strange and random happenstance

Wylding Hall by Elizabeth Hand
Published by: Open Road Media Sci-Fi and Fantasy
Publication Date: July 14th, 2015
Format: Kindle, 148 Pages
Rating: ★★★★
To Buy

Julian Blake was a temperamental genius. His manager knew that if Julian stayed in his bedsit in London all summer he'd get no work done and mourn the death of his girlfriend Arianna who committed suicide. So Wylding Hall was let. Julian's British acid-folk band Windhollow Faire would secret themselves in the country for the month of August to work and reconnect. It was a summer that would produce an album named after the grand estate they stayed at that would be under everybody's Christmas Tree that December but would also lead to the disappearance of Julian Blake. A disappearance linked to a white haired girl who mysteriously appeared on the cover of the album whom no one remembered seeing. But then a lot of mysterious things happened that summer. Weird hallways and chambers that went on forever. A library that only two people ever found. A room with hundreds and hundreds of dead birds. A tune in the air that Julian couldn't help humming. And the walks in the woods that the locals warned them never to take. Yet the band and the other people who came in and out of their lives back in that summer in the seventies never compared notes, until now. Now there's a documentary being done about the album, inspired by construction that has unearthed discoveries at the house, and secrets are being revealed. The shape of things is starting to come into focus, but it doesn't seem possible. In the end it comes down to a photo in the local pub, a song Julian unearthed, and a half-naked girl with feathers on her feet.

Sometimes there's a confluence of events that come together just right that elevates an experience to another level. This occurrence started at a joint birthday party where fate decided the next book club selection would be Wylding Hall and ended in an extremely rare consensus that we all liked the book while we dunked fruit into delectable chocolate. But we all agreed, it wasn't just the book, it was something in the air. It's almost as if we were haunted and the book manifested itself for our entertainment. The waning days of summer had set in, mirroring the time frame of the events that happened to the members of Windhollow Faire as August drew to a close and their lease on the hall was up. Despite reality versus fiction and the present versus the past there was this connection that made the book almost real. It's such a short read, a mere 148 pages, and yet I just wanted their summer to be endless and for me to be able to live in this spooky yet somehow homey world. What aided the book so well was the suspension of disbelief was possible through Elizabeth Hand grounding the book in the real world. If she hadn't got the music scene of the time just right nothing else could have fallen into place, and yet she did it. Making this story of the real world yet somehow not quite of it, like the characters had walked through a fairy ring and everything was just slightly distorted. Like when Sergeant Howie ventures to Summerisle in The Wicker Man, the townspeople seem a little off, a little unwilling to talk, and pictures that might illuminate events are quickly hidden away. The balance between believability and the unknown is perfectly struck here.

Yet the way Elizabeth Hand chose to tell the story was an interesting one, yet it did present problems. She goes the route of many a documentary with each of the characters telling their part of the story, therefore capturing that feeling of reality, we've all seen this before. We could be watching a VH1 Behind the Music special about Windhollow Faire after all. Yet given the brevity of the book I had issues with the dramatis personae, it took awhile for their character traits to come through and in the interim I was lost. They were written too similarly and what was odd in my mind, there wasn't a hint of unreliability and their stories all synced up. Maybe I'm just too used to unreliable narrators and Agatha Christie trying to pull one over on me. There was just a sameness to them as Elizabeth Hand quickly cut from one POV to another. It took me quite awhile to realize that Lesley was a female, and seriously, can authors NOT use two too similarly named characters, like Jonathan and Julian? I'm not proud of this but I totally stereotyped the characters to remember who they were, the folklorist, the girlfriend, the dead guy, you get my drift... and not all of them were flattering monikers, just something so I could quickly tell who was who. A really good writer is able to distinguish the different characters enough with their voices that this shortcut of mine wouldn't be a necessity. I felt like it lowered the book. But you could argue that Elizabeth Hand wanted to sew confusion from the start. That she wanted her readers to not get a firm grip on anything. If that was the case? Good on her! See, I'm totally willing to see the other side of things because books are fluid, what the writer intended and what the reader gets could be different, but that doesn't mean both aren't true at the same time.

Though what enchanted me most was the era. Ghost stories just seem to work better when set in a time before technology ran rampant. But I've come to realize that for a ghost story or supernatural spookfest to really catch me there has to be something I connect to. More and more this isn't character driven Victorian stories but more modern pieces set in the not-too-distant past. Like the 70s and 80s. There's a reason why The Conjuring series is doing so well and has so many spinoffs and why so many people have embraced Stranger Things. These are eras that have a distinct look and feel, a time when to get a hold of your friends you had to hope they got your message left with a family member on the one phone in their house or you'd just show up and pray their parents knew where they were. A time when plans couldn't be easily changed. A time when I was innocent and to see that innocence turn malevolent, there's something supercharged about that. Here it's the 70s, and it's perfect. Not just for the distant haze that memory has given me about the decade in which I was born, but because of this insidious supernatural phenomena creeping around the familiar. We have the isolated house, one lone phone, and this kind of golden haze and heat hanging over the events. Therefore when there are clouds or cold, you know something is going to go wrong. There's strange things happening in the house, it's rambling and easy to get lost in. A library that almost no one has found. Yet all of it could be explained away. Everything could be just too much indulgence, until there's proof that this isn't the case. Proof that comes almost at the very end.

Yet that ending is really abrupt. The whole book is kind of a summer idyll interspersed with supernatural phenomena. There's a laziness to it, not in that it's badly written, but in the luxurious pacing. You just want to inhabit the story but then they leave the house, put out the album, and then this interview happens years later... and as for Julian's fate... well, we aren't given anything concrete, we aren't given anything really. That throwaway line about one of the band members maybe seeing him years later doesn't count in my mind. I became invested in these characters lives and I didn't just want the story about THAT summer and their one "hit" album, I wanted to know what came after. How did Lesley become a star? How did Nancy, the girlfriend, end up a professional psychic in Florida? But more importantly, these interviews are all happening not just because of some anniversary for an album that achieved cult status but because there is work being done at the house. Work that uncovers artifacts of archaeological as well as personal interest to our characters. There seems to be a momentum throughout the book that they will all reunite and return to Wylding Hall and yet that never happens. It felt as though right when Elizabeth Hand was about to bring all the different threads together she decided instead she'd finished and just cut the work off prematurely. This is a three-quarters finished story. There is no final act. And THIS was the only bone of contention me and my fellow book clubbers had. Where is the resolution? Where is the final chord?

Because if we are to compare this to a song, they all have a beginning, a middle, and an end. All stories do too. But this one apparently won't. Yes, I have to accept this. I have to concentrate on that which worked so well. What I'm talking about is the purpose of fables and myths and epic songs, all that which goes into folk music. All these tales were told not because they were used as entertainment, but to impart warnings. "These are songs that have been around for hundreds, maybe thousands of years. They existed for centuries before any kind of recording was possible, even before people could write, for god's sake! So the only way those songs lived and got passed on was by singers." These songs were things that needed to be remembered. Things that needed to be known so that danger wasn't stumbled into blindly. While the Brothers Grimm might have gone a little too far with the moralizing, all tales that are passed down are done so with intent. There's a reason the locals get their backs up when these musicians come in asking about what shouldn't be talked of. Though logically IF the locals wanted them to behave perhaps some truth about the village and it's local legends could have warned them off. But that's not the purpose of villagers in these stories, their purpose is to see the strangers blithely walking into danger and keep their mouths shut. The danger that lies in the woods and lures Julian away with the fairies. It's this root of what folk music and folklore is that grounds the entire book in the human experience of tradition. So while it may falter, it still resonates.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: 70s, Agatha Christie, Behind the Music, Brothers Grimm, Elizabeth Hand, Folk, Going Gothic, Gothic, POV, Resolution, Stranger Things, Summerisle, The Conjuring, The Wicker Man, Windhollow Faire, Wylding Hall

Wylding Hall by Elizabeth Hand
Published by: Open Road Media Sci-Fi and Fantasy
Publication Date: July 14th, 2015
Format: Kindle, 148 Pages
Rating: ★★★★
To Buy

Julian Blake was a temperamental genius. His manager knew that if Julian stayed in his bedsit in London all summer he'd get no work done and mourn the death of his girlfriend Arianna who committed suicide. So Wylding Hall was let. Julian's British acid-folk band Windhollow Faire would secret themselves in the country for the month of August to work and reconnect. It was a summer that would produce an album named after the grand estate they stayed at that would be under everybody's Christmas Tree that December but would also lead to the disappearance of Julian Blake. A disappearance linked to a white haired girl who mysteriously appeared on the cover of the album whom no one remembered seeing. But then a lot of mysterious things happened that summer. Weird hallways and chambers that went on forever. A library that only two people ever found. A room with hundreds and hundreds of dead birds. A tune in the air that Julian couldn't help humming. And the walks in the woods that the locals warned them never to take. Yet the band and the other people who came in and out of their lives back in that summer in the seventies never compared notes, until now. Now there's a documentary being done about the album, inspired by construction that has unearthed discoveries at the house, and secrets are being revealed. The shape of things is starting to come into focus, but it doesn't seem possible. In the end it comes down to a photo in the local pub, a song Julian unearthed, and a half-naked girl with feathers on her feet.

Sometimes there's a confluence of events that come together just right that elevates an experience to another level. This occurrence started at a joint birthday party where fate decided the next book club selection would be Wylding Hall and ended in an extremely rare consensus that we all liked the book while we dunked fruit into delectable chocolate. But we all agreed, it wasn't just the book, it was something in the air. It's almost as if we were haunted and the book manifested itself for our entertainment. The waning days of summer had set in, mirroring the time frame of the events that happened to the members of Windhollow Faire as August drew to a close and their lease on the hall was up. Despite reality versus fiction and the present versus the past there was this connection that made the book almost real. It's such a short read, a mere 148 pages, and yet I just wanted their summer to be endless and for me to be able to live in this spooky yet somehow homey world. What aided the book so well was the suspension of disbelief was possible through Elizabeth Hand grounding the book in the real world. If she hadn't got the music scene of the time just right nothing else could have fallen into place, and yet she did it. Making this story of the real world yet somehow not quite of it, like the characters had walked through a fairy ring and everything was just slightly distorted. Like when Sergeant Howie ventures to Summerisle in The Wicker Man, the townspeople seem a little off, a little unwilling to talk, and pictures that might illuminate events are quickly hidden away. The balance between believability and the unknown is perfectly struck here.

Yet the way Elizabeth Hand chose to tell the story was an interesting one, yet it did present problems. She goes the route of many a documentary with each of the characters telling their part of the story, therefore capturing that feeling of reality, we've all seen this before. We could be watching a VH1 Behind the Music special about Windhollow Faire after all. Yet given the brevity of the book I had issues with the dramatis personae, it took awhile for their character traits to come through and in the interim I was lost. They were written too similarly and what was odd in my mind, there wasn't a hint of unreliability and their stories all synced up. Maybe I'm just too used to unreliable narrators and Agatha Christie trying to pull one over on me. There was just a sameness to them as Elizabeth Hand quickly cut from one POV to another. It took me quite awhile to realize that Lesley was a female, and seriously, can authors NOT use two too similarly named characters, like Jonathan and Julian? I'm not proud of this but I totally stereotyped the characters to remember who they were, the folklorist, the girlfriend, the dead guy, you get my drift... and not all of them were flattering monikers, just something so I could quickly tell who was who. A really good writer is able to distinguish the different characters enough with their voices that this shortcut of mine wouldn't be a necessity. I felt like it lowered the book. But you could argue that Elizabeth Hand wanted to sew confusion from the start. That she wanted her readers to not get a firm grip on anything. If that was the case? Good on her! See, I'm totally willing to see the other side of things because books are fluid, what the writer intended and what the reader gets could be different, but that doesn't mean both aren't true at the same time.

Though what enchanted me most was the era. Ghost stories just seem to work better when set in a time before technology ran rampant. But I've come to realize that for a ghost story or supernatural spookfest to really catch me there has to be something I connect to. More and more this isn't character driven Victorian stories but more modern pieces set in the not-too-distant past. Like the 70s and 80s. There's a reason why The Conjuring series is doing so well and has so many spinoffs and why so many people have embraced Stranger Things. These are eras that have a distinct look and feel, a time when to get a hold of your friends you had to hope they got your message left with a family member on the one phone in their house or you'd just show up and pray their parents knew where they were. A time when plans couldn't be easily changed. A time when I was innocent and to see that innocence turn malevolent, there's something supercharged about that. Here it's the 70s, and it's perfect. Not just for the distant haze that memory has given me about the decade in which I was born, but because of this insidious supernatural phenomena creeping around the familiar. We have the isolated house, one lone phone, and this kind of golden haze and heat hanging over the events. Therefore when there are clouds or cold, you know something is going to go wrong. There's strange things happening in the house, it's rambling and easy to get lost in. A library that almost no one has found. Yet all of it could be explained away. Everything could be just too much indulgence, until there's proof that this isn't the case. Proof that comes almost at the very end.

Yet that ending is really abrupt. The whole book is kind of a summer idyll interspersed with supernatural phenomena. There's a laziness to it, not in that it's badly written, but in the luxurious pacing. You just want to inhabit the story but then they leave the house, put out the album, and then this interview happens years later... and as for Julian's fate... well, we aren't given anything concrete, we aren't given anything really. That throwaway line about one of the band members maybe seeing him years later doesn't count in my mind. I became invested in these characters lives and I didn't just want the story about THAT summer and their one "hit" album, I wanted to know what came after. How did Lesley become a star? How did Nancy, the girlfriend, end up a professional psychic in Florida? But more importantly, these interviews are all happening not just because of some anniversary for an album that achieved cult status but because there is work being done at the house. Work that uncovers artifacts of archaeological as well as personal interest to our characters. There seems to be a momentum throughout the book that they will all reunite and return to Wylding Hall and yet that never happens. It felt as though right when Elizabeth Hand was about to bring all the different threads together she decided instead she'd finished and just cut the work off prematurely. This is a three-quarters finished story. There is no final act. And THIS was the only bone of contention me and my fellow book clubbers had. Where is the resolution? Where is the final chord?

Because if we are to compare this to a song, they all have a beginning, a middle, and an end. All stories do too. But this one apparently won't. Yes, I have to accept this. I have to concentrate on that which worked so well. What I'm talking about is the purpose of fables and myths and epic songs, all that which goes into folk music. All these tales were told not because they were used as entertainment, but to impart warnings. "These are songs that have been around for hundreds, maybe thousands of years. They existed for centuries before any kind of recording was possible, even before people could write, for god's sake! So the only way those songs lived and got passed on was by singers." These songs were things that needed to be remembered. Things that needed to be known so that danger wasn't stumbled into blindly. While the Brothers Grimm might have gone a little too far with the moralizing, all tales that are passed down are done so with intent. There's a reason the locals get their backs up when these musicians come in asking about what shouldn't be talked of. Though logically IF the locals wanted them to behave perhaps some truth about the village and it's local legends could have warned them off. But that's not the purpose of villagers in these stories, their purpose is to see the strangers blithely walking into danger and keep their mouths shut. The danger that lies in the woods and lures Julian away with the fairies. It's this root of what folk music and folklore is that grounds the entire book in the human experience of tradition. So while it may falter, it still resonates.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: 70s, Agatha Christie, Behind the Music, Brothers Grimm, Elizabeth Hand, Folk, Going Gothic, Gothic, POV, Resolution, Stranger Things, Summerisle, The Conjuring, The Wicker Man, Windhollow Faire, Wylding Hall

Peter and Max: A Fables Novel by Bill Willingham
Published by: Vertigo
Publication Date: November 6th, 2012
Format: Paperback, 400 Pages
Rating: ★★★★★
To Buy

Peter and Max lived an idyllic life, traveling the countryside of their mythic world as wandering minstrels. Their little caravan with their talking mule wandered from town to town, playing at festivals and giving the Pipers a rather glorious life. The highlight of the year was when they arrived at their good friend Squire Peep's house and had a glorious party before continuing on together to the towns local festival. Though this year is different. Max is growing into a young man and his sullen moods have started to surface, whereas young Peter keeps thinking of Squire Peep's daughter Bo.

That night their world will change forever. It's not just that Peter and Max's father gives the family's one item of value, the flute Frost, to Peter, when Max is the oldest, it's that the rumor's of a great invading army come to pass. The Peep's estate is seized and everyone is locked away. The heads of the two families devise a plan. They will escape through the haunted and dangerous woods and make for Hamlin, a fortified town nearby that has to have withstood the forces of their Adversary.

Breaking into two parties, they go forth into the gloom, little knowing that it is not the advancing army that is their true threat, but that Max is. Overlooked by his family, his rightful inheritance taken away, the dark forest awakens something even darken within him. If he has anything to say about it, the people whom he entered the forest with won't make it out alive. Hundreds of years later and in a different world, similar to theirs, Peter and Max's final confrontation will happen.

Fairy Tales are the stories told to make us behave as children. To make us learn that not doing as you're told and going into the woods at night are the most dangerous things in the world. Because the woods are where the nightmares live. As we grow older, this fear lessens, but underneath the knowledge we have gained with age and wisdom, there is still that underlying fear. The woods is dangerous. Peter and Max bring these childhood fears back to life. Don't venture into the woods, not because there's witches and creatures to prey on you, but because Max is there. A man driven insane by his desire for what he believes is his right. Living his life between indolence and sheer rage, he haunts to woods in his quest to find Peter. This book is like Silence of the Lambs goes feudal. A sibling rivalry of fire and ice that will leave as many people dead in it's wake as possible.

Max is the kind of sociopathic antihero you just can't get enough of. This is a killer, who at the height of his power, has witches and other powerful creatures scared. His love of gaudy clothes combined with his desire for servitude, make crossing his path one very dangerous prospect. And into this man is weaved the basis for the Piped Piper of Hamlin. What kind of sick and twisted person, when they don't get what they want, would steal all your children? Max is the answer. Max legitimizes and makes sense of a rather odd Fairy Tale. He is the Brothers Grimm's very own Hannibal Lecter.

There is one thing though that needs to be addressed, how this fits into the Fables Oeuvre. For those who don't know (which you should by now given that my ninth best read of last year was in this series), Fables is a comic series created by Bill Willingham about storybook characters being real and living in seclusion without the rest of the world knowing. They were forced out of their homelands and into our world. Parts of our world mimic parts of theirs, the Hamlin of Peter and Max's world is similar to ours, and our world's reverence of Max entertains him to no end.

Your main question at this point is probably, will I understand this book without following the series. Simply, yes. They explain enough that you get the Fables "Universe" but it isn't essential to the plot. There are a few jokes you won't get here or there, but overall the Fables world doesn't drive the story. Which leads me to an important question. Why even make this a Fables novel? It would have been perfectly fine, perhaps even better, standing on it's own. Strip it down of any previously needed knowledge and then expand it. Because really, this book could have held my attention even longer, which is rare, usually I'm the one bemoaning the lack of editors in this day and age. This was just an amazing book, which makes me realize one important thing... if Bill Willingham can write this good, why is he wasting his time on a hit or miss comic series when he could be writing novels, novels that could rival some of the best fantasy writers out there? Really, that's the only thing that made me sad about this, knowing that Willingham is this awesome and usually performing below his abilities... well, that and the fact that I hated the one drawing in the book that was in the 20s I think... it looked like Leialoha was imitating Leyendecker, when all his drawings previously had a very Arthur Rackham, traditional storybook vibe... pick a style and stick to it, duh.

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: Arthur Rackham, Bill Willingham, Bo Peep, Brothers Grimm, Comics, Fables, Hamlin, Hannibal Lecter, Leyendecker, Peter and Max, Peter Piper, Pied Piper of Hamlin, Silence of the Lambs

Days of Blood and Starlight by Laini Taylor
Published by: William Morrow
Publication Date: November 6th, 2012
Format: Hardcover, 528 Pages
To Buy

The official patter:
"In this stunning sequel to the highly acclaimed Daughter of Smoke and Bone, Karou must come to terms with who and what she is, and how far she'll go to avenge her people. Filled with heartbreak and beauty, mysteries and secrets, new characters and old favorites, Days of Blood and Starlight brings the richness, color and intensity of the first book to a brand new canvas.

Daughter of Smoke and Bone was declared a "must read" by Entertainment Weekly, was named a Best Book of the Year by Amazon.com, and The New York Times called it "a breath-catching romantic fantasy."

My friend Jess has been begging me to read Daughter of Smoke and Bone, so hopefully by the time you're reading this I will have obeyed!

Curse of the Thirteenth Fey by Jane Yolen
Published by: Philomel
Publication Date: November 6th, 2012
Format: Hardcover, 256 Pages
To Buy

The official patter:
"A reimagining of Sleeping Beauty from a master storyteller

Gorse is the thirteenth and youngest in a family of fairies tied to the evil king's land and made to do his bidding. Because of an oath made to the king's great-great-ever-so-many-times-great-grandfather, if they try to leave or disobey the royals, they will burst into a thousand stars.

When accident-prone Gorse falls ill just as the family is bid to bless the new princess, a fairytale starts to unfold. Sick as she is, Gorse races to the castle with the last piece of magic the family has left--a piece of the Thread of Life. But that is when accident, mayhem, and magic combine to drive Gorse's story into the unthinkable, threatening the baby, the kingdom, and all.

With her trademark depth, grace, and humor, Jane Yolen tells readers the "true" story of the fairy who cursed Sleeping Beauty."

I always loved the story of Sleeping Beauty, even if, now older, I realize how freaking weird it is!

Still Life with Shape-shifter by Sharon Shinn
Published by: Ace
Publication Date: November 6th, 2012
Format: Hardcover, 352 Pages
To Buy

The official patter:
"Shinn returns to the alternate present-day setting of The Shape of Desire with a triumphant tale of love and loss. Melanie Landon has been protecting her half-sister, Ann, since they were children. When reporter Brody Westerbrook shows up at Melanie’s door asking whether Ann is a shape-shifter, Melanie is terrified of what might happen if Ann’s secret comes out. Carefree Ann can’t be bothered to worry about either the reporter or her deteriorating health, leaving Melanie with enough concerns for both of them. The everyday relationships—the love shared by siblings, friends, and romantic partners—shine with even more wonder than the magic. While Melanie and Brody’s romance is a touch unconvincing, Melanie’s relationship with Ann is utterly compelling, and the secondary story of a lonely young woman who pursues a cure for shape-shifting to save the man she loves becomes a delightful counterpoint to the primary story. This series is not to be missed."

For my friend Matt who is always going "When is there a new Sharon Shinn book out?" Here you go Matt!

The Twelve Clues of Christmas by Rhys Bowen
Published by: Berkley
Publication Date: November 6th, 2012
Format: Hardcover, 320 Pages
To Buy

The official patter:
"She may be thirty-fifth in line for the throne, but Lady Georgiana Rannoch cannot wait to ring in the new year—before a Christmas killer wrings another neck…

On the first day of Christmas, my true love gave to me—well, actually, my true love, Darcy O’Mara, is spending a feliz navidad tramping around South America. Meanwhile, Mummy is holed up in a tiny village called Tiddleton-under-Lovey with that droll Noel Coward! And I’m snowed in at Castle Rannoch with my bumbling brother, Binky, and sourpuss sister-in-law, Fig.

So it’s a miracle when I contrive to land a position as hostess to a posh holiday party in Tiddleton. The village is like something out of A Christmas Carol! But no sooner have I arrived than a neighborhood nuisance, a fellow named Freddie falls out of a tree, dead…. Dickensian, indeed.

Freddie’s merely a stocking stuffer. On my second day in town, another so-called accident turns up another mincemeat pie—and yet another on my third. The village is buzzing that a recent prison break could have something to do with it… that, or a long-standing witch’s curse. I’m not so sure. But after Darcy shows up beneath the mistletoe, anything could be possible in this wicked wonderland."

I always like a little holiday cozy murder... cause nothing says Merry Christmas like a good murder!

Her Sky Cowboy by Beth Ciotta
Published by: Signet
Publication Date: November 6th, 2012
Format: Mass Market Paperback, 352 Pages
To Buy

The official patter:
"Amelia Darcy has no interest in marrying well. Her heart belongs to the sky and the dirigibles of brass and steel that swoop over Victorian England. But when her father, an eccentric inventor, dies, the Darcy siblings are left with scrap metal—and not a penny to their names.

Their only hope to save the family reputation and fortune is to embark on a quest to discover an invention of historical importance in honor of Queen Victoria’s Golden Jubilee. Armed with only her father’s stories of a forgotten da Vinci workshop, a mechanically enhanced falcon, and an Italian cook, Amelia takes flight for Florence, Italy.

But her quest is altered when her kitecycle crashes into the airship of ex–Air Marshal—and scandalous dime novel hero—Tucker Gentry. Tuck agrees to escort Amelia to her destination, but the two are challenged by political unrest, a devious sky pirate, and their own sizzling attraction. Soon the pair is dragged into an international conspiracy that could change the course of history...again."

Steampunk, Austen overtones, SOLD!

Fairy Tales from the Borthers Grimm by Philip Pullman
Published by: Viking
Publication Date: November 6th, 2012
Format: Hardcover, 400 Pages
To Buy

The official patter:
"Two centuries ago, Jacob and Wilhelm Grimm published the first volume of Children’s and Household Tales. Now Philip Pullman, one of the most accomplished authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.

Pullman retells his fifty favorites, from much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “The Three Snake Leaves," "Godfather Death" and "The Girl with No Hands." At the end of each tale he offers a brief personal commentary, opening a window on the sources of the tales, the various forms they've taken over the centuries and their everlasting appeal.

Suffused with romance and villainy, danger and wit, the Grimms' fairy tales have inspired Pullman's unique creative vision—and his beguiling retellings will draw you back into a world that has long cast a spell on the Western imagination."

Hmmm, this could be very interesting or very weird...

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Beth Ciotta, Brothers Grimm, Clorious Victorious Darcys, Curse of the Thirteenth Fey, Days of Blood and Starlight, Jane Yolen, Laini Taylor, Philip Pullman, Rhys Bowen, Sharon Shinn

Book of a Thousand Days by Shannon Hale
Published by: Bloomsbury
Publication Date: September 18th 2007
Format: Hardcover, 320 Pages
Rating: ★★★★★
To Buy(different edition than one reviewed)

Dashti's mother has died on the steppes. Leaving the other muckers behind, she takes refuge in the city of Titor's Garden. Dashti's ability to read and write makes her a valuable servant, not to mention her knowledge of the healing songs of the muckers. She is trained to be a serving maid to Lady Saren, the illiterate daughter of the city's leader. Dashti's first day of work is more than she could ever have bargained for. Arriving at Saren's home, the house is in an uproar. Lady Saren is to be locked up in a tower for her refusal to marry Khasar, the leader of nearby Thoughts of Under. Whence her lady goes, there goes Dashti, even if they just met. The days pass slowly in the tower. But with food for seven years, Dashti feels more secure than she did starving on the steppes wondering where her next meal was to come from.

But her lady is not well. Dashti sings to her and tends to her every need to no avail. Saren is holding onto a dark secret to do with Khasar that nothing can relieve. Their only hope comes one day when Khan Tegus secretly arrives. He is the leader of nearby Song for Evela and Saren's secret fiance. He brings them news from the outside world, even if Saren refuses to talk to him and Dashti must pretend to be her mistress, for which she hopes the Gods won't strike her down. They communicate night after night through the little hole in the base of the tower, till one night, Khasar attacks. They hear no more of Tegus, no more of their guards, and their food supply is in danger. The rats have found them. Which is not so big a worry as Saren's overeating.

Facing a slow death or finding a way out of the tower are the only options left to them. But the outside world has changed. Khasar has started a war with all the eight realms. Titor's Garden is no more. The two girls slowly make their way to Song for Evela, hoping that Khan Tegus can protect them. But once their Saren refuses to make herself known and asks Dashti to once more pretend to be her, despite there being a new fiance from Beloved of Ris. There is more war on the horizon. Dashti is but a mucker faced with hard decisions and a Lady who she is respecting less and less. Could a lowly mucker save all the eight realms and get the prince? Or will evil win?


The fact that our heroine is locked in a tower should be the first hint that this is a tale from the Brothers Grimm. Those brothers sure did like their maidens bricked up in out of the way locales. Shannon Hale writing it is another good sign. Shannon Hale has made her name with her retelling of fairy tales written by the Brothers Grimm, from The Goose Girl to Rapunzel's Revenge, she has taken the weak, put upon women, and strengthened them and given them new life. The retelling of Fairy Tales is a popular pastime in fiction, especially in young adult fiction. Fairy Tales are the building blocks we all played with as children. They are simple stories to teach us right from wrong. They are stories that, as we age, we see the flaws and the wrongs. But still, they resonate with us. Book of a Thousand Days is based on one of the lesser known stories by the Brothers Grimm, "Maid Maleen." The story of "Maid Maleen," unlike the title suggest, is not about a maid at all. We follow the brave princess locked in the tower who one day escapes and flees to the country of her beloved. Once there, she finds work in the kitchens and as begged by the ugly fiance of the king to pose as her during the wedding ceremony, the rightful princess and the rightful prince are reunited and cue the happily ever after.

Here we see the themes that Hale will employ in her retelling, disguises, imprisonment and resolution of woes. But what of the actual maid? What of "Dashti"? In the original story there is but one mention of the maid being locked into the tower with her mistress. Shannon Hale latched onto this simple line. To be imprisoned for a crime that is not yours, to be locked up with someone you don't know. Someone who is illiterate and woebegone. The day to day life that Dashti narrates, with the good as well as the bad, the growth as well as the set backs are what make this book so wonderful. While it is said that it takes a thousand days to know someone, by reading this book you know Dashti. A simple story about obedience from hundreds of years ago has brought forth a story of one girl's struggles to find herself and her place in the world. And it's totally empowering. Sometimes the old needs to infused with the new to make it relevant in today's world. Retelling a tale is all it takes.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Book of a Thousand Days, Brothers Grimm, Dashti, Fairy Tale Fortnight, Goose Girl, Khan Tegus, Lady Saren, Rapunzel's Revenge, Shannon Hale

I don't think there is a way to tell a truly original story. All stories have been told in some form or other at sometime. The key to a good story is how you tell it, how you make it your own, how you make it original. From Bridget Jones being a retelling of Pride and Prejudice to the simplest bedtime story being rewoven for you. Re-imaginings of preexisting texts and stories happen all the time. But the question remains, who does it best? I love Shannon Hale. Her books are imaginative and always entertaining. What I find fascinating is that several of her books' genesis are fairy tales by the Brothers Grimm. But these are definitely not your grandparents fairy tales! She often turns the story on it's head, changing the underlying theme or moral without destroying the basic structure, creating a far richer and more interesting world. Instead of stories of obedient and subservient girls we read about strong willed girls, able to take care of themselves, and not waiting in the tower for some prince, especially in the case of Rapunzel. She believes Fairy Tales are wonderful in that they are stripped down of everything superfluous, and what remains after countless generations is the pure, true essence of storytelling, in other words, the best outline to start with. As Shannon Hale said when I saw her speak in Milwaukee promoting Book of a Thousand Days, she doesn't feel a need to retell her favorite stories, she feels a need to retell those that piss her off. She then went on to say that she was working on a new story based on Rapunzel (Rapunzel's Revenge released last August) mainly because she felt Rapunzel needed a refashioning because of her being helpless in a tower and her wanting to dig up Jacob and Wilhelm to slap them around and demand to know what they were thinking. The Goose Girl is based on the tale of the same name...but what does it really share in common with the original?

As written by the brothers Grimm, old Jacob and Wilhelm, a young princess is sent with her waiting-maid on her talking horse Falada to the next kingdom where she is to wed the prince. The princess is weak and subservient, so the maid in waiting takes advantage of her and assumes her identity, relegating the princess to help with the castle's geese upon arrival to the kingdom where the princess would have one day been queen. The waiting-maid, not being an idiot, has Falada killed so the horse won't talk. The princess spends her time with the geese and Curdken, another servant. Curdken thinks the princess is weird because she talks to Falada's head where it's been mounted outside the city, and also because when he tries to tease her she is able to summon the wind to blow his hat away so she can play with her hair in peace. Obviously Curdken thinks this is weird so her goes to the king, who figures out that the goose girl is the real princess. So the king has a banquet where the waiting-maid and the princess sit on either side of the prince. The king then tells the tale of the princess and asks the false bride what she would do to the imposter. She suggests rolling in a cask with nails till death, so off she goes to her death and they are all happy. The prince especially so because he has the prettier of the two and she is nice and meek and patient.

As written by Shannon Hale we have all the plot elements above, we have the Princess, Ani, going with her maid in waiting, Selia, to the country of Bayern to wed a prince she's never seen. On the way the hired men divide into two factions, those for Ani and those for Selia. Selia's men revolt and kill everyone against Selia. Ani escapes and takes refuge in the very German forest while Selia goes onto the capital of Bayern and claims she is Ani. The true Ani heals with the help of some Forest Born and eventually heads to the palace in disguise to claim what is hers. Once she gets there she realizes the extent of Selia's treachery and for fear of her life goes into hiding taking care of the King's geese till her time comes, and cozying up to the King's guard, Geric. Ani spends her time planning to get her horse, Falada, back and then once she has saved up enough money she will buy her way back home amongst some traders heading to Kildenree. Not all goes to plan, Falada has been driven mad and it breaks her heart when they kill him. She requests that the butcher give Falada a proper burial, to which he sticks his mounted head above the Goose Gate, which sickens Ani to the very core. The rogue Kildenreans finally find Ani and she escapes with her life back to the Forest Born who sheltered her. She then finds her top guard, Talone, is still alive and they form a plan to get Ani the hand of the prince. Because Selia is so clever, she has lied about an impending war between the nations so that anyone who could identify her as an imposter will die. Ani now must save her country, and this prompts her to come out of hiding. She rides to the lakefront estate where the army is massing and gets an audience with the King claiming to be her younger sister. She confesses all and it looks like Selia will win, but Selia gets cocky and overplays her hand and the bad guys all die, and Ani gets to marry Geric, because it turns out he is really the prince.

As interpretations go, the summery above shows the basic structure is intact, and little details like the horse being named Falada, and the manner of Selia's death and other little things here and there are one and the same but fleshed out. But several more supernatural aspects of the original story need to be addressed: Falada talks, Ani does as Selia says, Selia oozes self-confidence and it appears that the princess has the power to control the wind. Shannon Hale chose to quickly address these concerns within the mythology of the world she created. There are ancient legends in Kildenree that speak of people who can talk to animals, and it is said that if you are at the birthing of a foal they are born with their true name on their tongue and speak it only once and if you are present and speak the name back to them, you are forever bonded. Ani did this with Falada, so they can speak (only to each other I might add). But further legends say that not only are there animal speakers, there are people speakers, usually kings and queens who have the ability to sway people to their wills. Ani's mother is a people speaker and uses it justly to rule her kingdom. Unfortunately for Ani, Selia is also a people speaker, and this is Ani's downfall, because Selia is able to talk to people and use her words to weave a spell of her choosing, mainly she should be queen. Even further legends speak of those who could speak to the elements, water, fire and earth, nature speakers. These are the tales that truly fascinate Ani. In her grief over Falada she strains to hear him speak her final word to her "Princess" and instead she hears another voice, the voice of the wind. She slowly realizes she can persuade it and learn from it, using it to help escape and finally defeat Selia. By creating this mythology Shannon Hale has made something that was weird and implausible, plausible within the realm of her book. And Ani is weak at the beginning because she has never had to do anything for herself, she has never had to stand up for anything or anyone, by striking out on her own she becomes the woman who can stand up to Selia and is worthy of being Queen. A worthy re-interpretation, a goose girl becomes queen by her own hand not because she is weak and will do as she's told but because she is strong willed and will rule justly.

The Goose Girl by Shannon Hale
Published by: Bloomsbury
Publication Date: August 2003
Format: Hardcover, 383 Pages
Rating: ★★★★★
To Buy

Posted by Miss Eliza at 2:02 PM 0 comments  

Labels: Bayern, Book of a Thousand Days, Book Review, Brothers Grimm, Goose Girl, Rapunzel's Revenge, Shannon Hale