strange and random happenstance

My Batman fatigue set in in 2008. If Christopher Nolan couldn't be bothered to take down outdoor signage for the Lyric Opera of Chicago I don't know why I should be bothered to care about The Dark Knight. Also, controversial opinion, Heath Ledger didn't deserve the Oscar that year, but he did deserve it more than Robert Downey Junior. Since then we've gone through quite a few Batmen and my top picks might be a bit controversial, but with George Clooney being back maybe not as much as they once were. And wherever there is Batman there's his trusty butler. In fact for the who's who among actors I think Alfred has drawn the bigger names; Andy Serkis, Michael Caine, Jeremy Irons, Michael Gough, Sean Pertwee, Tom Hollander, Efrem Zimbalist Junior, and on and on. But one interesting development over the years is that Alfred has slowly become less and less posh, Michael Caine and Sean Pertwee really upping the ante. Sean Pertwee's rougher Alfred created by Bruno Heller for Gotham. But I just couldn't get into Gotham despite my Pertwee love. My problem was Gotham was still too rooted in the Batman mythology, seeing all these characters as younger versions of themselves and what they were to become. Which is why I was drawn to Pennyworth. Also created by Bruno Heller he seems to have realized the limitations of his previous series and limited his characters here. Here we have Alfred, and Batman's parents, Thomas and Martha. And that's it. Set in London during the swinging sixties the world created is a fascinating mashup of Last Night in Soho and V for Vendetta with a giant helping of Michael Caine's oeuvre. Our Alfie as played by Jack Bannon couldn't exist without Caine's Alfie. He exudes that cockney coolness and surety while also bringing a bit of Fred Thursday to the role, an inevitability as he played his son Sam on Endeavour for it's entire run. But the show isn't just a standout performance by Bannon, every actor is perfectly chosen to bring to life this vibrant alternative universe that mimics our Cold War but at the same time is wholly unique. Sadly season two leaned too far into mimicking World War II saved only by Peg and Bet. But then again Peg and Bet could save anyone and anything if they had a mind to. So how did they decide to fix the season two mistakes? By making sure everyone knew this show was about Batman's Butler by adding an absurdly ludicrous subtitle. I mean, surly people aren't so dumb they didn't connect the two. Please tell me I'm right because otherwise humanity is doomed. Much like London. Because while we're moving on from diamond geezers to the swinging sixties with hippies we're getting a darker side with the CIA experimenting with "MKUltra" and Patty Hearst and the Manson Family and an artist that looks like a stretched out Brian Eno. Trust me, he's up to no good. So while the aesthetic is very reminiscent of Adam West's Batman 66; brighter colors, dafter plots, and People With Enhancements, AKA PWEs, as pro superheroes and villains, there is a distinct underlying malevolence. Perhaps because they've fully embraced V for Vendetta in what I though was a lovely meta moment but according to the creators of the show is where they were heading all along because they view Pennyworth as a prequel to V for Vendetta as well as Gotham. Say what!?! Does James Purefoy know because I think he'd have something to say. Also you're still not getting me to watch Gotham. No matter how much I want closure and answers.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alfred Pennyworth, And the Emmy Goes To, Batman, Bruno Heller, Endeavour, Gotham, Jack Bannon, James Purefoy, Last Night in Soho, London, Michael Caine, MKUltra, Pennyworth, Sean Pertwee, V for Vendetta

Ghosts of Manhattan by George Mann
Published by: PYR
Publication Date: February 2010
Format: Paperback, 237 Pages
Rating: ★★★★★
To Buy

Gabriel Cross is leading a dual life. By outward appearances he is the playboy, always partying, always throwing around his cash, unconcerned by the world around him. But inside he is haunted by the war he fought in and almost died in. He will not let New York sink into a city on the brink with the cops being controlled by the mob. With the mob being controlled by the worst mobster of them all, the elusive Roman. Splitting his time between his lounge chair and the rooftops of the city, "The Ghost" as the newspapers have named Gabriel, will help his fellow citizens by getting to the bottom of who the Roman is. Yet his carefully constructed personas are about to crash around him when the songstress he loves, Celeste, gets embroiled in the Roman's dealings, and Gabriel himself exposes his identity to perhaps the only trustworthy cop in the city. What the cost of these risks are, only time will tell. But hopefully, with time, the Roman's reign will also fall.

I never thought I'd say this, but there comes a time when there are too many superheroes. This overkill, especially by Marvel, makes me inwardly groan that there is yet another Green Arrow spin-off, yet another franchise being launched off the back of an already successful franchise, Black Panther anyone? Or worse yet, a reboot of a film series that is only a few years old, The Fantastic Four or Spiderman, take your pick! Obviously I'm in the minority here as the movies and television shows keep getting the viewers but I have personally reached my saturation point, so much so that I might not even keep watching Agents of S.H.I.E.L.D.. All this lead me to be a little leery of Ghosts of Manhattan. There was the part of me going, but it's not Victorian, but more important the part of me going, really, this book is "Introducing the World's First Steampunk Superhero," spare me.

So, despite my love of George's work I wasn't unbiased going into Ghosts of Manhattan, in fact George had a lot working against him with all my preconceived notions. And then I got a few chapters in and was hooked. The writing isn't as polished as George's other stories, but there's a rawness and immediacy that sinks it's claws in, much like a certain creature in this series second volume. The best way to describe this book is Batman meets The Great Gatsby with a little Bladerunner thrown in. Gabriel Cross has the vigilante stance as well as the violent past of Batman, but instead of emulating his "true" identity of Bruce Wayne, despite there being similarities; the 1920s lifestyle, the parties, the estate on Long Island, are all straight out of Jay Gatsby's biography. As for other comic book antecedents, there's a little Hell Boy thrown in as well. These twists and also just the demeanor of Gabriel give a story that could be full of tropes and cliches a spark of life that made a cold winter day just disappear.

The turning point for me was the introduction of the golems. I blame Terry Pratchett for my love of the golem myth, seriously, if you have not read Feet of Clay go do so now! There's just something so fascinating about golems. A figure made of clay and endowed with the spark of life but not intelligence, much like Frankenstein's monster it can be either good or evil depending on who gave it life and purpose. Not to mention the fact that they are indefatigable and nigh on undefeatable! Plus, if you think about it, they are basically automatons, which is a link back to George's other work and the scary creations in The Affinity Bridge. Which might be one reason I'm so fascinated by golems. There's something so modern about them, yet at the same time there is something so old, so historical, dating back to early Judisim. I just love that more authors are taking advantage of incorporating this myth into their narratives, golems were even used in an episode of Grimm recently.

The golems I think get at the crux of the matter as to why this book works. It's a fusing of the old and the new. Your run of the mill superhero is all about the present or the future, and of course the gadgets, with maybe the occasional need for and old relic, but that's a rare need. Here we have a superhero who is more Indiana Jones, more about the old and the new meeting and clashing and forging something no one thought possible. If the golems weren't enough to convince you of this then I bring into consideration the role The Metropolitan Museum of Art plays in the book. Not only is it the location of one of the most important scenes, as well as cringe worthy if you're in art lover, but the curator friend of Gabriel's, Arthur Wolfe, provides an entree into this older world. The relics and artwork The MET house create an important link between the here and now and the time when golems and Roman currency were more common occurrences.

This is the heart of the book, the way to make a superhero story that will actually engage me. Ghosts of Manhattan is something more. By not just being about a vigilante on a roof with his gadgets we get this other side, an old world past that hints at the supernatural and the dark arts. Before the modern era superstition and urban legends and fairy tales were so important. People didn't just listen to them as entertainment, there was truth in the tales. As time has progressed more and more people forget that perhaps, just maybe, even though we are ruled by technology and the microchip, that fairy tales can be true. The Ghost learns this the hard way and in doing so takes us on a ride that puts all other superheroes in the shade.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Agents of SHIELD, Batman, Feet of Clay, Gabriel Cross, George Mann, Ghosts of Manhattan, Grimm, Hell Boy, Mann Month, Marvel, New York, Superhero, Terry Pratchett, The Ghost, The Great Gatsby, The MET

So, instead of inflicting more of my dream casting on you I thought perhaps you might want to hear a little from the author himself to whom the month of November has been dedicated. So without further ado, I bring you George Mann!

Question: The first memorable book from you childhood often extends its influence throughout your life. What is your favorite book that you re-read a million times from when you were little?

Answer: I was a very lucky child, in that I was read to extensively from an early age. I had the Hobbit, the complete Chronicles of Narania and all sorts, all before the age of 6. So I think I absorbed a lot of that, and it’s all still in here, somewhere.

A formative book for me, though, was The War of the Worlds by HG Wells. That was a real revelation. I’ve always considered it one of the first great science fiction novels, and I adore how the aliens are defeated at the end by the common cold, rather than the Victorians themselves.

Question: You have created your own vigilante superhero with The Ghost. What was your favorite superhero growing up?

Answer:  It’s always been Spider-Man, and, to be honest, is still is. There’s something about the web-crawler that’s always appealed to me. I think it might be because, at heart, he’s just a normal, geeky guy, who saves the day because he has to, and because no one else is going to do it. In many ways he’s similar to the Doctor in that (see below) – he finds himself in these perilous, fantastical situations, and although he’s handy with his fists, it’s usually through intellectual endeavour that he saves the day. At least, in my favourite stories.

Of course, I’ve always been a huge fan of Batman, too. I prefer him in his ‘dark detective’ mode, stalking the streets of Gotham to solve crimes in a way the police aren’t able.

Question: Growing up what was the television show that you most anticipated every week and why?

Answer: I think you know the answer to this one…it was definitely Doctor Who. It was just so different from everything else at the time. Weird, wonderful fantasy that had a huge and lasting impact on my psyche. I loved how the Doctor would just stumble into these amazing, colourful adventures, and always win the day through cleverness, charm, or wit. It was real fuel for the imagination.

Question: Victoriana and sensational supernatural stories are really making a comeback with shows like Ripper Street and Penny Dreadful. Why do you think people are continually drawn to these subjects?

Answer: I think it’s because the Victorian period is now distant enough to seem unknowable and strange (and therefore fertile ground for sensationalising), but at the same time close enough that it still feels half-familiar. I also think there’s something about the fact that the Victorian era feels like the borderlands between the modern world and the past, science vs superstition. There was a clear preoccupation with ‘occult science’ and superstition in that age, and a view that anything was possible, if only we could find the means to achieve it. Science would prove the existence of the spirit world, that sort of thing. So again, it’s great material for a writer to get their teeth into.

Question: You've written 34 books this year, or at least it seems that what with a new book on the shelves every few weeks. Seriously, when do you not write?

Answer: Ha! I’m always writing. At the same time, though, some of that is to do with scheduling and just a coincidence of when the books are published.

I do have trouble stopping, though. Some would say it’s an affliction. I’m not happy unless I’m working on a story of some kind, in one medium or other.

Question: With the future of traditional publishing avenues in limbo many writers are turning to self-publishing. What do you make of this trend, the advantages and the pitfalls, and how will it affect traditional publishing?

Answer: Well, first and foremost I’m a big believer in the adage ‘everyone needs an editor’. I think that editor can take many different forms, but you need someone who can cast an impartial eye over your work, who knows story and structure, and who will be honest with you about the quality of what you’ve written. That’s very important, I think. So I’d never want to dispense with that.

I think digital self-publishing has a place, though. I love the idea of serializing a Newbury and Hobbes story at some point, for example, over a number of parts, like an old story paper. And clearly people are making a great success of it. Personally, though, I find the interactions I have with my publishers very, very helpful. And it helps to have a team of salespeople and publicists working on your books – if I had to do that stuff myself it would never happen, and I wouldn’t sell any books!

Really, for me, it comes down to the fact that I’d rather be writing new stories than worrying about formatting an ebook, promoting and selling it, etc etc. But I know it’s a great tool for other people, and I’d never rule it out.

Question: When you started writing the Newbury and Hobbes series did you intentionally write them as Steampunk or did you just write what you felt and it fit perfectly in the Steampunk Genre?

Answer: I’m not even sure they are steampunk! (Shock! Horror!). I definitely didn’t set out to write in any genre. In fact, The Affinity Bridge was quite the opposite. I’d spent years trying to write a big, sprawling space opera, because I thought that was the genre I should have been writing in, and it was so depressing. I just wasn’t getting anywhere with it. I wrote The Affinity Bridge for me, and just threw in everything I was interested in or loved. They’re Victorian fantasias, really, rather than steampunk. There’s not very much punk about them. They were the aesthetics of steampunk, sometimes, but they’re at least as concerned with the supernatural.

Question: With your books being interconnected we have had glimpses of the future of many of your beloved characters. As for the Newbury and Hobbes Series specifically, do you have an end in sight or is your plan to just keep writing? And when will we see The Revenant Express?

Answer: I tend to work in story arcs, rather than planning to the end of the series. So the first big N and H story arc will end in book 6, but I have no intention of retiring them. They may have a little break, but I have lots more stories to tell, if people want to keep reading them. I might also go back and write some more stories with Newbury and Templeton Black, as I enjoyed writing ‘The Dark Path’ very much.

There’s a whole bunch of N and H stuff happening next year. I’m really excited about it. New stories in three different mediums! The Revenant Express is one of them. The others, I can’t quite reveal yet. But soon!

Question: Many authors don’t think of their characters in terms of actors, but I’ve been having a little fun doing the dream casting for the hopefully one day forthcoming miniseries (fingers crossed) and I was wondering if you’ve ever thought of who could bring your characters to life?

Answer: Ha! Yes, I’ve been watching your casting with interest. I don’t feel I can say too much about casting at the moment, for reasons that will become clear later (and it’s not a TV series, alas – at least not yet), but I will say that I originally had Tom Ward in mind when I first wrote about Newbury.

Question: With the hugely successful Engines of War you are the first writer to tackle The War Doctor. How did it feel to be basically given a Doctor with a blank slate (well, minus that stuff in “The Day of the Doctor”)?

Answer: Oh, it was amazing! A dream come true, in fact. A little daunting, but so exciting, and so inspiring. I still can’t believe what they allowed me to get away with in that book. To this day, I still can’t quite actually believe it happened.

Question: In my opinion it’s unfair to ask people who their favorite Doctor is (how can I ask someone to choose when I can’t choose between Tom Baker and Matt Smith myself), so I’ll give you a twist, who is your favorite Doctor to write for? It can be one you haven’t written for yet.

Answer:  I enjoyed writing for the Eleventh Doctor a lot, but really, it has to be the War Doctor. I had SO MUCH fun with Engines of War. I’ve always wanted to write for the Eighth Doctor too. Hopefully I’ll have the opportunity at some point.

Question: You are now showrunner for Doctor Who, we won’t go into details as to how you secured the job, there may have been a cage match to the death with Moffat and Gatiss, that is unclear, but what are the top three changes you would make?

Answer: That’s a tough question. I really don’t know! Bring in more new writers, perhaps. Introduce a new male companion, maybe someone who isn’t a love interest of one of the leads. Try to persuade the BBC to do additional Easter and Halloween specials. More two-parters. I don’t think there are any silver bullets and I think it must be one of the hardest jobs in TV.

Question: What’s next for George Mann? 

Answer: The Revenant Express! Finally! And a bunch of other exciting N and H projects, as mentioned earlier. A new Ghost novel, Ghosts of Karnak, some more Doctor Who, and maybe some new things that I’m toying with at the moment…

Question: Favorite movie you’ve seen this year?

Answer: Guardians of the Galaxy. Without a doubt.

Question: Point Break or Bad Boys 2?

Answer: Point Break. I’m not sure I’m even aware of Bad Boys 2!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Batman, Doctor Who, George Mann, H.G. Wells, Hot Fuzz, Newbury and Hobbes, Penny Dreadful, Ripper Street, The Affinity Bridge, The Chronicles of Narnia, The Ghost, The Revenant Express, The War Doctor, Tom Ward

Ghosts of Manhattan by George Mann
Published by: PYR
Publication Date: February 2010
Format: Paperback, 237 Pages
Rating: ★★★★★
To Buy

Gabriel Cross is leading a dual life. By outward appearances he is the playboy, always partying, always throwing around his cash, unconcerned by the world around him. But inside he is haunted by the war he fought in and almost died in. He will not let New York sink into a city on the brink with the cops being controlled by the mob. With the mob being controlled by the worst mobster of them all, the elusive Roman. Splitting his time between his lounge chair and the rooftops of the city, "The Ghost" as the newspapers have named Gabriel, will help his fellow citizens by getting to the bottom of who the Roman is. Yet his carefully constructed personas are about to crash around him when the songstress he loves, Celeste, gets embroiled in the Roman's dealings, and Gabriel himself exposes his identity to perhaps the only trustworthy cop in the city. What the cost of these risks are, only time will tell. But hopefully, with time, the Roman's reign will also fall.

I never thought I'd say this, but there comes a time when there are too many superheroes. This overkill, especially by Marvel, makes me inwardly groan that there is yet another Green Arrow spin-off, yet another franchise being launched off the back of an already successful franchise, Black Panther anyone? Or worse yet, a reboot of a film series that is only a few years old, The Fantastic Four or Spiderman, take your pick! Obviously I'm in the minority here as the movies and television shows keep getting the viewers but I have personally reached my saturation point, so much so that I might not even keep watching Agents of S.H.I.E.L.D.. All this lead me to be a little leery of Ghosts of Manhattan. There was the part of me going, but it's not Victorian, but more important the part of me going, really, this book is "Introducing the World's First Steampunk Superhero," spare me.

So, despite my love of George's work I wasn't unbiased going into Ghosts of Manhattan, in fact George had a lot working against him with all my preconceived notions. And then I got a few chapters in and was hooked. The writing isn't as polished as George's other stories, but there's a rawness and immediacy that sinks it's claws in, much like a certain creature in this series second volume. The best way to describe this book is Batman meets The Great Gatsby with a little Bladerunner thrown in. Gabriel Cross has the vigilante stance as well as the violent past of Batman, but instead of emulating his "true" identity of Bruce Wayne, despite there being similarities; the 1920s lifestyle, the parties, the estate on Long Island, are all straight out of Jay Gatsby's biography. As for other comic book antecedents, there's a little Hell Boy thrown in as well. These twists and also just the demeanor of Gabriel give a story that could be full of tropes and cliches a spark of life that made a cold winter day just disappear.

The turning point for me was the introduction of the golems. I blame Terry Pratchett for my love of the golem myth, seriously, if you have not read Feet of Clay go do so now! There's just something so fascinating about golems. A figure made of clay and endowed with the spark of life but not intelligence, much like Frankenstein's monster it can be either good or evil depending on who gave it life and purpose. Not to mention the fact that they are indefatigable and nigh on undefeatable! Plus, if you think about it, they are basically automatons, which is a link back to George's other work and the scary creations in The Affinity Bridge. Which might be one reason I'm so fascinated by golems. There's something so modern about them, yet at the same time there is something so old, so historical, dating back to early Judisim. I just love that more authors are taking advantage of incorporating this myth into their narratives, golems were even used in an episode of Grimm recently.

The golems I think get at the crux of the matter as to why this book works. It's a fusing of the old and the new. Your run of the mill superhero is all about the present or the future, and of course the gadgets, with maybe the occasional need for and old relic, but that's a rare need. Here we have a superhero who is more Indiana Jones, more about the old and the new meeting and clashing and forging something no one thought possible. If the golems weren't enough to convince you of this then I bring into consideration the role The Metropolitan Museum of Art plays in the book. Not only is it the location of one of the most important scenes, as well as cringe worthy if you're in art lover, but the curator friend of Gabriel's, Arthur Wolfe, provides an entree into this older world. The relics and artwork The MET house create an important link between the here and now and the time when golems and Roman currency were more common occurrences.

This is the heart of the book, the way to make a superhero story that will actually engage me. Ghosts of Manhattan is something more. By not just being about a vigilante on a roof with his gadgets we get this other side, an old world past that hints at the supernatural and the dark arts. Before the modern era superstition and urban legends and fairy tales were so important. People didn't just listen to them as entertainment, there was truth in the tales. As time has progressed more and more people forget that perhaps, just maybe, even though we are ruled by technology and the microchip, that fairy tales can be true. The Ghost learns this the hard way and in doing so takes us on a ride that puts all other superheroes in the shade.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Agents of SHIELD, Batman, Feet of Clay, Gabriel Cross, George Mann, Ghosts of Manhattan, Grimm, Hell Boy, Mann Month, Marvel, New York, Superhero, Terry Pratchett, The Ghost, The Great Gatsby, The MET

The Janus Affair by Pip Ballantine and Tee Morris
Published by: Harper Voyager
Publication Date: May 29th, 2012
Format: Paperback, 432 Pages
Rating: ★★★★
To Buy

Eliza and Wellington have been behaving themselves... mostly. Since the to-do with the Phoenix Society, Eliza's desire for field work has been mildly slacked. But even Welly MUST admit that when a case just falls into their lap it can't be ignored. Even if it wasn't so much the case fell as a lady disappeared in front of them on a hypersteam train from Scotland to London. Eliza had just met the lady in question at a Suffrage meeting and now she's all screaming and lightning and gone. Yet their boss Dr. Sound doesn't follow the logic of Braun. She's too close to the case and therefore shouldn't investigate. But for Eliza this is exactly the reason why she must investigate, that and the knowledge that their fellow agent assigned to the case, Bruce Campbell, will do nothing. A promise he lives up to when he quickly sends the case down to the archives as closed... but not solved.

Eliza might have been convinced by Welly to back down if they didn't see it happen again. They are wandering around the park and head over to Speaker's Corner. There is a large Suffrage rally in progress and a large shock in store for Eliza. Kate Sheppard is there. Eliza hasn't seen Kate since the incident that made Eliza an outcast, no longer welcome in New Zealand. Kate is looking pretty good with her half metal face, she's not one to back down when the going got tough! Then all of a sudden the same metallic tang fills the air and Eliza knows Kate is going to be snatched. Jumping to the podium, Eliza once again saves Kate, but the other girl wasn't so lucky.

Now that there are two cases, Eliza combs the archives and finds even more. Key women to the Suffrage movement snatched out of thin air. But why? And why bury the cases? Are they being killed, kidnapped, ransomed? Or is this all just to undermine the movement? Because not knowing what is happening is sewing more fear than a direct attack would. Yet Kate is ready for a fight if Eliza is! Too bad Kate brought her son Douglas along... Eliza's first true love. No matter who is behind this or why, Eliza will solve this, job and life be damned. Yet, with the forces of darkness aligning themselves against the agents and their ministry, could it really be the end for Books and Braun?

First, make sure you've read the first book, second, make sure you've read the short story The Evil that Befell Sampson, which really should be required reading to get this book, ok, done? Now we can discuss. I adore Books and Braun. Their chemistry and their combined talents are such a perfect match. Yet, with just the two of them, you'd have a decent book. It is all the perfectly formed peripheral characters that make this book so much more. From Eliza's Ministry Seven, her answer to the Baker Street Irregulars, to her kick ass half steam maid, to their fellow agents whom you not only fall in love with but mourn. Even the baddies fascinate me! Usually the adversary is some mysterious, convoluted, not very well plotted big bad, yet here, we have Sophia and Lord Sussex and the conflicted Bruce. You are almost cheering them on as much as the protagonists. I want to know more about them, I want to know more about the mysterious Maestro. I want to know exactly what is happening to Sussex, because right now I have fifty million theories, and most point to a Jekyll and Hyde scenario. I never have cared much for villains in the past, maybe a passing interest in a roguish cad... but actual villains? Nope.

The world of this novel makes me want to curl up in it and never leave, which is why I'm so excited they put out so many short stories, because how else would I survive till the next book comes out? Still, there where a few things in this book that made it click a little less for me. What I loved most of all was that the arrival of Douglas threw Eliza and Wellington's feelings for each other into relief. We also had the closure of the Douglas chapter of Eliza's life. There could be no romantic entanglement between the two of them till at least the most obvious of the obstacles where removed, ie, Eliza's former partner, her former love. That isn't to say that there aren't tons of other problems, psychological and ideological that could get in their way... but now the real hurdles have been passed.

The Suffrage movement, personally, I could take it or leave it, but that's probably because I have grown up in a world that has never banned me from voting. I love this historical aspect and the little things, like the distinction of calling the women Suffragists not Suffragettes. Also, the fact that Kate Sheppard was a real hell cat for New Zealand, minus the bionic makeover, makes this ever more real. Yet, the fact that this struggle is somehow the final straw that broke our villain's back and had the world heading for... I'll be good, no spoilers... well, something really bad, I didn't really buy.

What I didn't like? I missed the archives! Which, because of this book's ending, I fear I will continue to miss. I liked the idea of them having a base of operations within this larger organization. I loved them thwarting their boss and trying to cover up what they where up to with elaborate shadow play and excuses. I missed the research in that dank little cellar! The archives are a character all it's own and I missed it! Plus, the archives has so much to offer, and really, it is their job! I found it not that feasible that they where not missed at all for the entire duration of the book. They maybe stopped by once or twice and no one commented on their absence? Really!?!

Though the thing that bothered me the most was a lack of copy editing. Hell, I would personally copy edit these books for free to avoid the grammatical errors and the occasional missing words which would make a sentence not make sense unless your brain filled in the gaps, which my brain is quite used to. Though, I think a continuity editor would be even better because of one niggling thing that drove me bonkers. The added elevator. In the first book, Phoenix Rising, there is a scene when Welly has to take the drunken Eliza home. He has to carry her comatose body up flights and flights of stairs. It was a struggle because that little pepper pot (a word starting to get overused in the chapter headings) was wearing her reinforced corset... yet in the second book, after Douglas shows up at Eliza's when Welly is there, Welly and Douglas leave together and glare at each other while riding the elevator to the ground floor. Say what!?! If there was the option of an elevator when Welly was lugging around a drunk Eliza, I think he would have taken it! Also, not much time has passed since the first book, so I find it highly unlikely that an elevator was installed. So, magically appearing elevator... yeah, no thanks. Yet, even these detractions can't take away my love of this series and the fact that I am desperate for the next volume... which probably won't be out to next year... sigh, sob and wail.

Moste Importante Steampunkery:
Sophia de Morte's Lococycle. It's basically Batman's Batcycle but cooler! Especially so once Wellington finishes adding some of his touches, sure to be far more effective than that lame crotch rocket Christian Bale was riding in The Dark Knight Rises! Though I think Sophia would approve of Catwoman having her own. Meow! This "infernal contraption" might be inelegant to the eyes of some, Sussex cough cough, the "two wheels, one in front of the other like a bicycle" added with pistons and valves makes this the fastest mode of transport for delivering messages to your dark master or rescuing your partner. It also scares the hell out of horses.

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: Batman, Bruce Campbell, Catwoman, Christian Bale, Eliza Braun, Kate Sheppard, Ministry of Peculiar Occurances, Phoenix Rising, Suffragettes, The Dark Knigt Rises, The Janus Affair, Wellington Books