Showing posts with label MacGuffin. Show all posts
Showing posts with label MacGuffin. Show all posts

Friday, May 9, 2025

Book Review - Katy Hays's The Cloisters

The Cloisters by Katy Hays
Published by: Atria Books
Publication Date: November 1st, 2022
Format: Hardcover, 320 Pages
Rating: ★★★
To Buy

The Cloisters are located in Washington Heights, sitting on a hill in Fort Tryon Park on the Hudson River it is a world away from the hustle and bustle of New York City. The structure is made up of elements from abbeys in France and Catalonia that incorporate four cloisters, the Cuxa, the Saint-Guilhem, the Bonnefont, and the Trie. There are three gardens containing rare medieval species of plants but most people come to see the Met's collection of 5,000 pieces of medieval art. Illuminated manuscripts, tapestries, stained glass, paintings, and sculptures adorn the Gothic chapel, the Fuentidueña chapel, the Langon chapel, the Romanesque hall, and the Treasury room. With even more treasures contained in the library and archives. This is where Ann Stilwell will be spending her summer. An Early Renaissance scholar from Whitman, a small college no one has heard of in Washington, she had secured a position in the Summer Associates Program at the Metropolitan Museum of Art being a glorified intern. It wasn't what she had planned, but it was the only thing that panned out. And it was only for three months. But it was a start. A way to get away from home and its dark memories. When she arrives at the Met they inform her that they no longer have a place for her. She is nothing more than an administrative oversight. She can't believe what she's hearing. She's frozen to the spot. Unable to move when in walks Patrick Roland, the curator of The Cloisters. He's there to inform them that his temporary, and totally unsuitable, associate curator has left him in the lurch. He needs more hands and right there in front of him is Ann. She'll be perfect. And all Ann can think is that it's serendipity, that if she hadn't sat there a moment too long she wouldn't be being swept away from Museum Mile into another world, a sheltered haven of enigmatic curators. Rachel Mondray, the curatorial associate, and Leo Bitburg, the gardener, become her closest friends. When Ann proves adept they decide to bring her into their world of shadowy secrets, rare book dealers, poisonous plants, and, above all, the tarot. The tarot is Patrick's infatuation. But his obsession isn't just academic, he's a true believer, and Ann's discovery of a 15th-century Italian tarot card from a deck previously thought lost changes everything. The power dynamics in the group shift and control is lost and one night things get out of hand and Patrick ends up dead. Any one of them could have done it, but Ann will make sure it isn't her who takes the fall.

I picked up The Cloisters because I have a fascination with the tarot. Not so much it's mystical powers with regard to divination, but the history and the art. Pamela Colman Smith's illustrations for the Rider-Waite Tarot deck are iconic. You would most likely recognize them even if you knew nothing about tarot they are that famous. So while I am more into the practical side of tarot, the mystical side, especially in fiction, is irresistible to me. And the marketing for The Cloisters leaned into this dark academia vibe with a supernaturally aided power play via tarot. In fact Katy Hays went so far as to actually include Ann Stilwell's Guide to Reading Tarot with pages and pages of details about the Ferrara Deck. The major and minor arcana are laid out over twelve pages with associated gods and planetary rulers and detailed descriptions of the illustrations and their meanings. So I have to ask, if the tarot was seemingly so important why is it nothing more than a MacGuffin? You do not write the rules for an entire tarot deck to have that deck be a red herring! That just makes no sense. And yet that's exactly what this book did. The cards don't matter, it's just the shiny object that everyone wants because they think it will bring them power. It literally could have been anything. Hell, they're surrounded by medieval artifacts, why wasn't it a chalice? Go all Indiana Jones! Because the tarot brings baggage, it brings expectations, and none of those were met. There's nothing magical here other than a well told story about four people manipulating each other to see who comes out on top. Words are magic, so I don't need a promise of magic that is never fulfilled because now I feel cheated. I feel so let down. And I can't tell if it's because Katy Hays had other plans for when she outlined the book and what she ended up writing or it if was all an act of misdirection. A way for these sociopaths to justify their behavior by saying it's fate. By claiming the mystical when it's just the mundane. The Cloisters themselves gave such a sense of place, a sense of something bigger than them while still being precious, that I wish the actions of the characters matched the setting. Look to Rosemary's Baby. There is the sense of place, the wish fulfillment, and then the devil. This does show evil but it's not enough to save it from a failure to deliver. I can't help thinking that if Riley Sager was to do a rewrite, bring in a little more of Hill House, that this could be perfection. As it is, it's an incomplete deck lost to time.

Wednesday, August 24, 2022

Book Review - Andrea Penrose's A Swirl of Shadows

A Swirl of Shadows by Andrea Penrose
Publication Date: March 22nd, 2022
Format: Kindle, 358 Pages
Rating: ★★★★
To Buy

Arianna has lost her baby. She didn't even know if she'd be able to conceive therefore it felt like a miracle. A very short lived miracle. A fortnight after their adventures in Paris she miscarried. The words of her friends and medical professionals fell on deaf ears when they told her it wasn't her fault. She gave Sandro hope of an heir and she failed him. She has lost her edge, her spark, her fire. She sits in darkened rooms claiming to be working on her book of recipes but really she is dwelling on her past, on her future, and on her letting Sandro down. Lord Grentham hopes to lure her out of her depression. Tsar Alexander has requested Arianna's help. A medallion has gone missing. But this is more than just a medallion, the Rurik Medallion is a talisman symbolizing a Tsar's right to rule Russia. If the Tsar doesn't have it with him for an upcoming event his reign will be cursed and he will be ousted. Yes, Arianna feels bad for the Tsar, but that doesn't mean she's going to drag herself far from home into the depths of a Russian winter. That is when Grentham plays his trump card. He thought she'd refuse so he sent her brother instead. She is furious. How could he send her innocent brother into the Byzantine bowels of Russian court intrigue!?! Especially once she learns that the Orlov family is still making a power play despite her killing whom she viewed was the worst of the lot. Still, Arianna needs peace and quiet, it's only when a Russian Baroness, Anna-Maria Gruzinsky, is brutally murdered with Arianna's name and address on a slip of paper in her reticule that Arianna decides she must go to Russia. Sandro and Sophie are obviously coming as well, and Grentham has saddled them with Arianna's old comrade Wolffy, as well as a new acquaintance, Major Prescott, who is half Russian and they might not be able to trust him. But Arianna feels a fire in her belly despite the cold surrounding her. She will keep the Tsar appeased, she will befriend his new religious guru Mrs. Schuyler, she will find the medallion, and she will keep the power structure stable in Russia in order to preserve Britain's most important alliance. But will the fire in her belly bring back her spark or do her actions bely the fact that her life is irreparably changed?

There's a trope in historical fiction that I don't much care for. That's when an active heroine blames herself for a miscarriage due to her lifestyle. In most fictional cases, sure, there is sometimes a direct cause and effect, and women do need to mourn, even fictional ones, but the blame game gets to be too much. My problem is that it's overused and, particularity in this case, Arianna's past medical history would indicate that she might not be able to carry a baby to term so it was more expected. Only time will tell if she can have a baby. Therefore I was kind of dreading an entire book about Arianna trying to find her spark, which of course she does, but thankfully because of the time lapse we join our heroine at the end of her deep mourning just in time for her to go to Russia more to prove to herself that she can than any other reason. Now THIS is why I loved this book. Russia! And all things you expect from a classic Russian tale, dubious rulers, dodgy mystics, deranged religious leaders, with more than a dusting of snow. Ah Russia. You are in my bones, literally, if it wasn't for Doctor Zhivago I wouldn't exist. Over the eighteen months or so I've been watching old Masterpiece Theatre series while I exercise. One of my favorite, hands down, was Anna Karenina. It brought the world of Russia to life the same way A Swirl of Shadows did. This felt like a great Russian classic and I never wanted it to end. Andrea Penrose captured St. Petersburg and it's court perfectly. I didn't realize until I got to the note at the end of the book that she had spent considerable time there. Well, it showed. After you read a lot of historical fiction you get a feeling as to who knows what they're talking about and who is passable with minimal research. Andrea Penrose knows what she's talking about. There's a verisimilitude that I haven't found in many writers, especially when if comes to capturing historical figures. And as for the medallion MacGuffin? Sure, it's note real, but it feels like it should be. The whole idea of it is very Russian, much like poisoning your enemies and killing ideologues. Mrs. Schuyler should be glad she got out when she could!

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