Showing posts with label Monopoly. Show all posts
Showing posts with label Monopoly. Show all posts

Wednesday, June 12, 2013

Book Review - Margery Allingham's The Crime at Black Dudley

The Crime at Black Dudley (Albert Campion Book 1) by Margery Allingham
Published by: Felony and Mayhem
Publication Date: 1929
Format: Paperback, 256 Pages
Rating: ★★
To Buy

George Abbershaw is indebted to his friend Wyatt Petrie. Wyatt is having a large house party at his remote ancestral pile Black Dudley and to help out George he has invited Meggie Oliphant. George is a man of science, being a pathologist, and he has decided that his new feelings that have arisen for Meggie must be tested out at close quarters to determine if it is infatuation or love. Infatuation can run it's course and for the most part be ignored, but love, well, love is another thing. At dinner, sitting next to Meggie, they gossip about the strange array of people gathered. From Wyatt's invalid Uncle Colonel Coombe who lives year round at Black Dudley, to Benjamin Dawlish, a man with the hair of Beethoven and an implacable manner, to the foolish society fop, Albert Campion, who no one remembers inviting. The group seems so diverse, it's almost as if they were all brought there for a reason.

After dinner in the great hall, the guests eyes alight on a sinister dagger rather ostentatiously displayed over one of the fireplaces. Wyatt tells of a family legend of death and tragedy, that imbued the dagger with the power to bleed if it was held by a killer. In later generations, this has devolved into a ritual, a game of hide and seek where the dagger is passed back and forth among the guests in a darkened house, the one left with the dagger being the "killer." The guests are eager to take part in this ritual and soon the house is darkened and the "game" begins. Abbershaw views the game as insipid and uses the opportunity to go outside and check on his car, were he runs into Campion. The two amiably chat and return to the house together, where something is most definitely wrong.

Colonel Coombe has had a heart attack and been taken upstairs. Soon Abbershaw learns that Coombe is dead and is asked to hastily sign a cremation order. Abbershaw, very suspicious, gets a quick look at Coombe and decides that the man has most definitely been murdered. Though Coombe's thuggish friends, led by Dawlish, make it quite clear to Abbershaw, that not signing the cremation order is not an option. Something sinister is at Black Dudley. Come morning, all the guests realize they are captives. Dawlish has lost something of value and no one leaves until it is returned. If his item is returned, will he let everyone go though?

It is interesting to me that this is considered the first Albert Campion book seeing as, while a memorable character, he is by no means the star, that task is left to the too upright and altruistic Doctor Abbershaw. In fairness, The Crime at Black Dudley's blurb did warn me that Albert Campion is "in a supporting role, for the first and last time." I just thought he'd have a bigger part... apparently we have Allingham's American publisher to thank for Campion taking center stage. Originally she wanted to have Abbershaw be the star of her new mystery series. All I have to say to that is snooze fest. Campion is far more interesting in that he has flexible morals, but more importantly, was created to make fun of Lord Peter Wimsey. And right now, anyone taking the piss out of Dorothy L. Sayers gets two big thumbs up from me.

Personally, I can't decide yet as to whether I'll like Campion... he was too peripheral and there were just too many characters running around and mucking things up that I had to juggle. There really has to be some way to find the perfect balance of number of characters to narrative. But then there's authors like George R. R. Martin who are juggling so many they need an exhaustive appendix, yet I can keep them all straight, then there's The Crime at Black Dudley, where some of the characters are forgettable even to others in the book. I mean Martin is actually described as "just a stray young man" with black hair! How am I to remember anything about Martin with this vague description thrown in amongst all the the guests and thugs wandering around this house with impossible and improbable secret passageways and staircases and old areas that were part of the monastery? How I ask you? Also, throw in three characters with W's for names, Wyatt, Watt, and Whitby, add three doctors, and three ladies and I didn't care enough to keep track of who was who. Never mind that the ending was out of left field with no hints, by the end I didn't care, I was just glad it was over.

The main reason I disliked The Crime at Black Dudley was the mysterious organized crime element. Organized crime to me just doesn't feel British enough to my bones. While I know that's absurd, when I get a country house murder, I expect something more Gosford Park and less John Gotti. Sure, organized crime can be interesting... there was a time in my life I found it very interesting. Yet, with the hulking and stone-faced Dawlish as the "head" of the organization I was left cold. He didn't seem to have any intelligence or ingeniousness to lead a world wide crime syndicate. Also he seemed rather hesitant to kill. I'm sorry, but at the point where you've got tons of people locked up, and over half a million pounds on the line, just start killing them to get what you want. Leaving them alive gives them opportunity to escape... which of course, from the heroes point of view is felicitous, but unrealistic in my mind. Perhaps it's my dislike of the stolid Abbershaw that is making me see things through the eyes of the criminals... but really, kill them, be done with it.

Reading this fresh on the heels of Allingham's wonderful The White Cottage Mystery, I was struck by a similarity between the two. When I read Carola Dunn's first Daisy Dalrymble book, Death at Wentwater Court, it struck me as interesting that she let the criminal go free. I thought that this was an interesting twist on the mysteries of the 20s. Little did I know that Margery Allingham was also very fluid in the punishment meted out on criminals. Allingham definitely has a scale she uses to judge the guilty, and sometimes the scale does not point "go to jail, go directly to jail, do not pass go, do not collect $20." While I find it refreshing... two books in a row, well... it was repetative. Also, if at this point you're thinking, dammit, she's spoiled the book for me... remember the killer comes out of left field, so, no I didn't. I wasn't able to guess the killer and neither will you, the punishment is immaterial in this case.

Friday, March 12, 2010

Book Review - Lisa Lutz's The Spellmans Strike Again

The Spellmans Strike Again (The Spellmans Book 4) by Lisa Lutz
Published by: Simon & Schuster
Book Provided by Simon & Schuster
Publication Date: March 16th, 2010
Format: Hardcover, 384 Pages
Rating: ★★★★★
To Preorder

The Spellman Clan is no longer at war... they are now bonding... there have already been two camping trips... in fact an all out family brawl might improve the situation and stop the exposure to the great outdoors and what passes for food at the Sunday night dinners... But work continues apace and aside from the fact, that with her boyfriend Connor's grudging acquiescence, Izzy is dating lawyers to keep her mom quite about an incident at Prom, things seem as settled as they can be with the Spellmans around. But things can't remain stable for long in Isabel's life with the two intriguing cases she has and fixtures from lights to doorknobs mysteriously disappearing from 1799 Clay Street. Plus Morty keeps calling her "from the edge" about how he wants to return to the Frisco. Henry, despite Izzy's avoidance of him after their kiss, seems really bent on getting their friendship back. Rae's newest obsession, thanks to working for Maggie, is to free the wrongly imprisoned, mainly a man named Schimdt. She has t-shirts and everything. Rae's obsession, in true Isabel fashion, makes her overzealous and she overshoots her mark and ends up in serious trouble. On the plus side, she might get to stay out of the Ivy league and with her new boyfriend due to having an arrest record. But Rae's meddlesome ways might help Isabel in her taking down Harkey... that most corrupt of PIs.

This latest installment is bittersweet. Being billed as the "uproarious fourth and final installment" I didn't think I'd be able to let go of my favorite family. I have two good reports on that score, the first, if this is the final installment I'm content with the ending, second, straight from Lisa "what I can say right now is that there won't be another Spellman book in March, 2011. I've been working on other projects. However, I think I will probably do at least one more Spellman book after that." So good news on both fronts.

In the forth Spellman book Izzy definitely seems more mature. She has a steady boyfriend, even if she's dating other men in the form of the legal brief kind and has signed a contract forbidding her from marrying Connor. There is always the Henry question... which does find closure... eventually. But despite Isabel's new found maturity, the antics of her family, along with her most interesting case yet, make this another great book by Lisa Lutz. Aside from her general snooping and surveillance on her family members Izzy has two cases, one involving a scriptwriter that is definitely more than it seems, and one that is straight out of an Agatha Christie mystery. The second is obviously my favorite, Anglophile that I am. The case involves a Mr. Franklin Winslow and his palatial Pacific Heights mansion and his absent valet, Mason Graves. As Isabel notes when arriving at his estate, she can see why her mother likes working for him, "it was like briefly inhabiting a life-sized game of Clue." The Spellmans usually run background checks on his ever rotating employees, but this case is different. Mr. Winslow relied on his valet for everything and there might be some reason for his disappearance. What is required is a spy/valet... and Isabel has just the man for the job, her friend Len. Of course she didn't really realize that he'd take to being Hobson to Mr. Winslow's Arthur quite so readily as "Mr. Leonard"... but that's actor's for you.

The one aspect I found interesting and different was the campaigning for the wrongfully imprisoned that seizes the female Spellman siblings. While it's a natural progression given Maggie's line of work as a lawyer and her being more incorporated into the family, I found it very different then any case before. While the books have dealt with crime and the seedy underbelly of life before, this felt almost too real. Hyper-real within the world of the Spellmans. It showed the petty squabbles that landed Isabel in prison as a kind of candy coated game prison, like in Monopoly where you wait your three turns and are released, whereas this prison is totally real. While I'm not sure if this jives with the whole series I think it was necessary because this stark reality shows more than anything that Isabel has grown up and that she understands life more than before. And while I liked the ending of this book, some aspects more than others, and I can say goodbye to them, if I must... I'll still crave a next chapter!

Make sure to enter my Surfeit of Spying Spellmans Giveaway to win this, or any of the other Spellman books. All signed 1st editions!

Thursday, December 31, 2009

Jasper Fforde Interview Part 2

I promised swans and libraries today… and yes, I do deliver, but with an added bonus of Monopoly! Perhaps a tad more random then the color centric part yesterday, I hope it will be equally entertaining… enough of me, you want more of Jasper, and that’s what this post is all about.

Elizabeth: Do you view the lack of a stocked library[1] the most nightmarish aspect of East Carmine, where all they have is the vague memories of what was once there?

Jasper: It’s pretty chilling really, it’s more because they’re worn out than someone’s… oh hang on, they removed them, yes someone’s removing them, haven’t they. Yeah it is a bit chilling and a bit worrying. But I kind of like the idea. Because in my previous books, in the Thursday Next Series, I have a library that contains every single book there is and here I’ve got a library that contains just empty shelves. I was kind of doing a sort of complete turn around there. But I do like the idea of a library, not only without books, but the people still in it. I think this is very telling, for the kind of way in which this society is really breaking down, that they remember the function of the library and that’s what they’re celebrating. Where everything used to be, and what the titles are, but not the form. So they’re not saying, well the books used to say this, they’re saying, the books used to be here. And I think that was maybe a very subtle way in which the society is kind of rotting, and that maybe 200 years ago they used to discuss the books and now they just discuss where they used to be. It’s just another way of adding to the kind of slightly, sort of insidious, kind of nasty, this society is going in a very very bad direction and no one in particular seems to realize.

Elizabeth: Would the librarians kind of being non-functionary, but still having their job, reflect almost what’s happening today with reference librarians being phased out with the internet?

Jasper: Yes, they do seem to be. The whole library issue is a very interesting point and certainly it will be interesting to see where the internet goes as regards reference libraries. But I think the traditional library with librarians and things, that does seem to be slowing down, and I think it does seem to be on the way out. The internet is such easy access to more and more people, the libraries do seem to have perhaps a bit of trouble competing. Unfortunately that adds to the difficulties where people who don’t have internet access and will actually make the whole unonline, the unconnected underclass, even worse, which is a worry, I must say. But the way I look at the internet is one huge library, and I can just log in wherever I want.

Elizabeth: Yeah, I mean, you can even log into remote libraries themselves and see what books they have and everything.

Jasper: Yeah, it’s terrific, libraries are great too, that’s the thing. I love my local library and the librarians and everything. But one does see that it looks like days could be numbered. Who knows how the future is going to turn out?

Elizabeth: Yeah, my mom’s a librarian and they’re trying to decide whether they are even going to upgrade their school, do they want to try to outmode themselves faster?

Jasper: Yeah, I know it’s a hard one. And budgets are tight and libraries have been giving over more and more space to computer terminals for the last ten, fifteen years, and will probably continue to do so. But, I mean, how they evolve, and stay necessary and useful within the next twenty or thirty years is vital. But I think, certainly, that they will have to change in some form if they are to survive.

Elizabeth: Did you conceive of leapbacks[2] as a way to not only keep the people in line but also to make it so your book is not outdated by true future technology? As you said with Bladerunner it depicts the future so well but didn't prefigure cell phones.

Jasper: Yeah, it was. I’m very much of the opinion that the way we run our lives at the moment is based on sort of habit. And really the way that we think, and the way we discuss things, and the way that we look forward to things is very much a sort of fashion, the clothes we wear. And I thought, the way of thinking about things could change dramatically as well in 700 years, and these days we are always looking forward to new technology, you know, we have an expectation of new technology. In Eddie’s world they have an expectation of loosing technology. And how they deal with this is by trying to loophole a way of keeping the technology or taking the technology so you can use it within the parameters of the leapback compliance certificate. So in many ways, the way that they react to technology, is as innovative as the way that we do, and it was just really taking this idea of this endless increase in technology that we have and saying, ok, let’s turn it on it’s head and have a decrease in technology and actually see how people deal with that instead. And it was just a little sort of little fun thing, but again, also, I think, it’s to keep people in check and to keep everyone very localized and not moving around and really trying to keep a lid on society and make it sustain.

Elizabeth: Did you ever have a bad experience with swans?

Jasper: Swans? No, but it’s very funny though because there is always this thing with mothers, I don’t know what it’s like in the states, but here, it’s always “don’t go near a swan, it will break your arm” and I’ve never, ever, heard of anyone having a swan that broke my arm or anyone else’s. I was even on a tour in America, and during the tour I used to say, “Oh, can I just ask a question here, is there anyone here who has either been attacked by a swan or knows anyone who was attacked by a swan?” And of course no one, absolutely not at all. But it is one of those childhood fears that you have, and I thought I’ll use this because we have, in my book, basically four fears which are being stoked up to keep everyone in check. Swans, you know, big danger, and then there’s the night, which is also very frightening if you’re a child, there’s lightning[3], you know, which can come and get you, and that’s very dangerous too, and then there’s the Mildew[4] of course, always hanging around, disease, ready to get you, and the Riffraff, the unknown, sort of lower classes, who clearly don’t know how to brush their hair properly. So, it’s all this sort of manufactured ill, manufactured fears, in which everyone can sort of talk about and say, “oh yes, it’s terrible” without actually really coming into contact with them or understanding exactly what it is. And it’s just a form of social control I think.

Elizabeth: I was actually once attacked by a goose.

Jasper: Oh really! Well, geese, yeah, yeah, I think I’ve been attacked by a goose, yeah.

Elizabeth: Yeah, my friends don’t let me live it down, I was feeding it and it got violent[5]

Jasper: Yeah, they do that, they’ve got a bad temper geese.

Elizabeth: With reference to Monopoly, with Laden Parke Laine[6], and the only map left in existence after the "Something That Happened" being a RISK game board, how have board games, in particular Parker Brothers, influenced you?

Jasper: Well, Monoploy influenced me quite a lot when I was younger, cause we used to play a lot. I had two older brothers, and they used to play Monopoly, and I used to come along to make up the numbers and to have someone for them to beat. So I remember beating my brother at Monopoly once, and of course it was one of those wonderful moments in one’s childhood, where suddenly everything’s right with the world and it was wonderful[7]. Course he was a very bad looser, so he took it very very badly and I was starting to win very slowly at first, but then I got, more and more and more and more, until there was this point when he realized that he would never be able to claw back the money I’d earned off of him. And in the end, he just sort of threw the board in the air and scattered all the pieces everywhere and stormed out of the room. But it was a very good moment for me I must say, and it was the same with RISK actually. Beating him at RISK was quite good as well. But, yeah, board games, great fun, cause they’re very family orientated you see, and we used to not watch too much tv and play board games and play cards and stuff. I have great fondness for board games. Scrabble, we play a huge amount of Scrabble in my family. So, you know, we like it.

Elizabeth: Yeah, Scrabble was never a favorite, I’m not very good at spelling[8].

Jasper: Yeah no? Oh, ok.

Elizabeth: Thursday Next is very obviously a kind of parallel world to ours, but is Shades of Grey maybe a possible future?

Jasper:Yes, I think that was very much the case, I was really trying to get away from the Thursday world as much as possible so I didn’t want it to be a parallel world. I thought, let’s actually create one that was maybe seven or eight hundred years in the future, or a possible a future. So yes, I was really trying to distance myself from Thursday and everything.

Elizabeth: When writing Eddie, did you try to visualize the world as he'd see it with only shades of red?

Jasper: Yeah, there’s a sequence where he’s looking out of the window and he’s looking at the red flowers cause he’s bored of staring at the grey, cause it just becomes a grey mass as it moves past, and he’s looking for these little tiny little flecks of red, and then I think I describe how he moves through the summer on a sort of seasonal bloom and you take the early bloomers in the beginning of the season, and you’d watch them, and then slowly you’d go through the poppies and the sorrels and the pink campions, until season end, when you didn’t really get much at all. So every now and again I’d think how does Eddie see this, but it’s a hard one to visualize I have to say. But it’s much easier when you get a photograph and then actually desaturate all the colors apart from red and then you get a very clear idea. It also makes you realize that grass is actually yellow, which I never realized until I started mucking around with it. Grass is not really green at all, it’s mostly yellow.

Elizabeth: At least the yellows[9] will be happy then.

Jasper: Yeah, absolutely. They will, they certainly will.

Elizabeth: While several of the more menacing inhabitants are more conventional, with, evil plants, killer swans, and the lightning, I think the most sinister thing is Perpetulite Roads[10]. What made you decide to take something so mundane and make it so menacing?

Jasper: Well, I think that’s the fun of drama, and that’s always the chance of good drama, when you take something very very mundane, and then you make that frightening, or you make it a point of reference. And I just like Perpetulite, I think it’s brilliant. And I was sort of sitting down about six months before the book was finished and I was trying to think up future technologies, and that’s a hard one, cause you really have to think of things which are really not thought about at all, and your self cleaning windows, you know, that’s fine, someone could figure that out, I’m sure they have already, but I thought a building material that was made of a sort of organic plastoid, that actually just sucked all the nutrients out of the surrounding soil that it needs to maintain itself. And I thought this would be a fantastic building material. And really it would start as like a little brickette, wouldn’t it, and you’d just sort of add some water to it and it would start to grow. But the notion that roads are still dangerous, even when there’s no cars or people, I think also has a little sort of satirical edge to it, that you can be killed on the road by the road itself. Not just by a car or driving too fast or a drunken driver or anything else, the road itself will actually kill you. But it’s just a nice, sort of, slightly horrible notion, being eaten alive by something that really has no personality at all, it just wants to be a road.

Elizabeth: Plus, it would just be so useful, even if it was dangerous. I mean, cause we had 18” of snow here last week.

Jasper: Yeah, there you are, you should have some Perpetulite! Cause, you see, Perpetulaite actually generates heat. You can set how warm you want it and there’s never any ice on the road. When people still lived in Eddie’s world and had cars[11], or what might have passed for a car, Perpetulite would have been fantastically useful, never an icy road, the white lines would have illuminated themselves, and it would also have transmitted the power to your car. So it would have been fantastic and perfectly smooth, perfectly flat, no road works, nothing, it would have been great.

Elizabeth: Probably cut down on deer running across your path too, cause it would just eat them.

Jasper: Perpetulite, in it’s proper state would actually sense a deer or something that was actually on the road and then it would put white warning signs up ahead to drivers. Or it could even slow your car down ahead of time. Perpetulite would be the most brilliant of road surfaces ever. There would be hardly any accidents at all. But I love the sort of unintended consequences of wonderful technology and the fact that it’s still there and you can’t get ride of it and it’s seven hundred years later and now it’s starting to eat the inhabitants cause it’s getting hungry. I think it’s wonderful how humans leave their technology around and it starts doing nasty things in a hundred years time, like all those nuclear reactors which have been dumped in the Baring Sea and all that sort of stuff. It’s wonderful technology, but, years from now it’s just going to cause trouble. So I think it’s a bit of that.

Elizabeth: Is this going to be a set trilogy? Or are you thinking of going beyond the three books?

Jasper: Um, I don’t know. I mean it will be interesting to see how we go with number two. I mean, certainly there’s a good number two in it, whether I can stretch that to three or four our more, I’m not sure. The world is still quite large and unexplored, we’ve only really seen two inhabited villages[12] and two uninhabited villages[13], and we haven’t really seen what happened at High Saffron, and we know there’s a huge library[14] at High Saffron, which will have, one presumes, a lot of answers. So there’s an awful lot to be explored and there’s an awful lot of unexplained stuff and a lot for Eddie and Jane to do, even if they can do it in their own lifetime. So yes, but it really depends on how it’s received, and how number two looks and what else I’m writing at the time.

Elizabeth: Well, I hope its received well cause I really enjoyed it a lot.

Jasper: Oh, good.

Elizabeth: Have you actually started working on the next one or…

Jasper: No, I’m working on Thursday Next six[15] at the moment.

Jasper: Well a year’s time.

Elizabeth: Well thank you so much for this interview, I don’t want to take any more of your time.

Jasper: Oh, no, that’s quite alright.

Elizabeth: I’m actually going to be coming to your Skokie event[16].

Jasper:Oh good.

Elizabeth: And have you ever been to the Midwest in winter?

Jasper: Midwest in winter? No, I don’t… think I, hang on, Midwest in winter, well, no, what do you call the Midwest? Minneapolis isn’t the Midwest is it?

Elizabeth: Technically it is I think.

Jasper: Oh, ok, then I have. With, all your like heaps of snow and stuff. I think the first three books I did I was on a winter tour.

Elizabeth: Yeah, we get lots of snow. We’re getting more than what was expected[17].

Jasper: Yeah, I know, I love it. And it’s wonderful, cause we don’t have snow in the UK like that.

Elizabeth: Yeah, it was quite shocking to have last week where all of a sudden we had, you know, two feet of snow and no power.

Jasper: Oh, well ok, no, that snow’s not so much fun.

Elizabeth: Thank you so much and I’ll see you in January.

Jasper: Ok, brilliant.

Elizabeth:Thanks.

Jasper: Right, thanks, bye.

Well, there you have it! I'm obviously indebted to Jasper for doing the interview, but also thanks go out to Sonya Cheuse at Viking for sending me the book and offering me the chance of an interview. Really big thanks go out to Meredith Burks who set up the interview and was there to answer any questions I had in advance. And a final shout out to whichwaydidshego, a Fforde friend, who had the wonderful idea of footnotes, to aid the reader and also to add that little bit of Nextian logic to the interview. I hope you all enjoyed it and I hope to see some of you in Skokie in a week!

[1] In Eddie’s world books are no longer around, hence the lure of High Saffron, because of the rumors of a grand library, despite the whole, no one’s ever come back...

[2] Leapbacks are edicts from the Colortocracy where every year there is a list of technologies that are removed. Books, trains, phones, televisions, etc, have all been banned. The only way to keep technology is to find a loophole. For example, they outlawed trains, not a train. So, since the singular is different from the plural, Chromotacia has A Train.
[3] Ball lightning that seems to have uncanny homing abilities.
[4] The only real health risk in Eddie’s world, once you get it you’re a goner, only hours left culminating in a violent death.
[5] This happened over 13 years ago and still they can’t let it go!
[6] Park Lane being Boardwalk to us Americans, so it’s to “Land On Boardwalk.”
[7] I could tell in his voice what a happy memory defeating his brother was. Sibling rivalry, never out of fashion or out of mind!
[8] You have spell-check to thank for the legibility of this blog! Ironically I can easily see spelling errors…
[9] The more pugnacious of the colors, the yellows are authoritarian asses, especially in East Carmine.
[10] An Organoplastoid self-maintaining building compound, used mostly for roads before the “Something that Happened”, and now, although barely used, is still there. Intelligent and with a powerful memory, Perpetulite draws organic nutrients from the air and soil to maintain its rigid agenda, even if that nutrient source happens to be you.
[11] Cars were eliminated in previous leapback years, so most towns have one or two cars for emergencies.
[12] Vermillion, home of the last rabbit, and East Carmine, home of the Chair census.
[13] Rusty Hill, where everyone died of the Mildew, and High Saffron, where no one has ever returned from.
[14] See 1.
[15] One of Our Thursday’s is Missing, "...Continuing the story from where "First Among Sequels" left off, Jurisfiction has serious problems: With a Serial Killer on the loose, Speedy Muffler declaring all-out Genre war and aggressive book-pulpers threatening to turn entire libraries into MDF self-assembly furniture, only ace book-jumper Thursday Next can save the day. But where is she? Last seen investigating the theoretical Dark Reading Matter, the place - where it is conjectured - erased and forgotten books end up, Thursday is nowhere to be found. With time running out, Jurisfiction decides that you need a Thursday to find a Thursday, so they persuade Thursday5, comfortably getting to grips with the hastily rewritten TN series, to look for the real Thursday in the one region she fears more than anything else - A place of chaos, unpredictability and unresolved plot lines: The Real World...."
[16] I know I’m the real reason you’d be going to the event right? No… ok… but email me if you are thinking of going because I’d love to see you there!
[17] And note, this was BEFORE the really bad blizzard of last week!

Monday, December 28, 2009

Tuesday Tomorrow and a Fforde Week in Store!

Shades of Grey: The Road to High Saffron by Jasper Fforde
Published by: Viking Adult
Publication Date: December 29th, 2009
Format: Hardcover, 400 Pages
To Buy

The official patter:
"From the bestselling author of Thursday Next—a brilliant new novel about a world where social order and destiny are dictated by the colors you can see .

Part social satire, part romance, part revolutionary thriller, Shades of Grey tells of a battle against overwhelming odds. In a society where the ability to see the higher end of the color spectrum denotes a better social standing, Eddie Russet belongs to the low-level House of Red and can see his own color—but no other. The sky, the grass, and everything in between are all just shades of grey, and must be colorized by artificial means.

Eddie's world wasn't always like this. There's evidence of a never-discussed disaster and now, many years later, technology is poor, news sporadic, the notion of change abhorrent, and nighttime is terrifying: no one can see in the dark. Everyone abides by a bizarre regime of rules and regulations, a system of merits and demerits, where punishment can result in permanent expulsion.

Eddie, who works for the Color Control Agency, might well have lived out his rose-tinted life without a hitch. But that changes when he becomes smitten with Jane, a Grey Nightseer from the dark, unlit side of the village. She shows Eddie that all is not well with the world he thinks is just and good. Together, they engage in dangerous revolutionary talk.

Stunningly imaginative, very funny, tightly plotted, and with sly satirical digs at our own society, this novel is for those who loved Thursday Next but want to be transported somewhere equally wild, only darker; a world where the black and white of moral standpoints have been reduced to shades of grey."

This book was quite literally awesome! One of the top books I've read this year, so be sure to check it out, you will not regret it. Don't believe me just saying it's awesome? Well... my review will be up tomorrow and then there's a little surprise to hopefully sway you if my words can't. Because not only does Jasper Fforde, renowned for his Thursday Next books, have a great book coming out launching a new series, but he'll be stopping by my blog! Or more precisely, his words will be (if my words can't sway, surely the author's can), seeing as I chatted on the phone with him the other day to get to the heart of color and the world he has created... or at least that's what I hope I did... there's a funny bit about a goose attack and a game of Monopoly if you stop by later in the week. Also he'll be touring to promote the book, and us Americans have to get out and show him a) how much we love him and the book and b) how cool is it we got the book released before the UK! He's also braving the Midwest for you, so go buy the book and listen to a great talk! I'll be at his talk in Skokie, so come along and say hi to me at least! Plus, I'm contemplating a little giveaway to mark the occasion... also, seeing as I just realized, this is my 200th post!

Author tour:
Monday, January 4th - BARNES & NOBLE, Lincoln Centre, NY - 7.30pm

Tuesday, January 5th - PARTNERS & CRIME, Greenwich Ave, NY - 7pm

Wednesday, January 6th - BORDERS, Rochester Hills, MI - 7pm

Thursday, January 7th - BARNES & NOBLE, Skokie, Chicago, IL - 7.30pm

Friday, January 8th - THIRD PLACE BOOKS, Lake Forest Park, WA - 6.30pm

Saturday, January 9th - M IS FOR MYSTERY, San Mateo, CA - 2pm

Sunday, January 10th - CAPITOLA BOOK CAFE, Capitola, CA - 5.30pm

Monday, January 11th - VROMAN'S BOOKSTORE, @All Saints Church, Pasadena, CA - TBA

Tuesday, January 12th - BORDERS BOOKS & MUSIC, Westwood Blvd, Los Angeles, CA - 7pm

Wednesday, January 13th - BOOKWORKS, Albuquerque, NM - TBA

Thursday, January 14th - BOOKS & BOOKS, Coral Gables, FL - 8pm

Friday, January 15th - BARNES & NOBLE, Buckhead Atlanta, GA - 7.30pm


And then he flees our shores for even more PR overseas!

The Bronte Sisters: Three Novels: Jane Eyre, Wuthering Heights and Agnes Grey by Charlotte, Emily and Anne Bronte
Published by: Penguin Classics
Publication Date: December 29th, 2009
Format: Paperback, 672 Pages
To Buy

The official patter:
"The most cherished novel from each of England's talented sisters, in one gorgeously packaged volume

The Brontë family was a literary phenomenon unequalled before or since. Both Charlotte's Jane Eyre and Emily's Wuthering Heights have won lofty places in the pantheon and stirred the romantic sensibilities of generations of readers. For the first time ever, Penguin Classics unites these two enduring favorites with the lesser known but no less powerful work by their youngest sister, Anne. Drawn from Anne's own experiences as a governess, Agnes Grey offers a compelling view of Victorian chauvinism and materialism. Its inclusion makes The Brontë Sisters a must-have volume for anyone fascinated by this singularly talented family."

I know you all probably have tones of editions of the Brontes... and I'm not such a fan of omnibus editions, because they do tend to get unweildy... but look at that goregous cover! Too pretty... must resist... hopeless... it's like my Kryptonite!

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