Showing posts with label The Sweetness at the Bottom of the Pie. Show all posts
Showing posts with label The Sweetness at the Bottom of the Pie. Show all posts

Wednesday, August 1, 2018

Murder By The Book

Bookstore: Murder By The Book

Location: Houston, Texas

Official Patter: "Murder By The Book is one of the nation's oldest and largest mystery specialty bookstores, established in 1980 by Martha Farrington, and purchased by McKenna Jordan in 2009. The store stocks over 25,000 books - new and used, hardbacks and paperbacks, first editions, collectibles, gift items, mystery magazines, and more. We host over 200 of the hottest mystery, crime, and fantasy authors for book signing events every year. We've had everyone from Dick Francis to P.D. James, Sue Grafton to Robert Crais, Michael Connelly to Patricia Cornwell, James Lee Burke to Daniel Silva."

Why I Love Them: They are literally my favorite bookstore that I've never been to! I first heard about them because I had fallen in love with the Pink Carnation series by Lauren Willig and I saw this was a bookstore she was stopping at way back in 2008 to promote the fourth book in the series, The Seduction of the Crimson Rose. It wasn't long before I started to notice how many authors I loved stopped by, all those wonderful signed first editions that could be coming my way! From Tasha Alexander to Deanna Raybourn, Melissa Marr to Kate Morton, Mary Robinette Kowal to Jacqueline Winspear, so many authors on the historical fiction/mystery spectrum made Murder By The Book their go to stop on their tours that I long to live closer. And this doesn't even include Charlaine Harris's link to the store and how many signed books they have supplied me with of hers!

Best Buy: But the best thing about Murder By The Book is that through them I have been given some of the best book recommendations. Recommendations that I'm sure I'd never have heard of otherwise! Johnnie Cakes (the moniker many authors know and love John Kwiatowski by) introduced me to The Ministry of Peculiar Occurrences, a favorite Steampunk series of mine by Pip Ballantine and her husband Tee Morris among many many others. Occasionally he'll just email me and be like, you need this. I always listen. But before Johnnie there was the store's dearly departed owner David Thompson giving me recommendations. Back in 2009 there was a new book coming out, The Sweetness at the Bottom of the Pie and he told me it was not just a must read but that it was going to be big. I listened and am the proud owner of a signed first edition of this Alan Bradley book that went on to win every award that year. Though the awards would mean nothing if it wasn't for the fact that I just fell in love with this series. Every year I wait with baited breath for the next installment, currently at nine books, one short story, and book ten on the way. There's something about Flavia De Luce that I just connect with. She's precocious, incorrigible, and whip-smart. She might be one of my favorite crime solving heroines of all time, and easily my favorite who isn't yet a teenager! But to think, I would never have heard of her it not for David! That is why I love reaching out and forming relationships with bookstores online. They have all these books they want to recommend to you and they help to expand your horizons. The Internet truly does make the world smaller, and because of it I've met some great friends, both real and fictional.       

Friday, October 14, 2016

Flávia 's Toast


"I never really liked sunny days.
When the skies were gloomy with heavy dark clouds... that's when I felt the happiest.
Mom never allowed me to dress in black, and I knew that that was the protection I needed.
Father always yelled at me to put down the volume, but I needed loud rock and roll.
I was sheltered for most of my life.

But then, The Sandman came.

My cousin, who I really admired (still do), would draw these very goth and interesting looking characters and I loved them! She then handed me DEATH: THE HIGH COST OF LIVING, and it changed everything. I was 13. I didn't know someone could write like that. I didn't know there was someone out there who thought like I did.

It sounds melodic and over the top, but I was a very sheltered child, 13 years old, living in a 3rd world country, in a city that did not have a single library. It was very hard, but one by one, I started reading all of his works that I could find throughout the years. But definitely, The Sandman series are special to me.

Neil Gaiman's writing touches that delicate line in between life and death with such gracefulness that the reader barely notices how fragile existence is. That is what I enjoy the most in his works. There's no death for the mind - that's what his work taught me.

I briefly "met" him once and got my books signed. He looked into my eyes and smiled. Little he knew how far I traveled to be there that day and smile back at him.

My "estranged" friend... soul as gloomy as mine, mind as endless as the sky.

Cheers!" - Flávia

Flávia and I met at MATC. For many semesters I'd seen this amazing work credited to a "Fly" and then one semester there was this girl in the back of my two classes named Flávia, easy to remember because I'd just read The Sweetness at the Bottom of the Pie for the first time, and I realized she was the "Fly" I'd been admiring for so long. Since then we've remained friends, getting to meet Neil Gaiman together, talking over books once a month a book club. I'm forever in awe of her talent as an artist and a mother, and after this toast, as a writer too.

Wednesday, June 29, 2016

Book Review - Alan Bradley's The Sweetness at the Bottom of the Pie

The Sweetness at the Bottom of the Pie by Alan Bradley
Published by: Delacorte Press
Publication Date: April 28th, 2009
Format: Hardcover, 374 Pages
Rating: ★★★★
To Buy

At Buckshaw, the ancestral home of the de Luce's, Flavia spends her time lovingly researching poisons and thinking up ways to exact revenge on her two older sisters, Ophelia and Daphne. What else can one do with a distant philatelist father interested only in his stamps, a dead mother, and sisters more concerned with reading and makeup then forging sisterly bonds? Add Mrs. Mullet, a cook who keeps plying them with her unwanted custard pies, and Dogger, the shell shocked comrade in arms who saved the Colonel in the war and is now the house's general dogsbody, and you can see why Flavia likes the uncomplicated world of chemistry to that of her fellow man. Lucky for Flavia the long dead Tarquin de Luce had a fervent love of chemistry equal to hers and she has inherited his envy inducing laboratory in Buckshaw, where even the china has a story to it. But their peace is soon to be disturbed, and not by the shrieks of Feely as her pearls are disintegrated by Flavia, or the muffled sounds of Flavia trying to extricate herself from the closest where her sisters imprisoned her. No. Murder is about to strike Buckshaw, foreshadowed by a dead jack snipe with a postage stamp skewered on it's beak. In the middle of the night Flavia is woken by her father arguing with a man in his study. She is taken back to bed by Dogger and she blasts music to lull herself to sleep rather than stewing in her habitual discontented and inquisitive mindset, but not before she heard her father say he had murdered a man by the name of Twining twenty years ago.

In the early dawn hours she awakens and goes out into the garden to find the intruder almost dead in the cucumber patch, his last words uttered into Flavia's face. The authorities are called and the investigation begins. But Flavia has her own investigations to conduct, starting at the public library and the death of this man named Twining. To her trusty steed, Gladys, her mother's old bicycle that Flavia uses to race off to the library. Which is closed... but soon a librarian approaches. The retired Miss Mountjoy, the bane of the village, has returned to help the current librarian. But her arrival is felicitous, she happens to be the niece of the murdered Twining, who was a teacher at Greyminster, the school Colonel de Luce attended. Twining committed suicide in front of all his students by jumping off the top of the school tower after a prize Penny Black stamp was taken from the headmaster and destroyed in front of his eyes. Flavia, intrigued, then goes to the local inn, assuming that the mystery man had to be staying there. In his room she finds the stamp that was supposedly destroyed... and it's twin! But back at Buckshaw it might be too late... her father has been arrested! Can Flavia save the day and her father before Inspector Hewitt and the other detectives? Or will she need saving herself?

When the dearly departed David Thompson from Murder by the Book casually mentioned a new and unique mystery that he thought I'd like I had little inkling that it would be the start of one of my favorite book series. Six years have passed since he sent me that email, five years since I first read The Sweetness at the Bottom of the Pie and David died. I can't believe it's been that long, but the sheer joy with which I've devoured the following six volumes attests to the fact that time hasn't stayed still. Flavia de Luce has worked her way into my heart. Part Addams Family, part Eloise, she's precocious but in a way that isn't cloying because it is balanced by her fondness for the macabre.  Bradley's world is populated with overtones of Christie and Du Maurier, which I'm sure he would gladly confirm. He has given us a wonderful mystery that reads like the best of the British whodunits but with a unique narrator in the guise of Flavia. Her family and their estate remind one of a dysfunctional Larkin family, they all have their little quirks and obsessions. Whether it's Flavia and her chemical compounds or Daffy and her books or the Colonel and his stamps, Bradley has created a myriad of interesting folk and their foibles who you can't help but love. But their bizarre personality quirks aren't just their for the sake of creating a semblance of depth in these people, they are integral to the plot and to the solving of the mystery. Only those with the experiences and backgrounds that the de Luce's possess would be able to see the greater picture.  

Though re-reading it all these years later with the sheer number of books I read per year details have become hazy and it was nice to refamiliarize myself with Flavia's origins. The truth is The Sweetness at the Bottom of the Pie is rough around the edges. Bradley has matured as a writer over the years to be more polished and to tell Flavia's story in a more assured and competent manner. With his development over the past few years he has definitely secured Flavia's place among the cannon of British whodunits, even if he's Canadian. But here this assurance is lacking and there are times when I was distinctly put out. Flavia waffles between being mature for her age and being very slow on the uptake. This results in her inner monologue occasionally becoming repetitive and simplistic in her deductions when the answer is actually right in front of her. While the mystery isn't really the driving force of Flavia's story, it is hard on the reader when they are so far ahead of Flavia that you start hoping that she'd get on with it already. But then again, this slow style is typical of the cozy genre and for a first outing, it's better than some writers achieve in their entire life. Yes, it might be a little clunky, yes, it's not perfect, but it does lay the groundwork magnificently for a solid series to come.

What really strikes me coming back to the beginning is just how British this series is. It's not just that this story could only happen to this family but also this could only happen in Britain. My love of Lark Rise to Candleford has made me more then a little obsessed with running a small rural post office in Victorian England, and the history of the postal service and the issuance of stamps and the Penny Black and it's connection to revolutionary forces and how it oddly ties into the climax of the movie The Young Victoria; well, the Anglophile in me was doing a happy dance. I find it interesting that in my original review, which I might have liberally borrowed from here, I found the reminisces of Colonel de Luce over long and unnecessary. But the truth is his unburdening in that little jail cell is the core of this book. Not only do we get this postal history but how much more British can a book get than long reminiscences of boys going to boarding school? The halcyon days of Greyminster and Colonel de Luce's mentor, Twining, are the stuff of Waugh and Powell, but here, here they take a deliciously dark twist. These settings, this time period, it just makes you long to dwell in the world, to walk the crumbling Buckshaw estate and wade out to the little folly. It is a world that is gone and we long to recapture, and here it is thanks to Bradley.    

And then there's Dogger. Dogger is a product of this time and this place and he is the heart of this book. Knowing, as I now know, Dogger's full past, seeing the clues, the little crumb trail that Bradley started here makes me realize what a long game he was playing. But it's not just Dogger, it's the way the de Luce's take care of him and even shelter him. They know Dogger is special and they treat him as such and let him do as he does in order to recover. Dogger is also the balancing force to Flavia. Flavia spends so much time talking about death and poisons and how she would eliminate her siblings, she's a bit out there. In fact, some people might be put off by her love of these deadly arts and that she solves the murder by rather gruesome knowledge. Inspector Hewitt doesn't even want her to finish her demonstration on her articulated skeleton Yorick because he's more than a little spooked. Therefore Flavia needs some way to humanize herself. While anyone who was a young girl would attest to the fact that young girls do spend much of their time planing the downfall of their enemies, it might not be so palatable for readers, and here is where Dogger comes in. Flavia helps Dogger however she can. She helps him through his attacks in whatever way he needs, whether it's a helping hand, a cup of tea, a lie down in his bed, or acting as if everything is OK, Flavia just knows what Dogger needs and does it. He humanizes her and she anchors him, they are the true dynamic duo of this book, sorry Gladys.

Tuesday, January 14, 2014

Book Review - Alan Bradley's The Dead in Their Vaulted Arches

The Dead in Their Vaulted Arches (Flavia De Luce Book 6) by Alan Bradley
ARC Provided by the Publisher
Published by: Delacorte Press
Publication Date: January 14th, 2014
Format: Hardcover, 336 Pages
Rating: ★★★★
To Buy

Harriet is returning to Buckshaw. Buckshaw, the home of the de Luce's for not much longer as it is to be sold. With Harriet comes all the other de Luce's. Cousins young and old that Flavia has never met. Considering Flavia doesn't get along with her own siblings, she doesn't hold out much hope for this lot either. But having the family returning and seeing each other for the first time in years means that things that have been buried, old family secrets, rivalries, bodies, including that new one under the train who whispered to Flavia before his demise, all of it could be unearthed by a skilled sleuth who has had a little practice, which she would easily say and even crow about if it didn't annoy the others so much. Flavia is sure something is afoot, and she will figure it out and play God if she is given half a chance.

Originally the Flavia de Luce series was to end with The Dead in Their Vaulted Arches. Luckily, we fans of the series won't have to result to weeping and wailing, pulling out hair and gnashing our teeth because Alan Bradley's contract was extended to include two more books. Sweet relief! Yet there is a nice sense of closure in The Dead in Their Vaulted Arches. We get the denouement he had originally planned to be the culmination of the series, which ends with just the right note and doesn't go in for unrealistic surprises, but we also get a glimpse into what Flavia's future will hold and where the books will go from here.

With the fate of Buckshaw decided and the mystery of Harriet resolved, we get the closure that both us as readers and Flavia as our favorite little precocious poisoner have needed since The Sweetness at the Bottom of the Pie. Yet just having all the strings tied together and handed to us in a neat little bow, while giving us closure, wouldn't have given us the depth and intrigue we have come to expect in Bradley's books. Bradley shows us this world of spies and secrets that has always been there, lurking beneath the surface, but never obvious enough to spoil the big reveal. A family as intelligent and as well connected as the de Luce's would be a perfect fit to become government agents, Flavia's governess was teaching her substitution cyphers at a rather young age as it happens. Why else would Winston Churchill show up at Buckshaw for Harriet's return and tell Flavia the cryptic phrases "Pheasant Sandwiches." The book was just delicious with secrets and spies and it made me feel like I was watching the perfection of the first season of The Hour, where you don't know where anyone stands and in a moment your whole world will be upset. In fact, Flavia's world is about to be turned upside down.

While The Dead in Their Vaulted Arches feels like we have reached some sort of endgame, by bringing in the spies and the fact that the Cold War is just beginning in 1951, it feels as if Bradley is securing the longevity of the series by switching gears. Old plots have been wrapped up in order to start anew. By showing the true history of the de Luce's Bradley is setting Flavia center stage for the Cold War. Her genius and her penchant for solving crimes is exactly the kind of genius needed to fight the fight that is to come. Because of all these revelations we see that Flavia herself has changed. She has grown and matured. She realizes that her sisters taunts and jabs were not because she wasn't one of them, but because she was the most like the rest. Daffy and Feely were really the odd ducks out all along. Flavia is the one to carry on the family legacy into this new era.

All this soul searching and revelations make The Dead in Their Vaulted Arches a more intimate novel then in past. While it is the world outside that is at risk, it is what happens within the family, within Flavia, that matters most. There is a shift in Flavia, she is growing up and being able to see herself and her actions from the point of view of others. This insight turns her world on it's head. The way Flavia is even written has changed subtly. For the first time I can remember she makes references to the future and speaks as if what is happening is not in the present but that she is looking back. I will be sad to see this old Flavia go, but I am excited to continue on this journey with her. Though for those who might miss her precocious ways, the introduction of Undine might be a palliative... that's if she doesn't turn into the cousin Oliver of the series.

Wednesday, December 8, 2010

Bookworm Present Proposition - Alan Bradley's The Sweetness at the Bottom of the Pie

The Sweetness at the Bottom of the Pie by Alan Bradley

Published by: Delacorte Press
Publication Date: April 28th, 2009
Format: Hardcover, 374 Pages
Rating: ★★★★
Recommended for: Anglophiles, Mystery Mavens, Card Carrying Members of the Agatha Christie Fan Club, Those Particular Fans of Post War England, Fans of Precocious Heroines
To Buy

At Buckshaw, the ancestral home of the de Luce's, Flavia spends her time lovingly researching poisons and thinking up ways to exact revenge on her two older sisters, Ophelia and Daphne. What else can one do with a distant philatelist father interested only in stamps, a dead mother, and sisters more concerned with reading and makeup then their youngest sibling? Add Mrs. Mullet, a cook who keeps plying them with her unwanted custard pies, and Dogger, the shell shocked comrade in arms who saved the Colonel in the war and is now the houses general dogsbody, and you can see why Flavia likes the uncomplicated world of chemistry to that of her fellow man. Lucky for Flavia, the long dead Tarquin de Luce had a fervent love of chemistry equal to hers, and she has inherited his envy inducing laboratory high in the attics of Buckshaw. But their peace is soon to be disturbed, and not by the shrieks of Feely as her pearls are disintegrated by Flavia, or the muffled sounds of Flavia trying to extricate herself from the closest where her sisters imprisoned her... no. Murder is about to strike Buckshaw, foreshadowed by a dead jack snipe with a postage stamp in it's beak.

In the middle of the night, Flavia is woken by her father arguing with a man in his study. She is taken back to bed by Dogger and she blasts music to lull herself to sleep rather than stewing in her discontented and inquisitive mindset, but not before she heard her father say they had murdered a man by the name of Twining twenty years ago. In the early dawn hours she awakens and goes out into the garden to find the intruder dead in the cucumber patch. The authorities are called and the investigation begins. But Flavia has her own investigations to conduct, starting at the public library and the death of this man named Twining. To her trusty steed, her bike Gladys, she races and off she peddles to the library. Which is closed... but soon a librarian approaches. The retired Miss Mountjoy, the bane of the village, has returned to help the current librarian. But her arrival is felicitous, she happens to be the niece of the murdered Twining, who was a teacher at Greyminster, the school Colonel de Luce attended. Twining committed suicide in front of all the students by jumping off the top of the school after a prize Penny Black stamp was taken from the headmaster and destroyed in front of his eyes. Flavia, intrigued, then goes to the inn, assuming that the mystery man had to be staying there. In his room she finds the stamp that was supposedly destroyed... and it's twin! But back at Buckshaw it might be too late... her father has been arrested!

What follows goes back many years into the history of the postal service and the issuance of stamps and their connection to revolutionary factions. But also into the boyhood of Colonel de Luce and his friendship with two very forceful students, Horace Bonepenny and Bob Stanley. Also residing in the past at Greyminster was Twinging, the optimistic teacher who thought creating a conjuring society and a philately club would open the boys minds, never thinking that it would end in his death. There is also the author, Pemberton, whose interest in Buckshaw seems oddly timed. Can Flavia figure this out before Inspector Hewitt and the other detectives? Can she save the day and her dad, or will she herself need saving? Will see even live to see her twelfth birthday?

The only way to describe this book would be the Addams Family meets Eloise. With Flavia being very much like the precocious Eloise, but with a fondness for the macabre that could only be seen by a member of the Addams clan. Bradley has created a great little world with overtones of Christie and Du Maurier, which I'm sure he would gladly embrace, not the least of which is that they were both great storytellers in the cozy genre. He has given us a wonderful mystery that reads like the best of the British whodunits but with a unique narrator in the guise of Flavia. Her family and their estate remind one of a dysfunctional Larkin family, they all have their little quirks and obsessions. Whether it's Flavia and her chemical compounds or Daffy and her books or the Colonel and his stamps, Bradley has created a myriad of interesting folk and their foibles who you can't help but love. But their bizarre personality quirks aren't just their for the sake of creating a semblance of depth in these people, they are integral to the plot and to the solving of the mystery. Only those with the experiences and backgrounds that the de Luce's possess would be able to see the greater picture.

Despite the feelings of Rebecca and the other grand dames of British whodunits, there are times when I did feel a little bit put out. There is occasionally a repetitive and simplistic thought process that Flavia goes through that could have been omitted. This results in the reader sometimes getting ahead of her and sporadically hoping she'd "get on with it". But this is a tendency of cozies, and this is Bradley's first foray into detective fiction. Christie is Christie because of what she contributed as a whole, not just her first attempt. So, if we take that into consideration, the fact that at times the father's reminisces are overly long and seem like just the biggest waste of time in order to establish the exposition, Bradley has so much more to offer besides this exemplary though mildly flawed first attempt. I, as I'm sure many, wait with baited breath for Flavia's return in March! Hoping, of course, she's not to much more mature, but that the writing style is just a hair!

Wednesday, March 24, 2010

Book Review - Alan Bradley's The Sweetness at the Bottom of the Pie

The Sweetness at the Bottom of the Pie by Alan Bradley

Published by: Delacorte Press
Publication Date: April 28th, 2009
Format: Hardcover, 374 Pages
Challenge: Thriller and Suspense, 1st in Series
Rating: ★★★★
To Buy

At Buckshaw, the ancestral home of the de Luce's, Flavia spends her time lovingly researching poisons and thinking up ways to exact revenge on her two older sisters, Ophelia and Daphne. What else can one do with a distant philatelist father interested only in stamps, a dead mother, and sisters more concerned with reading and makeup then their youngest sibling? Add Mrs. Mullet, a cook who keeps plying them with her unwanted custard pies, and Dogger, the shell shocked comrade in arms who saved the Colonel in the war and is now the houses general dogsbody, and you can see why Flavia likes the uncomplicated world of chemistry to that of her fellow man. Lucky for Flavia, the long dead Tarquin de Luce had a fervent love of chemistry equal to hers, and she has inherited his envy inducing laboratory high in the attics of Buckshaw. But their peace is soon to be disturbed, and not by the shrieks of Feely as her pearls are disintegrated by Flavia, or the muffled sounds of Flavia trying to extricate herself from the closest where her sisters imprisoned her... no. Murder is about to strike Buckshaw, foreshadowed by a dead jack snipe with a postage stamp in it's beak.

In the middle of the night, Flavia is woken by her father arguing with a man in his study. She is taken back to bed by Dogger and she blasts music to lull herself to sleep rather than stewing in her discontented and inquisitive mindset, but not before she heard her father say they had murdered a man by the name of Twining twenty years ago. In the early dawn hours she awakens and goes out into the garden to find the intruder dead in the cucumber patch. The authorities are called and the investigation begins. But Flavia has her own investigations to conduct, starting at the public library and the death of this man named Twining. To her trusty steed, her bike Gladys, she races and off she peddles to the library. Which is closed... but soon a librarian approaches. The retired Miss Mountjoy, the bane of the village, has returned to help the current librarian. But her arrival is felicitous, she happens to be the niece of the murdered Twining, who was a teacher at Greyminster, the school Colonel de Luce attended. Twining committed suicide in front of all the students by jumping off the top of the school after a prize Penny Black stamp was taken from the headmaster and destroyed in front of his eyes. Flavia, intrigued, then goes to the inn, assuming that the mystery man had to be staying there. In his room she finds the stamp that was supposedly destroyed... and it's twin! But back at Buckshaw it might be too late... her father has been arrested!

What follows goes back many years into the history of the postal service and the issuance of stamps and their connection to revolutionary factions. But also into the boyhood of Colonel de Luce and his friendship with two very forceful students, Horace Bonepenny and Bob Stanley. Also residing in the past at Greyminster was Twinging, the optimistic teacher who thought creating a conjuring society and a philately club would open the boys minds, never thinking that it would end in his death. There is also the author, Pemberton, whose interest in Buckshaw seems oddly timed. Can Flavia figure this out before Inspector Hewitt and the other detectives? Can she save the day and her dad, or will she herself need saving? Will see even live to see her twelfth birthday?

The only way to describe this book would be the Addams Family meets Eloise. With Flavia being very much like the precocious Eloise, but with a fondness for the macabre that could only be seen by a member of the Addams clan. Bradley has created a great little world with overtones of Christie and Du Maurier, which I'm sure he would gladly embrace, not the least of which is that they were both great storytellers in the cozy genre. He has given us a wonderful mystery that reads like the best of the British whodunits but with a unique narrator in the guise of Flavia. Her family and their estate remind one of a dysfunctional Larkin family, they all have their little quirks and obsessions. Whether it's Flavia and her chemical compounds or Daffy and her books or the Colonel and his stamps, Bradley has created a myriad of interesting folk and their foibles who you can't help but love. But their bizarre personality quirks aren't just their for the sake of creating a semblance of depth in these people, they are integral to the plot and to the solving of the mystery. Only those with the experiences and backgrounds that the de Luce's possess would be able to see the greater picture.

Despite the feelings of Rebecca and the other grand dames of British whodunits, there are times when I did feel a little bit put out. There is occasionally a repetitive and simplistic thought process that Flavia goes through that could have been omitted. This results in the reader sometimes getting ahead of her and sporadically hoping she'd "get on with it". But this is a tendency of cozies, and this is Bradley's first foray into detective fiction. Christie is Christie because of what she contributed as a whole, not just her first attempt. So, if we take that into consideration, the fact that at times the father's reminisces are overly long and seem like just the biggest waste of time in order to establish the exposition, Bradley has so much more to offer besides this exemplary though mildly flawed first attempt. I, as I'm sure many, wait with baited breath for Flavia's return in March! Hoping, of course, she's not to much more mature, but that the writing style is just a hair!

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