Showing posts with label Cassandra. Show all posts
Showing posts with label Cassandra. Show all posts

Friday, April 12, 2019

Alison Goodman

Alison Goodman is one of those rare authors whose books remind you why you love reading. They are so rich and detailed that you can't help but fall in love with reading all over again. Born in Melbourne, Australia, Alison has an obvious love of learning having been a D.J. O'Hearn Memorial Fellow at Melbourne University. She holds a masters degree and is currently working on her PhD at the University of Queensland. But her academic bent doesn't surprised me in the least with how much detailed research goes into her books. You have to have a love of learning to want to find out how exactly women relieved themselves when they were presented to the Queen in Regency England. While she published her first book in 1998 it was her Eon/Eona duology from 2008 that really cemented her as an internationally bestselling and award-winning author. In fact in 2008 she was a James Tiptree, Jr. Award Honor Book, which is part of WisCon and seriously, if this means she, like Zen Cho, was in Madison at some point and I missed her I'm going to be very sad. At least it was in 2008 and that's before I started going, so at least I can console myself with that.

While it was her duology, before duologies really took off again, that made her a New York Times bestselling author it's The Dark Days Club books that are where it's at for me. This series has won a plethora of awards which proves that occasionally awards get it right. But awards don't matter as much as seeing that an author truly loves what they are writing. Alison lives and breathes the Regency. Just look at her Pinterest boards! I just adore that Alison has Pinterest boards! Because I am a visual person, despite my love of reading, and to visually see inside her brain, to look at her writing process in this medium, to troll through the architecture and art of the Regency period which she absorbed while writing a series I love adds a whole new level of reading enjoyment for me. What's more, she doesn't just virtually live in the Regency world, according to her website "Alison can dance a mean contra-dance, has a wardrobe full of historically accurate Regency clothes and will travel a long way for a good high-tea." Now the problem I have is that there really isn't a good place for high-tea near me to lure her in with... 

Question: When did you first discover Jane Austen?

Answer: I was quite a latecomer to Jane Austen and only started reading her in my late teens. Before that I read all of Georgette Heyer’s Regency books, so that was my real introduction to the era. My Lady Helen series is probably more of a direct descendant of Heyer than Austen - more emphasis on an adventure plot, a rich Regency setting, and lots of banter between the lead female and male.

Question: What do you think Jane Austen would think of her impact with so many literary offshoots, from parody to pastiche?

Answer: For all her gentility, Jane Austen was not without ambition! She published novels that were not in the usual mode for a woman of her time (and let’s not forget that a woman publishing in the early 1800’s was fairly unusual in itself). Not only that, when her brother was no longer able to negotiate with the publishers on her behalf, she took over the management of her career. I think that secretly - and in her letters to her beloved sister, Cassandra - she would have been thrilled and victorious about the afterlife of her novels, but publicly she would have been properly demure.

Question: Where do you get your inspiration from?

Answer: The Lady Helen series is often called Pride and Prejudice meets Buffy, and I can see why - Buffy and her girl power was definitely an inspiration. I find inspiration in all manner of things including Pinterest, newspapers and magazines from the Regency era, diaries written by people who lived at that time, and history books and documentaries (I have a list of my favourite books and documentaries that I used for the Lady Helen series on my website under Research at www.darkdaysclub.com). I also love visiting Regency cities and towns in England, and going to re-enactment events like balls and festivals. Frankly, anything and everything can be an inspiration. Writers are like magpies - we pick up all the shiny things that catch our eye and stash them away in our mind or notebooks for use in a story one day!

Question: What makes the early 19th century mesh so well with magic?

Answer: For me the early 19th century meshes so well with magic because it sits between the superstitions of pre-1700 and the new rationality that came with the Enlightenment. It was also a time when the bawdy, raucous manners of the Georgian era were being replaced by a new civility, which placed an emphasis on manners and gentility. In the Lady Helen series, I play on this duality and have created an underbelly of demonic chaos in the form of the Deceivers, deadly creatures that feed on the wild emotions of people that have been supressed beneath the new gentility.

Question: The world building and system of magic varies greatly in the regency fantasy genre, how did you go about creating yours?

Answer: Oops, I think I kind of answered this in the previous question. But let me elaborate - I built the magic system in the Lady Helen world directly from the idea of how early 19th century society was changing from the boorish Georgian era into the more refined civility of the Regency. With that as a starting point, I created a personification of that wildness in the form of the demonic Deceivers who live in human bodies and move in society, feeding on emotions. As soon as I had worked out their powers, I could then work out the powers of Lady Helen and her fellow Reclaimers, the human counter to the Deceiver threat.

Question: If you had to choose between writing only period literature or only fantasy literature, which would win?

Answer: I think it would have to be period literature. It would pain me to give up fantasy and all its mythic aspects and story freedoms, but in the end I love the research that goes along with writing period fiction. The one thing that I probably wouldn’t miss about writing fantasy is keeping track of the magic system. If you are writing a magic system, I recommend keeping up-to-date notes about what can and can’t happen in your magic world, and also create a chart at the end so that everything is kept straight as you edit. Believe me, you’ll thank me later.

Question: Be honest, have you ever dressed up in Regency clothes just to pretend for a moment you are in the past?

Absolutely - I proudly own my Regency geekdom. I have a full Regency wardrobe including a ball gown, spencer jackets and all the under-things. I’ve also learned how to dance in the Regency manner and go to balls and Regency events in full costume. I love it!

Friday, May 2, 2014

Book Review - Kate Morton's The Forgotten Garden

The Forgotten Garden by Kate Morton
Published by: Atria
Publication Date: January 1st, 2008
Format: Hardcover, 552 Pages
Rating: ★★★
To Buy

"Novels that moved back and forth between two time periods existed before Kate Morton—including my Pink Carnation books, of which the first came out in 2005—but she is undoubtedly the standard-bearer for the genre that has come to be known as “time-slip”, so I would be remiss if I didn’t mention her books here.

I chose The Forgotten Garden because it’s Victorian-set, but there are other similarities as well. In both That Summer and The Forgotten Garden, a modern heroine inherits a house in England and must uncover a mystery of which the key is an object from the past: in The Forgotten Garden, a book of fairy tales, in That Summer, a lost Preraphaelite painting." - Lauren Willig

Nell dies with an unanswered secret. A secret she bequeaths to her granddaughter Cassandra. Nell raised Cassandra ever since her own daughter abandoned her at Nell's little house in Brisbane back in the seventies. Nell's secret took her clear across the world to England, but answers were not forthcoming. Nell has felt a stranger in her own life since she learned from her father that she was a foundling, wandering the wharves of Australia. She was the answer to their prayers and so they kept her. On his deathbed he leaves the suitcase that was found with Nell. A suitcase with a very rare and beautiful book of Fairy Tales by one Eliza Makepeace. Nell takes the leap and heads to England in such of the one link she has, Eliza Makepeace. Her journey leads her to Cornwall and Blackhurst Manor. She gets an inkling as to her heritage and buys Cliff Cottage from the now broken up Blackhurst Estate, planing to return and find out who she is. She never returns.

Thirty years later Cassandra journeys to England following Nell's death, to Tregenna. Her life, like Nell's, is mired by shadows and memories. She has given up on her art, she has almost given up on life now that Nell is gone. The least she can do is come to this poky little cottage that she never knew existed and find out the truth about her grandmother. The beginning of Nell's story is back in the time when Dickens walked the streets. High above the Thames in a windowless room above Swindell's Rag and Bottle shop, Eliza Makepeace and her twin brother Sammy eek out a living after the death of their mother. They are poor but happy, with Eliza able to take their mundane and bleak lives and spin stories of pure magic. But their little hideaway is soon invaded. Her brother is killed playing a game they invented.

The bad man whom her mother always warned them of comes to take Eliza away. Far away from London to the cliffs of Cornwall. To Blackhurst Manor. The home her mother ran away from all those years ago and brought shame to by becoming pregnant by a sailor. Eliza's mother Georgiana also broke her brothers heart. Now Eliza spends her days with her Aunt and Uncle Linus and their sickly daughter Rose. In between all the visits and checkups from Dr. Matthews, Eliza is a fountain of stories and adventures that help to bring young Rose back to life. They grow together, as close as any sisters, till one day Rose journeys across the sea and falls in love with a young painter, Nathaniel Walker. Everything changes, and Eliza feels that she must make one last sacrifice. One last gesture to prove that she loves Rose more than anyone else.

Spanning over a hundred years and several generations of women, this book asks the question, can you live a fulfilled life if you don't know where you come from. While this quest would drive many, I think turning up on a dockside after a long sea journey and not knowing the how and the why would make me more than a little curious. Nell's father changed her life forever when he told her the truth. Instead of setting Nell free, the feverish quest that grips her is what drives the novel. Skipping back and forth between time periods we glean bites and pieces of the puzzle till at last all is revealed, or almost all, I still think there's more with that creepy Uncle Linus that we're not being told.

I had some issues with the book. The time periods where not very seamless, and when that first jump to Victorian times happens it changes the entire tone of the novel. It's as if Jack The Ripper himself has taken the narration away from the author and brought a dark, forbidding air that never quite leaves and is never fully satisfied. My mind would wander over all these gruesome possibilities and scenarios. Who was the bad man, whose baby was it really, is Blackhurst Manor the seat of the devil. Some of these answers I guessed right away, though Kate Morton added a twist here and there so I wasn't 100% spot on. But there were so many juicy ways she could have taken this plot and in the end I felt let down. The truth is far more mundane than my imagination wanted the story to be. Like Eliza's gift for weaving the perfect yarn, The Forgotten Garden had me thinking and plotting more than any book I've read recently. This book could have been spectacular, but at the close, it was a lackluster ending that brought dissatisfaction.

Also, a niggling aside. There is so much mention of the beautiful fairy drawings by Nathaniel Walker. Now, the endpapers of my edition have gorgeous drawings by Arthur Rackham. This does a disservice to the novel. While, yes, I will admit it's why I first picked it up, once I read the book I thought that a more unknown illustrator, more in keeping with the style of the book within the book was necessary. How about Charles Van Sandwyck? So you won't instantly be pulled out of the book by Rackham's distinctive style. Yes, every aspect of a book needs to be fully taken into account to make me happy.

Friday, April 22, 2011

Book Review - Kate Morton's The Forgotten Garden

The Forgotten Garden by Kate Morton
Published by: Atria
Publication Date: January 1st, 2008
Format: Hardcover, 552 Pages
Rating: ★★★
To Buy
Nell dies with a secret. A secret she bequeaths to her granddaughter Cassandra. Nell raised Cassandra ever since her own daughter abandoned her at Nell's little house in Brisbane back in the seventies. Nell's secret took her clear across the world to England, but answers were not forthcoming. Nell has felt a stranger in her own life since she learned from her father that she was a foundling, wandering the wharves of Australia. She was the answer to their prayers and so they kept her. On his deathbed he leaves the suitcase that was found with Nell. A suitcase with a very rare and beautiful book of Fairy Tales by one Eliza Makepeace. Nell takes the leap and heads to England in such of the one link she has, Eliza Makepeace. Her journey leads her to Cornwall and Blackhurst Manor. She gets an inkling as to her heritage and buys Cliff Cottage from the now broken up Blackhurst Estate, planing to return and find out who she is. She never returns. Thirty years later Cassandra journeys to England, to Tregenna. Her life, like Nell's was, is mired by shadows and memories. She has given up on her art, she has almost given up on life now that Nell is gone. The least she can do is come to this poky little cottage that she never knew existed and find out the truth about her grandmother.

The beginning of Nell's story is back in the time when Dickens walked the streets. High above the Thames in a windowless room above Swindell's Rag and Bottle shop, Eliza Makepeace and her twin brother Sammy eek out a living after the death of their mother. They are poor but happy, with Eliza able to take their mundane and bleak lives and spin stories of pure magic. But their little hideaway is soon invaded. Her brother is killed playing a game they invented. The bad man whom her mother always warned them of comes to take Eliza away. Far away from London to the cliffs of Cornwall. To Blackhurst Manor. The home her mother ran away from all those years ago and brought shame to by becoming pregnant by a sailor. Eliza's mother Georgiana also broke her brothers heart. Now Eliza spends her days with her Aunt and Uncle Linus and their sickly daughter Rose. In between all the visits and checkups from Dr. Matthews, Eliza is a fountain of stories and adventures that help to bring young Rose back to life. They grow together, as close as any sisters, till one day Rose journeys across the sea and falls in love with a young painter, Nathaniel Walker. Everything changes, and Eliza feels that she must make one last sacrifice. One last gesture to prove that she loves Rose more than any other.

But Cassandra, with the help of the hansom handyman Christian, can't rectify the life and times of Eliza Makepeace and how it links to Nell. Is Nell the daughter of Rose and Nathaniel? Because after their tragic death in a train collision, their daughter also died of scarlet fever. But Cassandra is certain that Nell was that child. Will Cassandra be able to unravel the clues of her own past and find out what makes her feel like Cliff Cottage is home? Could she be the descendant of the great artist Nathaniel? Sometimes unearthing the skeletons in the closet yields unexpected results.

Spanning over a hundred years and several generations of women, this book asks the question, can you live a fulfilled life if you don't know where you come from. While this quest would drive many, I think turning up on a dockside after a long sea journey and not knowing the how and the why would make me more than a little curious. Nell's father changed her life forever when he told her the truth. Instead of setting Nell free, the feverish quest that grips her is what drives the novel. Skipping back and forth between time periods we glean bites and pieces of the puzzle till at last all is revealed, or almost all, I still think there's more with that creepy Uncle Linus that we're not being told. I had some issues with the book. The time periods where not very seamless, and when that first jump to Victorian times happens it changes the entire tone of the novel. It's as if Jack The Ripper himself has taken narration away from the author and brought a dark, forbidding air that never quite leaves and is never fully satisfied. My mind would wander over all these gruesome possibilities and scenarios. Who was the bad man, whose baby was it really, is Blackhurst Manor the seat of the devil. Some of these answers I guessed right away, though Kate Morton added a twist here and there so I wasn't 100% spot on. But there were so many juicy ways she could have taken this plot and in the end I felt let down. The truth is far more mundane than my imagination thought up. Like Eliza's gift for weaving the perfect yarn, The Forgotten Garden had me thinking and plotting more than any book I've read recently. This book could have been spectacular, but at the close, it was a lackluster ending that brought dissatisfaction.

Also, a niggling aside. There is so much mention of the beautiful fairy drawings by Nathaniel Walker. Now, the endpapers of my edition have gorgeous drawings by Arthur Rackham. This does a disservice to the novel. While, yes, I will admit it's why I first picked it up, once I read the book I thought that a more unknown illustrator, more in keeping with the style of the book within the book was necessary. How about Charles Van Sandwyck? So you won't instantly be pulled out of the book by Rackham's distinctive style.

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