2025
Format: Paperback, 336 Pages
To Buy

The official patter:
"A snowstorm. A country house. Old friends reunited. It's going to be murder...Torben Helle - art historian, Danish expat and owner of several excellent Scandinavian jumpers - has been dragged to a remote snowbound Northumbrian mansion for a ten-year reunion with old university friends. Things start to go sideways when their host, a reclusive and irritating tech entrepreneur, makes some shocking revelations at the dinner table. And when these are followed by an apparent suicide, the group faces a test of their wits...and their trust. Snowed in and cut off, surrounded by enigmatic housekeepers and off-duty police inspectors, not to mention a peculiar last will and testament, suspicion and sarcasm quickly turn to panic. As the temperature drops and the tension mounts, Torben decides to draw upon all the tricks of Golden Age detectives past in order to solve the mystery: how much money would it take to turn one of his old friends into a murderer? But he'd better be quick, or someone else might end up dead...This witty murder mystery puts a modern spin on the classic country house whodunnit. A must-read for fans of Agatha Christie, Richard Osman and Janice Hallett."

Locked-room joy, with the bestest of tropes, a snowstorm! 

A Girl Like Us by Anna Sophia McLoughlin
Published by: Sourcebooks Landmark
Publication Date: February 11th, 2025
Format: Hardcover, 432 Pages
To Buy

The official patter:
"Succession meets Saltburn in a crackling locked-room thriller of inconceivable wealth, unchecked power, and the secrets poised to bring a powerful family down.

It's 2004 and former reality TV star and party girl Maya Miller has just married the most eligible bachelor on the planet: Colin Sterling, of the globally famous Sterling family whose history of aristocratic titles and land holdings rival a British royal and whose media empire is comparable to the Murdochs. To some, Maya represents the American dream. To others, a gold digger. But when Colin's cousin Arianna, the heiress to the family's immense fortune, is found murdered, Maya is thrust into the spotlight: first as she is revealed to be the next heiress to the fortune, and then as the prime suspect.

Swiftly, the entire Sterling family goes into lockdown at Silver House, the family's ancestral estate in the English countryside. They're told it's for their own safety - but Maya becomes convinced that it's not to keep threats out, but to keep secrets in. Now, she has no choice but to find and expose the truth hidden within the Sterling family, and why Arianna, a girl she had never met, chose her to take her place. But Maya has secrets of her own. And she knows that in order to survive the Sterlings, she'll have to beat them at their own game."

Always be wary of marrying wealth!

The Dollhouse Academy by Margarita Montimore
Published by: Flatiron Books
Publication Date: February 11th, 2025
Format: Hardcover, 320 Pages
To Buy

The official patter:
"From the national bestselling author of GMA Book Club Pick Oona Out of Order, a novel about two best friends and aspiring actresses who join the Dollhouse Academy, where stars are made and dangerous secrets are hidden

Ivy Gordon is living on borrowed time. For the past eighteen years, she has been the most famous star at the Dollhouse Academy, the elite boarding school and talent incubator that every aspiring performer dreams of attending. But now, at age thirty-four, she is tired of pretending everything is fine. In secret diary entries, Ivy begins to reveal the truth of her life at the Dollhouse: strange medical exams, mysterious supplements, and something unspeakable that's left Ivy terrified and feeling like a prisoner.

Ramona Halloway and her best friend, Grace Ludlow, grew up idolizing Ivy. Now both twenty-two, neither has made much headway in showbiz until a lucky break grants them entry to the Dollhouse. They're enchanted by the picturesque campus and the chance to perform alongside their idols. When Ramona begins to receive threatening anonymous messages, it's easy to dismiss them as a prank from a rival. Her bigger concern is Grace's skyrocketing success, while Ramona struggles to keep up with the fierce competition. As the messages grow more unsettling, so does life at the Dollhouse. Can Ramona overcome her jealousy and resentment to figure out what's really going on? Will Ivy finally find her voice, before another young performer follows her catastrophic path?

With dark academia twists and enormous heart, The Dollhouse Academy is a novel about the complexities of friendship, our desire to be seen and understood, and the true cost of making our dreams a reality."

It's like a dark academia twist on the TV show Dollhouse... 

There's No Turning Back by Alba de Céspedes
Published by: Washington Square Press
Publication Date: February 11th, 2025
Format: Hardcover, 304 Pages
To Buy

The official patter:
"Discover the astonishingly powerful debut novel by the beloved feminist author of the "brilliant" (The Wall Street Journal) Forbidden Notebook and the "courageous" (The Washington Post) Her Side of the Story that was so subversive, it was banned by the Italian Fascist regime when it was first published in 1938.

A coming-of-age novel that is as relevant today as it was nearly ninety years ago, There's No Turning Back centers on eight women with radically different backgrounds who attend the same college in Rome. Some are there to study, others to escape a scandal, or keep a secret, and during their time there, they experience the challenges of love, work, and emancipation.

Considered experimental and revolutionary at the time, this novel established Alba de Céspedes as a powerful new voice in the 20th century. Translated by Ann Goldstein, There's No Turning Back demonstrates why de Céspedes deserves "an important place in the canon of women's literature" (Chicago Review of Books)."

We must read about the past to see how universal the human condition is.

The Queens of Crime by Marie Benedict
Published by: St. Martin's Press
Publication Date: February 11th, 2025
Format: Hardcover, 320 Pages
To Buy

The official patter:
"From the New York Times bestselling author of The Mystery of Mrs. Christie - a thrilling story of the five greatest women writers of the Golden Age of Mystery and their bid to solve a real-life murder.

London, 1930. The five greatest women crime writers have banded together to form a secret society with a single goal: to show they are no longer willing to be treated as second class citizens by their male counterparts in the legendary Detection Club. Led by the formidable Dorothy L. Sayers, the group includes Agatha Christie, Ngaio Marsh, Margery Allingham and Baroness Emma Orczy. They call themselves the Queens of Crime. Their plan? Solve an actual murder, that of a young woman found strangled in a park in France who may have connections leading to the highest levels of the British establishment.

May Daniels, a young English nurse on an excursion to France with her friend, seemed to vanish into thin air as they prepared to board a ferry home. Months later, her body is found in the nearby woods. The murder has all the hallmarks of a locked room mystery for which these authors are famous: how did her killer manage to sneak her body out of a crowded train station without anyone noticing? If, as the police believe, the cause of death is manual strangulation, why is there an extraordinary amount of blood at the crime scene? What is the meaning of a heartbreaking secret letter seeming to implicate an unnamed paramour? Determined to solve the highly publicized murder, the Queens of Crime embark on their own investigation, discovering they're stronger together. But soon the killer targets Dorothy Sayers herself, threatening to expose a dark secret in her past that she would do anything to keep hidden.

Inspired by a true story in Sayers' own life, New York Times bestselling author Marie Benedict brings to life the lengths to which five talented women writers will go to be taken seriously in the male-dominated world of letters as they unpuzzle a mystery torn from the pages of their own novels."

Personally, Dorothy L. Sayers can go hang, but I am SO happy to see Baroness Emma Orczy included. Here Lady Molly of Scotland Yard is fabulous.

You Are Fatally Invited by Ande Pliego
Published by: Bantam
Publication Date: February 11th, 2025
Format: Hardcover, 3584 Pages
To Buy

The official patter:
"An exclusive thriller writer's retreat hosted on a private island turns lethal when one of the authors is found murdered.

When renowned anonymous author J. R. Alastor hires former aspiring writer Mila del Angél to host a writing retreat at his private manor off the coast of Maine, she jumps at the chance - particularly since she has an axe to grind with one of the invitees. The guest list? Six thriller authors, all masters of deceit, misdirection, and mayhem.

Confess the crimes, survive the tropes.

Alastor and Mila have masterminded a week of games, trope-fueled riddles, and maybe a jump scare or two - the perfect cover for Mila to plot a murder of her own. But when a guest turns up dead - and it's not the murder she planned - Mila finds herself trapped in a different narrative altogether.

One by one, you'll lose your turn.

With a storm isolating the island, and the body count rising, Mila must outwit a killer who knows literally every trick in the book.

Until only one of us remains..."

I loved locked-room mysteries, and here to have the murderers be writers? Perfection.

Will She Do? Act One of a Life on Stage by Eileen Atkins
Published by: Virago Press (UK)
Publication Date: February 11th, 2025
Format: Paperback, 320 Pages
To Buy

The official patter:
"Will She Do? is the story of a girl from a council estate in Tottenham, born in 1934 to an electric-meter reader and a seamstress, who was determined to be an actress.

Candid and witty, this memoir takes her from her awkward performances in working-men's clubs at six years of age as dancing 'Baby Eileen', through the war years in London, to her breakthrough at thirty-two on Broadway with The Killing of Sister George, for which she received the first of four Tony Award nominations. She co-created Upstairs, Downstairs and wrote the screenplay for Mrs. Dalloway (for which she won an Evening Standard Award) and at aged eighty-six, this is her first autobiographical work.

Characterised by an eye for the absurd, a terrific knack for storytelling and an insistence on honesty, Will She Do? is a wonderful raconteur's tale about family, about class, about youthful ambition and big dreams and what really goes on behind the scenes.

Made a Dame in 1991, Eileen Atkins has been on American and British stage and screen since 1957 and has won an Emmy, a BAFTA and is a three-time Olivier Award winner; her theatre performances include The Height of the Storm, Ellen Terry, All that Fall and she has appeared in television and films ranging from Doc Martin to Cranford to The Crown."

Hey, she wasn't just the co-creator of Upstairs, Downstairs, she also starred in the reboot! With a monkey!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A.G. Slatter, Alba de Céspedes, Ande Pliego, Anna Sophia McLoughlin, Darcy McGuire, Eileen Atkins, Elizabeth Becker, Heather Fawcett, J. Ann Thomas, Jodi Taylor, Marie Benedict, Natania Barron, Sam Mills

Upstairs, Downstairs is like the brick and mortar of Masterpiece. This show took America by storm when it originally aired in the seventies so anyone who considers themselves an Anglophile was excited when a reboot was announced. Instead of retelling the tales of the Bellamys which ended with the stock market crash of 1929 we jumped forward several years with the Holland family taking up residence at 165 Eaton Place in 1936. The wonderful holdover from the original series is that they were able to convince Jean Marsh to return as Rose Buck. Joining her was her co-creator of the original series, Eileen Atkins, finally taking a roll in front of the camera as Sir Hallam Holland's mother. The first season consisted of three magnificent episodes that felt like coming home. The new series had that perfect balance of aristocracy, government intrigue, human rights, and scandal that made the original series so addictive. Yet for me I fell irrevocably in love with the show during the second season because of Hallam's affair with his sister-in-law Lady Persephone, played by future monarch Claire Foy. It all started on the eve of World War II, rescuing Lady Persie from the clutches of the Germans while strains of music drifted through the streets. Almost a decade ago I found this doomed romance beyond thrilling, especially with it's tragic ending. Last year I rewatched all of Upstairs, Downstairs and was surprised that I no longer found this affair romantic. I was firmly on the side of Hallam's wife, Lady Agnes, played by the extraordinary Keeley Hawes. How could I have changed so much in a decade!?! How could I be wishing Persie's demise to arrive sooner!?! It just goes to show that the indication of a great television series is that with each watching you find something new about it and yourself. Which made it all the more painful when the success of Downton Abbey led to Upstairs, Downstairs being cancelled too soon. I'm sorry, but I watched and loved BOTH shows so they can coexist! After all Downton Abbey is just a reinterpretation of Upstairs, Downstairs!  

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: 165 Eaton Place, Affair, Claire Foy, Downton Abbey, Eileen Atkins, Fifty Years a Masterpiece, Jean Marsh, Kelley Hawes, Lady Agnes, Lady Persie, Rose Buck, The Bellamys, Upstairs Downstairs, WWII

Mrs. Dalloway
Based on the book by Virginia Woolf
Starring: Rupert Graves, Vanessa Redgrave, Amanda Drew, Oliver Ford Davies, Natascha McElhone, Alan Cox, Hal Cruttenden, Lena Headey, Amelia Bullmore, Rupert Baker, Alistair Petrie, John Franklyn-Robbins, Phyllis Calvert, Katie Carr, Selina Cadell, Michael Kitchen, Robert Portal, John Standing, Margaret Tyzack, Robert Hardy, Denis Lill, Kate Binchy, Sarah Badel, Janet Henfrey, Faith Brook, Tony Steedman, and Christopher Staines
Release Date: September 4th, 1997
Rating: ★★★
To Watch

It is a beautiful summer's day in June. Mrs. Dalloway wonders aloud how is she so lucky to have her party on such a perfect day. When she was young, at Bourton, every day was perfect and spent with her friends, several of whom are coming to her party that night. As she walks to the florist she runs into one of them, Hugh, a rather hopeless case then and now. But he has his purpose. After picking out the sweet peas at the shop, just like her dear friend Sally Seton used to decorate the table one night all those years ago, a car backfires and she sees a young man in distress through the shop window. Septimus Warren Smith is out with his wife Rezia. They are due for an appointment later at the doctors because Septimus keeps threatening to kill himself and sees his dead friend Evans wherever he goes. The image of that young man will stick with Clarissa all day as she prepares for her party. And she has some unexpected hurdles; her daughter, Elizabeth, is insisting she won't attend because she'll be helping her friend Miss Kilman in her charitable work. There is also a little do-to about a boring acquaintance wishing to attend whom Clarissa would rather not. But the biggest surprise is when Peter Walsh walks through the door. Peter has been in India ever since Clarissa threw him over for her husband all those summers ago at Bourton. Peter's life, and in particular his love life, is a shambles and he breaks down in front of Clarissa. He can't help be overwhelmed by what his life has become and the thought that he loved Clarissa. He's uncertain if he still does, but the fact that he did has colored his entire life. Despite saying that under no circumstance would he be invited to the party he gets an invitation shouted after him as he flees the Dalloway's residence. Then finally, the hour has come, the party is to start, and Clarissa is sure it will be a failure. She just wishes to create this one perfect evening for her guests so that they can go out into the world afterwards and look back on the wonder of the perfect memory, the perfect evening, the perfect conversation, the perfect party. She worries that one of her guests, a rather renowned doctor, will ruin everything by discussing the suicide of his patient Septimus Warren Smith, by bringing death into her domain, but sometimes life, love, and memories, are greater than death, which has it's own kind of freedom.   

Remember the days when you'd just channel surf and see what was on because the only other way was to drag out the TV Guide, an actual, physical, small newsprint block of information, not that glossy mag that's still around today, and try to figure out which channel was which because each cable company had a different channel lineup? Well, back then I stumbled on this wonderfully British and evocative movie. I only got to watch about twenty minutes of it because dinner was ready but it left enough of an impression that I bothered to dig out the TV Guide after the fact and figure out that it was called Mrs. Dalloway. Knowing it was based on the book by Virginia Woolf, and at this time I would never watch an adaptation without reading the book first, I went out and got myself a copy of Mrs. Dalloway and it sat on my shelves for years. Then after The Hours came out a new edition of Mrs. Dalloway was released including the short story which was the initial inspiration for the book so I thought to myself, lucky I didn't read Mrs. Dalloway without reading it's precursor first! So the first copy sat around for five years and the second copy sat around for, I'm almost ashamed to say it, seventeen years, until it was finally dug out and read this year. Here's the thing, the book is a lot of work to read whereas this is an easy adaptation that you don't have to work for. Which means it's probably the exact opposite of what Virginia Woolf would have wanted but makes for a pleasurable moviegoing experience. Eileen Atkins, yes, that Eileen Atkins, the Dame, has taken Mrs. Dalloway and made it into a rather sweet coming of age story combined with the wistfulness of aging and first and lasting loves with an edge of social satire that has everything to do with the casting and nothing to do with the source material. In fact, the closer it gets to the source material, especially with regard to Septimus, played by Rupert Graves, and his PTSD, the less the movie works. This movie falls squarely into the time period of Rupert Graves's acting that I hate. He took himself so seriously and overacted so abysmally that I don't know how anyone can watch him in anything he was in from the start of his career to about 2005. In fact it wasn't until Sherlock in 2010 where I started to like him after the loathing and indifference. So if you can stomach some truly bad acting on his part and want a nice summery escape to an England that exists only in dreams of the past this idyll is for you.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Adaptation, British, Dames, Eileen Atkins, Michael Kitchen, Mrs. Dalloway, Party, PTSD, Roaring Back to Reading, Robert Hardy, Rupert Graves, Septimus, Sherlock, Suicide, The Hours, Vanessa Redgrave, Virgina Woolf

If you're a reader of my blog you're pretty sure in the knowledge of my love of books. Oh, who am I kidding, I'm obsessed with them! You know it, I know it, everyone is assured of this fever that grips me, especially workers at local bookstores. This blog is one of the many ways I express my love of the written word. But there are other ways! Oh yes, dear readers. Now, I'm not talking interpretive dance, which I would be awful at, but art, which I am good at. Some of you who've gotten to know me better through this lovely thing called the internet know that this blog is just my little side project, my little bit of fun, while what I really do is Graphic Design. After slogging through the University of Wisconsin-Madison and getting out with a BS in Art and a BA in Theatre, I realized that I didn't actually have any marketable skills, what with not knowing how to work a computer. Hence I went back to school at our wonderful technical college and now I have some wicked skills and some outlets for my bookishness. I don't always make my projects about books, it sometimes just happens, just like you just happen to breath. Books are in my blood and I need to express this, and what better way then through art.

As it turns out, my weird book obsession has paid off. Every year the design community gets together and has a big awards show, it's called the Addys, and it's the closest thing we've got to the Oscars, but sadly no Colin Firth. You submit your work and are judged. You are awarded either a Silver or a Gold medal, there is no 3rd best. There are three tiers to the competition, local, regional and national. The local is today! And I've WON! I've won five times and I am over the moon. The pieces are here before you, and yes, they all have a book theme, as I'm sure you've guessed. The piece above is about the wonders of reading and is a Public Service Announcement that would be targeted to entertainment magazines that would encourage parents to read to their kids versus letting the television do it for them. This would be the first in a series of books that were also made into famous movies... I think after The Wizard of Oz, it might be time to show a little love for Alice in Wonderland.

This piece here is a glamour spread for an annual report. Annual reports are sent out by a company to their investors to show how they've done in the previous fiscal year. There's charts and graphs and what have you. I chose to do mine on Penguin Publishing, surprise, surprise. I also got the comment from my teacher that he would never let me near any of his copies of Charles Dickens because of what I did to mine, aka, the little penguin on the page. But let me ease your fears, I did not deface a book that could have been read. I went to my local bookstore and searched through old penguin books, because it just HAD to be a penguin book. I found an old copy of David Copperfield that was barely held together any longer, the pages were falling out. But falling out pages was just what I needed! So rest assured, I took a book and gave it new life, I did not murder it!

What I am most proud of, though, is my series of Elizabeth Gaskell DVDs. My teacher is a huge movie fan, and a fan of the movies The Criterion Collection releases. For our final project, we had to choose three related movies and make DVD covers for all three, be it director based or theme based. The thing with The Criterion Collection is that they mainly do off beat or foreign films, in other words, something that is not the typical release. I chose the three awesome miniseries that the BBC has done of Elizabeth Gaskell's books, Wives and Daughters, North and South and Cranford, and not just because getting to rewatch them counted as homework, though that was quite nice, but because I hated these DVDs original packaging too. I wanted to harken back to the old style of Masterpiece Theatre posters that had the elegance of the time period as well as many little things that only those who've read the books or watched the miniseries would pick up on. Utilizing Illustrator, I did all the drawings myself in my trusty computer. For this cover, I have Cynthia, as played by the wonderful Keeley Hawes, the queen bee of the narrative... I mean at one time she's juggling four different suitors! The quote on the back says: "No come on, you can’t go trying to match her eyes like a draper." The remainder of the quote is that Cynthia is Roger's lodestone, hence, I have named this illustration, The Lodestone.
 
For my second piece I have Margaret Hale as played by Daniela Denby-Ashe. As you can see, she has just suffered an injury at the hands of the strikers and holds a newspaper, which details, not only the strike, but the threat of Irish workers and the love of the home she left behind. The background is of cotton, because when she first enters Thronton's Marlborough Mills she says: "I believe I have seen hell and it’s white. It’s snow-white." Not only did this piece win an award as part of the DVD set, the illustration of Margaret also won a separate award. And not to slight Cynthia, this is my favorite of the three.

For my final piece I have Cranford depicted as Miss Deborah Jenkyns as played by the wondrous Eileen Atkins. I don't think I captured her as well in the face as the others because you don't immediately think that it's her. Though I do love how it turned out, in particular the lace (which kept crashing my computer), because "this is no occasion for a sport!There’s lace at stake!" This also won an award as a separate illustration.
 
So there you go! A little look into how my mind works. I should say how my bookworm infested mind works. But all in all, it should be a fun night out! My friends also won awards and I have a nifty new dress, think Edwardian Downton meets just the slightest hint of flapper. Because a period-esque dress was a must.

Posted by Miss Eliza at 12:00 AM 3 comments  

Labels: Addys, Cranford, Criterion Collection, Daniela Denby-Ashe, Eileen Atkins, Elizabeth Gaskell, John Thornton, Keeley Hawes, Margaret Hale, North and South, Penguin, Wives and Daughters, Wizard of Oz

Well, you'll probably think you've misread this, I sure thought I did, but it's true...Upstairs Downstairs is returning! (I think I just heard Joss Whedon crying for joy.) The BBC have announced that the writer behind Cranford and Ballet Shoes has starting writing two feature length scripts for BBC One for broadcast next year. What's even better, Piers Wegner has stated that they have the blessing of the original creators and that they are also on board! Yes, Jean Marsh will be back as Rose, and Eileen Atkins will finally get a part on screen! Quite literally the most famous BBC Miniseries of all time and the standard by which all Miniseries are gauged is set for a return!

Set in 1936, 6 years after the original series ended, the house will have a new family occupying it and will be an entirely new show that is an extension of the original and not a remake, which would surely piss off die hard fans the world over! As Eaton Place inches towards World War II the house will once again be embroiled in the politics and world events of it's time. Seeing as the BBC have long desired for this franchise to continue it's not a surprise, a second spin off, the first being Thomas and Sarah, was set to begin filming immediately after the wrapping of the original show. Set at the seaside hotel that Hudson, Mrs. Bridges and Rose were going to buy, the show never made it into production due to Angela Baddeley's (Mrs. Bridges') death. Many other spin offs have been discussed over the years and many variations on the same themes, but they have never come to fruition. Finally it looks like we are indeed heading back to Eaton Place, and in a way that will embrace both old and new fans. Personally I hope that some of the old cast shows up as new characters...it's fun seeing James, Hazel, Sarah and Thomas whenever the pop up on tv, and how fitting would it be for them to drop by Eaton Place?

As Jean Marsh said: "I am hugely looking forward to spending time with Rose. I have missed her enormously." As have we all!

Posted by Miss Eliza at 4:28 PM 3 comments  

Labels: Angela Baddeley, Ballet Shoes, Cranford, Easton Place, Eileen Atkins, Hudson, Jean Marsh, Joss Whedon, Mres. Bridges, Piers Wegner, Rose, Upstairs Downstairs