Showing posts with label Little House. Show all posts
Showing posts with label Little House. Show all posts

Monday, September 18, 2017

Tuesday Tomorrow

Murder, Magic and What We Wore by Kelly Jones
Published by: Knopf Books for Young Readers
Publication Date: September 19th, 2017
Format: Hardcover, 304 Pages
To Buy

The official patter:
"The year is 1818, the city is London, and 16-year-old Annis Whitworth has just learned that her father is dead and all his money is missing. And so, of course, she decides to become a spy.

Annis always suspected that her father was himself a spy, and following in his footsteps to unmask his killer makes perfect sense. Alas, it does not make sense to England’s current spymasters—not even when Annis reveals that she has the rare magical ability to sew glamours: garments that can disguise the wearer completely.

Well, if the spies are too pigheaded to take on a young woman of quality, then Annis will take them on. And so she crafts a new double life for herself. Miss Annis Whitworth will appear to live a quiet life in a country cottage with her aunt, and Annis-in-disguise as Madame Martine, glamour artist, will open a magical dressmaking shop. That way she can earn a living, maintain her social standing, and, in her spare time, follow the coded clues her father left behind and unmask his killer.

It can’t be any harder than navigating the London social season, can it?"

A new Regency Magic book!?! YAS!

The Good People by Hannah Kent
Published by: Little, Brown and Company
Publication Date: September 19th, 2017
Format: Hardcover, 400 Pages
To Buy

The official patter:
"Based on true events in nineteenth century Ireland, Hannah Kent's startling new novel tells the story of three women, drawn together to rescue child from a superstitious community. Nora, bereft after the death of her husband, finds herself alone and caring for her grandson Micheál, who can neither speak nor walk. A handmaid, Mary, arrives to help Nóra just as rumours begin to spread that Micheál is a changeling child who is bringing bad luck to the valley. Determined to banish evil, Nora and Mary enlist the help of Nance, an elderly wanderer who understands the magic of the old ways.

Set in a lost world bound by its own laws, The Good People is Hannah Kent's startling new novel about absolute belief and devoted love. Terrifying, thrilling and moving in equal measure, this follow-up to Burial Rites shows an author at the height of her powers."

I really liked her book Burial Rites so I will gladly give this one a try!

Caroline by Sarah Miller
Published by: William Morrow
Publication Date: September 19th, 2017
Format: Hardcover, 384 Pages
To Buy

The official patter:
"In this novel authorized by Little House Heritage Trust, Sarah Miller vividly recreates the beauty, hardship, and joys of the frontier in a dazzling work of historical fiction, a captivating story that illuminates one courageous, resilient, and loving pioneer woman as never before--Caroline Ingalls, "Ma" in Laura Ingalls Wilder's beloved Little House books.

In the frigid days of February, 1870, Caroline Ingalls and her family leave the familiar comforts of the Big Woods of Wisconsin and the warm bosom of her family, for a new life in Kansas Indian Territory. Packing what they can carry in their wagon, Caroline, her husband Charles, and their little girls, Mary and Laura, head west to settle in a beautiful, unpredictable land full of promise and peril.

The pioneer life is a hard one, especially for a pregnant woman with no friends or kin to turn to for comfort or help. The burden of work must be shouldered alone, sickness tended without the aid of doctors, and babies birthed without the accustomed hands of mothers or sisters. But Caroline's new world is also full of tender joys. In adapting to this strange new place and transforming a rough log house built by Charles' hands into a home, Caroline must draw on untapped wells of strength she does not know she possesses.

For more than eighty years, generations of readers have been enchanted by the adventures of the American frontier's most famous child, Laura Ingalls Wilder, in the Little House books. Now, that familiar story is retold in this captivating tale of family, fidelity, hardship, love, and survival that vividly reimagines our past."

A reinterpretation of the Little House books? Sure, I'll bite. 

A Strange and Scottish Shore by Juliana Gray
Published by: Berkley
Publication Date: September 19th, 2017
Format: Paperback, 400 Pages
To Buy

The official patter:
"The acclaimed author of A Most Extraordinary Pursuit brings a dazzling voice and extraordinary plot twists to this captivating Scottish adventure...

Scotland, 1906. A mysterious object discovered inside an ancient castle calls Maximilian Haywood, the new Duke of Olympia, and his fellow researcher Emmeline Truelove north to the remote Orkney Islands. No stranger to the study of anachronisms in archeological digs, Haywood is nevertheless puzzled by the artifact: a suit of clothing that, according to family legend, once belonged to a selkie who rose from the sea and married the castle’s first laird.

But Haywood and Truelove soon realize they’re not the only ones interested in the selkie’s strange hide. When their mutual friend Lord Silverton vanishes in the night from an Edinburgh street, their quest takes a dangerous turn through time, which puts Haywood’s extraordinary talents—and Truelove’s courage—to their most breathtaking test yet."

Scotland? Why not.

Half Past by Victoria Helen Stone
Published by: Lake Union Publishing
Publication Date: September 19th, 2017
Format: Paperback, 252 Pages
To Buy

The official patter:
"At forty-five, Hannah Smith is at a crossroads. That’s her spin on it. The reality is she’s divorced, jobless, and moving back to her family home in Iowa to keep an eye on her mother, who’s slipping into dementia. Her return stirs up the same unnerving sense of disconnect Hannah has felt since childhood—always the odd girl out, the loner outshone by her two older sisters. Hannah knew the feelings of hurt would come back. But she never expected fear. Because when her mother looks into her eyes and whispers, “You’re not my daughter,” Hannah is beginning to believe it’s not just the rambling of a confused woman.

It’s the truth.

Now Hannah’s following the trail of a family mystery to the dark coast of Big Sur, where years ago a lie was born—and buried. As frightened as she is to unearth it, Hannah knows this is the last chance she has before her past—and all its terrible secrets—are lost forever."

Sounds a little like Big Little Lies, so I'm in. 

Wicked Deeds by Heather Graham
Published by: MIRA
Publication Date: September 19th, 2017
Format: Paperback, 384 Pages
To Buy

The official patter:
"Eager to start their life together, historian Vickie Preston and Special Agent Griffin Pryce take a detour en route to their new home in Virginia and stop for a visit in Baltimore. But their romantic weekend is interrupted when a popular author is found dead in the basement of an Edgar Allan Poe–themed restaurant. Because of the mysterious circumstances surrounding the corpse, the FBI's Krewe of Hunters paranormal team is invited to investigate. As more bizarre deaths occur, Vickie and Griffin are drawn into a case that has disturbing echoes of Poe's great works, bringing the horrors of his fiction to life.

The restaurant is headquarters to scholars and fans, and any of them could be a merciless killer. Except there's also something reaching out from beyond the grave. The late, great Edgar Allan Poe himself is appearing to Vickie in dreams and visions with cryptic information about the murders. Unless they can uncover whose twisted mind is orchestrating the dramatic re-creations, Vickie and Griffin's future as a couple might never begin..."

Poe? Hells yes!

Wednesday, December 23, 2015

Christmas is About Books

For me Christmas has always been about books. Even before I was the biggest book nerd out there, Christmas and books went together like a hand in a glove. There was a local children's bookstore in Madison called Pooh Corner that I'd invariably get gifts from. They'd come wrapped in that way only a store could do with a little tag with Pooh and Piglet. Usually they were wrapped in brown paper, but somehow that didn't matter, that red yarn ribbon was just the right accent. My shelves still contain all these books from Christmases past; except for Maurice Sendak's version of The Nutcracker. Seriously, those illustrations are the stuff of nightmares. But there was always a frisson of excitement waiting for these books to come from friends and family. Unlike presents from my parents or grandparents, the rules about waiting to open them were more lax so I could often finagle an unwrapping within a few hours of their arrival, though once a package from my aunt somehow circumnavigated the globe before arriving long past Christmas. Luckily books don't perish. As for presents from my parents, my brother and I were often allowed to open one present on Christmas Eve. One year I picked a present that I had been intrigued with because of it's book-like shape. It was On the Banks of Plum Creek, which happens to be one of my favorite books in the Little House series. In fact I received all the books in hardcover that year, though my mom insisted that they be on display in our fancy bookshelves, because she was also a fan. Some years my parents were more cunning in their wrapping so you couldn't detect books from that distinct book-like shape. My brother and I received the entire Children's Illustrated Classics in a box that could have easily fit the both of us! But the true Christmas gift was when I didn't have to assemble anything for my brother, he of the ever elaborate GI Joe and Lego playsets, and I could curl up with one of my new books.

As the years went by my love of curling up with a book became more and more prevalent. I recently heard of the holiday in Iceland, Jólabókaflóð, literally, "the Christmas book flood." You get a new book on Christmas Eve, then crawl into a freshly made bed of crisp and clean sheets and read the night away. To me, this sounds divine, and indicates that I need to get myself to Iceland. There's an Icelandic saying that everyone has a book in their stomach, but I think it's in the blood. It thrums through you. It's not just the story you have to tell but all the stories that become a part of you. Recently I was contacted through my blog by a representative of Invaluable, the world's largest live auction marketplace. They were wondering if I would like to write a blog post on my passion for books and my dream literary collection. This got me thinking, when did my buying of whatever books I felt like reading start to become collecting? When did I start consciously forming a library? When did this need start thrumming through my veins? I think it might have started with that set of Little House books. For the first time my worn and battered copies of books I loved were replaced with nice new editions, though I still have the worn ones as well. But I don't think I realized this at the time. The books were a lovely present and that is all I thought about it. It was another series of Children's books that awoke the collector in me. Books of Wonder started to release these lovely facsimile editions of the Oz books by L. Frank Baum and I eagerly awaited the release of each one. While the collecting of these books indicates the starting of my library, it's more than that, it's the collecting of an author's oeuvre. It's finding an author you connect with that you need to have all their books, and if possible signed copies. Once the number of first editions and signed copies start to take over the rest of the books, a true collection is forming.

My great-grandfather, Joseph Martin, was a Justice of the Wisconsin State Supreme Court and an avid collector of books, a few of which I'm lucky enough to have; lucky indeed seeing as his daughters liked to randomly divide up the matched sets, hence I have half of Pride and Prejudice. He had read somewhere that to be a true gentleman you had to have a library of ten thousand books, but you also have to have read them. I am slowly but surely headed there. But there's only so much shopping at used bookstores and secondhand shops that helps to fill out your collection. There are those books; the white whales that will never show up at these type of stores. Those books too valuable, or perhaps invaluable, that you have to look for elsewhere. These books would be the centerpiece of your collection. The keystone to everything. Your very own Holy Grail. So what are my dream books? What do I want to see on my shelf? What would my library look like, aside from the fact that it is TARDIS-like in that it can ever expand to hold all my books? Well, firstly I see one of those globes that open and hold maps or drinks. I can't help it, ever since reading The Secret History of the Pink Carnation Lauren Willig has somehow made this a must. The more attainable of books would be a signed first edition of The Princess Bride. I've been coveting a copy of that for years. I'd then move onto signed first editions of all my favorite Terry Pratchett books. Then onto rarer fare, signed first editions of Agatha Christie, maybe even Arthur Conan Doyle's The Hound of the Baskervilles to be thematic with my blog at the moment. Of course the holiest of holies? These would have to wait until I had my English Country House, but first editions of all Jane Austen, especially ones before she was credited by name and only say "By a Lady." Oh, and editions of all the Brontes's work, when published under their "Bell" pseudonyms, or even just a scap of one of those letters their father cut up for fans. And and and... a girl can dream can't she? A girl can go to bed on Christmas Eve after reading and dream of all the possibilities of what books are wrapped and waiting for her under the tree. It's Christmas after all, what other time of the year is there to dream big and believe in miracles? Or signed first editions of Jane Austen?

Thursday, May 14, 2015

Book Review - Paul Magrs's Lost on Mars

Lost on Mars by Paul Magrs
ARC Provided by the publisher
Published by: Firefly Press
Publication Date: May 14th, 2015
Format: Paperback, 336 Pages
Rating: ★★★★
To Buy

Lora and her family have a harsh life on Mars. But they aren't like the townsfolk, they are heartier. With their homestead out on the prairie, growing their sustenance out of the strange Martian soil, they are true pioneers. For all the destructive forces on the inhospitable planet working against them they have each other. Even Lora's grandmother who is almost more trouble then she is worth has her place; she was part of the initial colonization of the red planet. Though something is coming, the harsh yet manageable routine of their lives is about to be upset when the disappearances start again. They've happened before, the whispers that Martians still exist and sneak into their dwellings at night and whisk people away never to be seen again. Though no one is willing to believe it is happening again. One night when Lora is staying in town she sees them. Strange creatures dancing through the streets. The next night her grandmother is taken. The small township is still unwilling to believe the truth in front of their eyes. The sheriff would like nothing better then to ignore this problem, and then his wife disappears too. Though Lora's breaking point is the disappearance of her father.  

With her father gone and her mother struck down with grief that she self medicates, Lora becomes the head of her family and she decides that they are no longer safe and should head out into the wasteland to save themselves. Calling on the townspeople to join them they pick up five more travellers. Ma, Al, Hannah, Toaster, Aunt Ruby, the Adamses, Madame Lucille and her husband all put their lives in Lora's hands. It's a harsh journey with untold hardships and eventually flagging spirits. Madame Lucille's husband is the first casualty, followed by their pack animals. When they are set upon by unknown creatures and separated, Lora and her brother Al learn that there is a secret City Inside. The complex city with all it's decorum makes Lora long for the simplicity of her family's homestead. Though the City Inside is now their home. A home full of secrets and dangers that might prove more deadly then anything they faced while trekking across the red planet. But their might also be hope there as well.

The wonderful thing about Paul's books is that they will never be what you expect. Some people might not like this, but personally I think that a great story surprises you and takes you to new lands and shows you new experiences that you would never have had if not for the words between the covers. To be surprised and delighted by the narrative voice is something that every true reader longs for. And Paul's voice is so unique, with each book he has written being it's own voice but somehow all part of him. When Megan from Firefly Press contacted me to see if I was interested in reviewing Lost on Mars I jumped on this opportunity. The promotional material gave me an interesting if eventually narrow view of what to expect. Seeing as Paul and I have previously discussed our love of Laura Ingalls Wilder, me being practically raised on the books what with being born in the same state as her, I was picturing Lost on Mars very much as Little House on the Martian Prairie. But, being Paul, he turned all my expectations on its head and gave me an odyssey that is Little House on the Prairie meets Hitchhiker's Guide to the Galaxy meets Priscilla Queen of the Desert, with Roald Dahl and The Wizard of Oz and maybe even some Mad Max thrown in for good measure but all somehow something only Paul could have written.

Lost on Mars has two very distinct halves. There's the first half which is a pioneer tale of trying to survive the Martian wastelands and then there is the second half with the City Inside which is a Jules Verne Victorian epic that raises the book up to a new level that makes you extremely sad to part ways at the end while you keep your fingers crossed that the next installment won't be too far in your future. At first I was wary of this abrupt change in the story. The two worlds couldn't seem more apart yet somehow it was a natural transition. If not for this transition I don't think the book would have worked. By the time Lora and her compatriots are captured I had tired of their journey and the relentlessness of their life and bickering. The Martian abductors were a little too much like the Ninnies for me, and while I do like how the worlds of Paul's books are permeable and have a fluidity between them, the love I have for The Ninnies is so strong that I want them to remain their own thing. Therefore this switch up made the book click. It also added a level of mystery that Martians abducting people for dinner lacked. Plus the possibilities inherent in this new city are literally endless, which again makes me impatient for the next installment.

The reason that the City Inside is so fascinating to me, besides the fact that it's basically a Dickensian Christmas on Mars, is that Paul has this ability to imbue everything with life and personality; from cities to homes to utensils. Objects get sentience and smarts. Humans have a deep seated need to bring the world around them to life. Whether it's naming your car to your house, we anthropomorphize everything. One of my favorite characters on Red Dwarf was Talkie Toaster. He was uppity, full of his own importance, was always looking for a way to bring up bread products, and held his own with characters played by real actors. Enter Paul Magrs and his cast of characters. In his Iris Wildthyme books we have Barbara who is a vending machine, as well as Art Critic Panda, but he has said that he is in no way an object so I mustn't talk of him as such. In Lost on Mars Paul imbues life into a sunbed called Toaster. Toaster is easily one of my favorite characters. Besides being living history as well as a member of the Robinson family, the thought of him running across the Martian plains like a little gangly robotic dog makes me smile. He's just as real, if not more real, then some of his "human" compatriots.

As for those humans. For a YA book Paul doesn't flinch on showing the harshness of human nature. There is no sugar coating. Everyone is in it to save themselves, as seen when the ragged band of travellers stumbles on an abandoned ghost town. The adults descend on the supplies like a pack of jackals; and like those vicious carnivores they are willing to fight off anyone interested in their kills. The darker side of human nature is fully explored from cowardice to self interest. The townspeople are willing to ignore the disappearances because they don't want their lives upset. It's for the greater good to turn a blind eye, as has happened more times then we can count in our own very human history. They follow Lora because they can't be bothered to take the responsibility or initiative themselves. What compromises will man put up with in order to maintain peace?  What will man do to survive? A pack animal that is loved and cared for is nothing but food at the end of the day, even if it has learned language. This is very much mirrored by the Martians own thoughts. While humans may be their intellectual equals, with art and history, they need the food more. To see the humans actions mimicked by an alien race shows in stark detail the wrongness of our thinking.

But there was one thing above everything else that made me connect to this book and that's it's literary pedigree. The Martian landscape and the settlers lives have been shaped by literature, from books being the most prized of possessions to the naming conventions of pets and even their town, "Our Town." Even the ships they arrived on where named from literature! It's all the little asides, the little jokes slid in that reinforce the importance of literature and will hopefully spark the reading bug in anyone who picks up this book. When Lora's last name of Robinson was finally revealed, a smile spread across my face at the thought of the original Robinson family, that of The Swiss Family Robinson. But it's this lovely combining of literature and their lives that makes the world and in particular the City Inside a kind of dream state, as if you were to wake one day within your favorite book. The arrival at the City Inside with them waking within a poppy field to see the magnificent metallic green city was a frisson of Ozian joy. Not only is this a great story, it harks back to other great stories and sets itself up in the grand literary cannon of our times that is now so meta in nature.

Tuesday, June 18, 2013

Book Review - Terry Pratchett and Stephen Baxter's The Long War

The Long War by Terry Pratchett and Stephen Baxter
Published by: Harper
Publication Date: June 18th, 2013
Format: Hardcover, 400 Pages
Rating: ★★★
To Buy

We are the Village Green Preservation Society
God save Donald Duck, vaudeville and variety
We are the Desperate Dan Appreciation Society
God save strawberry jam and all the different varieties

Preserving the old ways from being abused
Protecting the new ways, for me and for you
What more can we do?

We are the Draught Beer Preservation Society
God save Mrs. Mopp and good old Mother Riley
We are the Custard Pie Appreciation Consortium
God save the George Cross, and all those who were awarded them

We are the Sherlock Holmes English-speaking Vernacular
God save Fu Manchu, Moriarty and Dracula
We are the Office Block Persecution Affinity
God save little shops, china cups, and virginity
We are the Skyscraper Condemnation Affiliates
God save Tudor houses, antique tables, and billiards

Preserving the old ways from being abused.
Protecting the new ways, for me and for you.
What more can we do?

We are the Village Green Preservation Society
God save Donald Duck, vaudeville and variety
We are the Desperate Dan Appreciation Society
God save strawberry jam and all the different varieties

God save the village green!

A generation has passed since the Long Earth has opened up. Travel is now easily possible between the worlds and large and small communities are forming throughout this stepwise expansion. Joshua is now married with a son and has a contented life. Then Sally shows back up and tells him that the Long Earth needs him. Joshua's wife realizes that as long as Joshua is Joshua, if Sally shows up and says the Long Earth needs him, he will go. Things are happening that his voice will lend credence to. Sure, there are political problems and questions of taxing and policing the footprint of America, but Sally couldn't care less. She is worried about the trolls. They have always lived peacefully in their way and have even proved a valuable resource to the settlers. Their long call binds the earths together. Yet humanity is uneasy of their presence. Violence has arisen against the trolls and the trolls have responded by disappearing. Sally knows, in her bones, that the Long Earth cannot survive without the trolls. They must be found. So their journeys begin again.

About a year ago, when I read the last page of The Long Earth, all I could think of was how was I going to be able to wait a year for the second volume. I am not at all patient in my nature, luckily my Barnes and Noble understands me, and I don't know by what fortuitous alignment of planets this happened, but they accidentally put this book out the Friday before it's release date and I was lucky enough to be stopping by looking for Father's Day cards (see, it pays to be a good daughter!) Going home I quickly finished off the book I was reading, how could I not, and then I returned to the world Terry and Stephen had made. The reentry was not the smoothest. I should have perhaps re-read The Long Earth, because there was more that I had forgotten then remembered, so that might have brought my appreciation for the book down a notch or two, but I quickly rebounded.

The Long War, set twenty or so years after Joshua's legendary journey with Lobsang, really doesn't have that much more of a plot then the first book. And seeing as it's twenty or so years on... shouldn't the jokes be less timely to 2013? I mean, sure, there is a stalling of continued innovation and invention due to people fleeing the Datum, but still, for 2040, less of the 2013 would be nice. The book continues with the further exploration of the Long Earth but weaves into it the ramifications of what this means politically, environmentally, and even morally. This book deals with massive concepts but in a palatable way. The Long War deals with humanities dual nature of innovation and destruction. That said, I think a book with "war" in the title might have a little more war and a little less barbecue parties as a denouement. Unless it really is "a war unlike any mankind has waged before" in that it's not really a war...

As for humanities innovation, they have spread across the Long Earth and made new colonies and new ways of life. Joshua lives in a little town in a stepwise Hannibal Missouri, home on the Datum of Mark Twain, where his life is very much like it would have been for a settler when "westward ho" was the call in America. Yet this new frontier and westward expansion is different from our ancestors, because the human capacity of ingenuity is infinite, and they create colonies, not just in one world, but in the same area over many. They are able to use different worlds for scavenging, and this changes the way things work and the need for life's sustainability converts back to a hunter gatherer nature versus an agrarian nature. Though just the fact that all these stepwise Earths are in the footprint of what is on the Datum, the United States of America... well, that brings a whole lot of other problems with it. But to me, there's a feel of a science fiction Little House on the Prairie meets Deadwood vibe, that in turn had me start rewatching Deadwood.

But humanity itself is the main problem. There are so many evils that man does. Without even consciously thinking, the expansion into the Long Earth has brought death and destruction to the worlds and to the indigenous trolls and kobolds and elves. I keep going back to the Kinks song that the kobold Finn McCool loves in the book, The Village Green Preservation Society, it's about preserving how we've always done things. The world, or in this case, worlds, around us have changed, but we stay dogmatic in our beliefs. We stay xenophobic, imperialistic, we believe in taxes and policing and destroying that which is "other." The violence to the trolls is just the most horrific iteration of this. If there is one point to The Long War, it's that we must learn to coexist. What we are doing to our world has ramifications. Will a Long Earth open up to save us?

Wednesday, April 17, 2013

Book Review - Elspeth Huxley's The Flame Trees of Thika

The Flame Trees of Thika by Elspeth Huxley
Published by:  George Weidenfeld & Nicholson
Publication Date: 1959
Format: Hardcover, 287
Rating: ★★★★
To Buy (different edition then one reviewed)

"This book was one of the great, unexpected benefits of researching The Ashford Affair. I’d recommend it to anyone, whether you’re doing background reading for a book set in Kenya or not. It is an utterly charming, fictionalized account of Elspeth Huxley’s childhood in Kenya as her aristocratic parents essayed several largely unsuccessful experiments in farming. As such, it’s a little bit Little House on the Prairie and a little bit Anne of Green Gables with a hearty dollop of retrospective worldly wisdom." - Lauren Willig

In the late twenties, Kenya became known for it's "Happy Valley." A place of paradise and pleasure, where you could start your life over a make a fortune in coffee or dairy. But to those who settled there before the first world war, it was an entirely different world. In 1913 Elspeth Huxley's family moved to Thika to start a coffee plantation. They had heard there where fortunes to be made... only coffee takes at least five years to bring in any crop, and that's if everything goes right. With insects that would make anyone's skin crawl, to fighting amongst their workers who belonged to waring tribes, to curses and black magic, life is far harder than any of them would have expected. Yet the friendships they make with their workers, who are loyal in their own way, and with their fellow settlers, leads to an interesting and diverse community that Elspeth grows up in.

The beauty of Africa, while harsh, still is inspiring. Elspeth sadly reminiscences that the days when the plains would be covered with a plethora of game and where there were some areas in which you were probably the first human ever to set foot was soon to end. The settlers would change the landscape forever, but luckily, there was an inquisitive little five year old who saw Thika for the magical world it was and forever preserved it in these pages. 

A few years back I was driving back with a friend through southern Missouri from another friends wedding in Arkansas when I spied a billboard for the Laura Ingalls Wilder museum in Mansfield. As you can imagine, he was a bit dismayed by the fact that he now had to go on a tour of Laura's Rocky Ridge Farm. Before the house tour, which hand some interesting carpentry thanks to Laura's husband Almonso, there was a nice museum to wander through. In one of the cases with pride of place was Laura's own guns, which she used often to kill small game. That's when it struck me, the reality of Laura's life versus her books. Thankfully I was not the other two tourists who where having issues coming to gripes with the fact that the tv show was pure fiction, while Laura's books where, not fiction, but her interpretation of her life.

The Little House Books had presented a a sort of glorious golden childhood of living in sod houses and tapping maple syrup. Right about now you might be wondering why I'm going on about Laura Ingalls Wilder in a book review for Elspeth Huxley, but the truth is that Huxley's book, The Flame Trees of Thika, is Little House without the softened edges. They are both fictionalized but at the heart is the truth of their upbringing. Unlike Little House, you are not spared details about ticks and ants and dead animals and goat sacrifices. You will get terrified of what could happen to your pets in Africa. You will not be thinking, oh, how lovely to life in a sod house, no, you will be thinking, dear lord, I am so glad someone didn't have to heat up a needle and use it to extract an egg sack from under my toe nails. Because that is what Kenya was for Elspeth.

Now, I'm not saying that Kenya isn't Elspeth's her version of heaven and paradise combined, it's just that she doesn't stint on the whole picture, the good and the bad. This is what makes it such a great read. You are not just contained only in her little world of house and hearth, but all the characters in her life. Because of the farm needing so many workers, you get a glimpse of tribal life and the strong differences between the Kikuyu and the Masai. How the natives should never be underestimated in their cunning, a story about the Masai stealing cattle but shipping it via railway under the "true" owners name is one example. I say "true" owner, because Elspeth digs deep into the mindset of the Africans, and how their definition of property is far more fluid than Europeans.

Elspeth, growing up around these people, has a way of not condemning them for being different, but being able to see both sides. She understands why her parents and other settlers would be annoyed, but she sees that, through the natives eyes, that they aren't to blame, it's how they live. This is so refreshing. She is more an anthropologist, seeing everyone for what they are, versus the typical British Imperialist's view of do as I say, live as I do, that is the only way. In fact, by the time I got to the end of the book all the characters had become my friends so deeply that I didn't want to leave them, even if World War I was starting. Thankfully I see there is a sequel!

Now I must sidetrack everything to do a little review of this edition. This edition was released with a new introduction in the late 80s after the success of the BBC miniseries. Sadly it is long out of print, which baffles me. The book is far more beautiful then the little paperback one you can currently get. There are luscious illustrations by the Kenyan artist Frances Pelizzoli. Not only do they bring Kenya alive, but they so sync with the story. Their placement in the text is perfect and they are so accurate to the story. Nothing annoys me more then when a book is illustrated and the illustrations don't go with the text. The point of illustrations is to illuminate and expand your connection with the text. The most recent grievous perpetrator of this was in Neil Gaiman's The Graveyard Book, where Dave McKean, a frequent collaborator with Neil, has Bod dressed in clothes before Silas gives him clothes. Um, yeah, not meshing together and pulling me out of the book. Whereas Pelizzoli just dragged me further in the world of Elspeth.

Though I have a feeling this edition was more for admiring then reading. The paper stock is glossy, so it's hard to read in some lighting situations because the pages reflect the light. Also, the font is so small and the lines so long per page, it's easy to lose you place and makes it far longer to read. I'm a fast reader and I struggled with the book just for this reason. So, your paperback copy you have sitting on your shelf will serve you better for the daily readings, but if you ever see a copy of this at your local used bookstore, pick it up for your coffee table, it's beautiful and, well, it's about coffee too, so thematic with your table. A win win situation.

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