Season 51 - The Long Song (2021)
I've been a fan of Hayley Atwell's for what seems like forever, but looking at her credits it's been about twenty years starting with the Sally Lockhart films. But it was her portrayal of Agent Carter, giving us a non-superpowered kick-ass female lead in the male dominated Marvel universe that forever made me a fan. That and her hilarious lip-synch videos and self-deprecating social media presence. So I was aware of The Long Song since the day it first started filming back in 2018. And since the day later in 2018 that it aired in England. Nowadays with shows being shown almost simultaneously stateside thanks to premium cable channels and services like BritBox I kept waiting for The Long Song to finally air here. And I waited. And I waited. Seriously, Howards End with Hayley's portrayal of Margaret Schlegel ran on Starz and even re-aired TWICE on PBS and still I waited for The Long Song. Until finally it was announced as part of Masterpiece's 51st season in 2021. I would finally get to see the adaptation of Andrea Levy's book! And ironically, considering how long I waited to see this, I think 2021 was the perfect time for it to air. Right when America finally said enough and embraced Black Lives Matter on a scale it should have always been embraced. Though sadly since that time we've regressed, and it's more important than ever to look back and see the horrors of what we have done in the past and continue to do in the present. To know that this is our history. This happened and if certain people in power have their way it will happen again. To not flinch away from uncomfortable truths. And the truth of the matter is Hayley is nothing more than odious comic relief, as she should be in this setting. As she herself said "I play a heinous, vile old cow [as] Variety reviews my portrayal: 'an actor who typically radiates warmth, does a remarkable job of curdling the atmosphere of every room unlucky enough to have Caroline in it.'" And her partner in crime is Jack Lowden as the ambitious Robert Goodwin. If you've fallen for him as River Cartwright on Slow Horses, well, here you get to see his true acting chops, joining Hayley in camp odious and vile. I wish I could say I knew then that he'd be a star, but I so didn't. Because the real star of The Long Song is Tamara Lawrance as July. A slave who was taken away from her mother to be a plaything for Caroline. Who, despite everything, is a source of joy. Her life keeps beating her down again and again yet she is a "joyous survivor" as one reviewer said. And that's the heart of The Long Song, showing the horrors unflinchingly but celebrating the joy of surviving and creating a better world. Here's hoping we can rebuild and make a better world together.
There are some people out there who would say that as a show Lovecraft Country is too all over the place, never settling on one style or even one genre, to them I say, that's the point! It is so fun and invigorating to have so many pulp genres in one show. We have haunted houses, epic adventures, ghost stories, space odysseys, and curses, with homages to everything from The Goonies to Indiana Jones to The Evil Dead! The Evil Dead one being a fabulous deep dive because the franchise deals with the Necronomicon, a book create by the writer H.P. Lovecraft, and what with the name of the show, when Leti is running through the woods in the first episode and takes shelter in the exact cabin from the franchise, my geeky heart did sing! Lovecraft Country also does an epic job of giving you unforgettable scenes that are simple but you know will stick with you forever for how haunting they are. The malevolent spirits Topsy and Bopsy who haunt Diana will forever haunt you. How can simple choreography be that terrifying!?! Though the first episode chase scene will now forever after be for me the most gut-wrenching I've ever witnessed. It's not the speed, it's not the action, it's what's at stake. Tic, George, and Leti have to get out of a sundown county with the police on their tales. If they fail to escape, they are surely dead. But if they speed, they will be pulled over. They are fighting the setting sun while crawling along the highway in the most nail-biting scene ever. That something so simple could be so compelling just shows what this show was capable of. But what makes this show work on a higher level is that despite being a period piece set in the 1950s that even had an episode all in Korean about a kumiho, a nine-tailed fox creature, it felt so relevant. The inability to get a job not because you lack the qualifications but because of the color of your skin. The constant police brutality and intimidation. The death of poor Emmett Till. This show encapsulated the Black Lives Matter movement in the most unique way possible. We need more shows out there willing to tell the truth, willing to take the risks, and willing to break the rules.
