Showing posts with label Correspondence. Show all posts
Showing posts with label Correspondence. Show all posts

Wednesday, August 26, 2026

Season 55 - Miss Austen (2025)

If there's one thing Janeites can agree on since time immemorial, or since fans of Jane Austen agreed on a moniker, that one of the greatest unsolved mysteries of Jane's life is why her sister Cassandra burned practically all of Jane's letters. Of all the letters Jane wrote in her lifetime only 160 remain. What was in those letters that Cassandra deemed necessary to expunge? I mean, one of the surviving letters is Jane getting blind drunk and puking, so, why'd Cassandra do it!?! In fact, most Janeites, if given a chance to change one aspect of the history surrounding Jane, would probably choose for the phoenix-like return of the letters, while I personally would have liked Jane to have lived long enough to finish Sanditon so that she'd have written seven novels instead of six. At least she wrote more books than Jack the Ripper had victims. Why am I bringing up Jack the Ripper while discussing Jane Austen's letters? Because it is another of life's mysteries that will forever remain unsolved. Unless the premise to Anthony Horowitz's show Crime Traveller becomes a reality that is. Miss Austen is a bittersweet story of family connections and sisterly love that involves Cassandra Austen going to attend the deathbed of family friend Reverend Fowle, who, if fate had been kinder, would have been Cassandra's brother-in-law. Whilst helping the Reverend's daughter Isabella dismantle the household on the Reverend's death Cassandra hopes to find her sister Jane's letters to Isabella's mother Eliza who was Jane's dearest friend. But it is not an easy task with Eliza's sister Mary, who is also Cassandra's sister-in-law, on the hunt for the letters. What follows is a dreamlike rumination of the past and present and what you are willing to sacrifice for love and will that sacrifice be worth it in your dying days. Here we see Cassandra as a driving force. She was Jane's dearest friend and confidant but she also acted as a midwife to Jane's books. This posits that she turned away from a traditional life because she knew she had a greater purpose. The love of Cassandra's life wasn't Tom Fowle, it was Jane. Cassandra was the shepherd and the champion of Jane. In a scene where she starts to place Jane's books on their bookshelf, it isn't just Jane's legacy, it's their legacy. And when Jane dies it's up to Cassandra to protect that legacy. She was Jane's secret keeper and Jane wanted no one to see the darker side of her. The bleak thoughts and the moments of despair. She wanted to be remembered for her work. Work she published anonymously while alive, though don't read too much into that because it was the convention more than anything else. And historically it must be remembered that Frances Burney was viewed as an author equal to Jane but when her letters were published they overshadowed her works. Perhaps Cassandra didn't want this for her beloved sister. Let the work Jane wanted to share with the world be that by which she is known. And only that. And by the end of Miss Austen after crying your way through Jane's death you are so emotionally raw you will believe anything. Of course Cassandra had to do this. It's what Jane would have wanted. But then, later, once you've recovered, you realize that we're not talking about a few letters taken from a vicarage, we're talking about the destruction of approximately three thousand letters. The scale isn't taken into consideration here. So while emotionally I fully want to believe Gill Hornby's suppositions, the logical part of my brain says that this wholesale destruction must mean something more. Something we will never know. 

Wednesday, November 5, 2025

Miss Austen

If there's one thing Janeites can agree on since time immemorial, or since fans of Jane Austen agreed on a moniker, that one of the greatest unsolved mysteries of Jane's life is why her sister Cassandra burned practically all of Jane's letters. Of all the letters Jane wrote in her lifetime only 160 remain. What was in those letters that Cassandra deemed necessary to expunge? I mean, one of the surviving letters is Jane getting blind drunk and puking, so, why'd Cassandra do it!?! In fact, most Janeites, if given a chance to change one aspect of the history surrounding Jane, would probably choose for the phoenix-like return of the letters, while I personally would have liked Jane to have lived long enough to finish Sanditon so that she'd have written seven novels instead of six. At least she wrote more books than Jack the Ripper had victims. Why am I bringing up Jack the Ripper while discussing Jane Austen's letters? Because it is another of life's mysteries that will forever remain unsolved. Unless the premise to Anthony Horowitz's show Crime Traveller becomes a reality that is. Miss Austen is a bittersweet story of family connections and sisterly love that involves Cassandra Austen going to attend the deathbed of family friend Reverend Fowle, who, if fate had been kinder, would have been Cassandra's brother-in-law. Whilst helping the Reverend's daughter Isabella dismantle the household on the Reverend's death Cassandra hopes to find her sister Jane's letters to Isabella's mother Eliza who was Jane's dearest friend. But it is not an easy task with Eliza's sister Mary, who is also Cassandra's sister-in-law, on the hunt for the letters. What follows is a dreamlike rumination of the past and present and what you are willing to sacrifice for love and will that sacrifice be worth it in your dying days. Here we see Cassandra as a driving force. She was Jane's dearest friend and confidant but she also acted as a midwife to Jane's books. This posits that she turned away from a traditional life because she knew she had a greater purpose. The love of Cassandra's life wasn't Tom Fowle, it was Jane. Cassandra was the shepherd and the champion of Jane. In a scene where she starts to place Jane's books on their bookshelf, it isn't just Jane's legacy, it's their legacy. And when Jane dies it's up to Cassandra to protect that legacy. She was Jane's secret keeper and Jane wanted no one to see the darker side of her. The bleak thoughts and the moments of despair. She wanted to be remembered for her work. Work she published anonymously while alive, though don't read too much into that because it was the convention more than anything else. And historically it must be remembered that Frances Burney was viewed as an author equal to Jane but when her letters were published they overshadowed her works. Perhaps Cassandra didn't want this for her beloved sister. Let the work Jane wanted to share with the world be that by which she is known. And only that. And by the end of Miss Austen after crying your way through Jane's death you are so emotionally raw you will believe anything. Of course Cassandra had to do this. It's what Jane would have wanted. But then, later, once you've recovered, you realize that we're not talking about a few letters taken from a vicarage, we're talking about the destruction of approximately three thousand letters. The scale isn't taken into consideration here. So while emotionally I fully want to believe Gill Hornby's suppositions, the logical part of my brain says that this wholesale destruction must mean something more. Something we will never know. 

Wednesday, June 1, 2022

Book Review - Julia Quinn's To Sir Phillip, With Love

To Sir Phillip, With Love by Julia Quinn
Published by: Avon
Publication Date: July 1st, 2003
Format: Paperback, 400 Pages
Rating: ★★★
To Buy

Eloise loves to receive letters. She is smart enough to know that in order to receive one must give. So she's always jotting off notes to friends and family. Her hands are perpetually covered in ink as the words flow unimpeded from her hand much as they do from her mouth. Conversation and discussion are her very lifeblood. Therefore taking up a correspondence with her distant cousin Marina's widower after Marina's passing isn't that untoward. The importance Sir Phillip Crane's letters become in her life is surprising. And then he offers to marry her. He doesn't say it's because he just wants to have a happy wife and someone to look after his kids while he putters about in his greenhouse. He just assumes that Eloise still being unwed she would naturally want to avoid being a spinster and offers for her. With conditions, because he doesn't expect a woman from London to come to the wilds of Gloucestershire and marry him sight unseen. He suggests he has a chaperone come to Romney Hall and accompany her for a few weeks to see if they will suit. But then Eloise's brother marries her best friend and her world is turned upside down. So instead of writing to Sir Phillip that she is coming she just arrives on his doorstep. And neither is what the other expected. Sir Phillip thought he'd meet a demure spinster, instead he meets the woman of his dreams, until she opens her mouth and starts talking a mile a minute. This is definitely a woman who hasn't lacked suitors, in fact she's turned down more than a handful of them. Eloise knew nothing of his children, the terrors of the county, but thankfully she has so many nieces and nephews she knows how to handle children. Even if they decide to wage war on her the second they see her. But the main problem is her showing up unannounced means there's no chaperone. Every minute she stays Eloise is risking her and Sir Phillip being wed whether they wish it or not. And there is hope they will suit. Eloise is good with the kids, he is good with the kissing. But once her family descends on them... Well, things rapidly get out of hand. Especially as they assumed she had been kidnapped. Eloise did leave a note. She always does! She just didn't think it would be misplaced and the chaos that was enveloping her life would spread. But maybe things will all work out. Maybe.

Eloise's story is part The Parent Trap part Jane Eyre. It's occasionally cringeworthy, funny, horrifying, boring, and sexy with everyone getting their happily ever after except Marina. And that is my problem with To Sir Phillip, With Love, Marina, AKA Bertha by another name. She was a very sad and depressed woman who took her life. Yet she is little more than just a plot device to bring Eloise and Phillip together and because of that she lacks a voice. She isn't understood. She is handled almost callously. She was depressed and now she's gone so let's move on. There was a part of me that was crying out for her to have her own Wide Sargasso Sea moment. I wanted to see what happened to her through her eyes, not those of a detached male. The problem for me then becomes rooted in a conundrum; do I want the characters to handle mental illness as it was viewed then or as it was viewed when this book first came out. And added to that is how much mental health has even changed in the almost twenty years since this book was released. Mental illness historically wasn't well treated, just look what England did to their own King. So at least Marina wasn't in an asylum. Which means the real problem I have is with Phillip, who just seemed to give up. Fans of his, and I don't know who you are, would say, oh, but he jumped into the lake to save her, and what about when he vents to Eloise in front of Marina's portrait of all he claims to have done. I say too little too late. Julia Quinn was trying to walk back the insensitivity of a man who is all about himself. Yes, maybe Marina was so depressed nothing Phillip could have done would have helped her. But I see a man who locked himself in a greenhouse and shut out the world instead of trying to face what he didn't want to face. Personally I think my husband just leaving me in a room with the curtains drawn while he's more concerned about his plants would make me depressed too! What's more he ignores his children, not even knowing they are being abused, because again, he doesn't want to deal with that. And then he's so self-centered he plans to marry to have a happy wife who will take care of everything he doesn't want to deal with. And as for the criteria of a "happy" wife? That is horrible and putting a heck of a lot of pressure on your spouse. They MUST be happy! But all's well, because Eloise is happy and Marina is written off as someone who was sad her whole life so Phillip gets what Phillip wants. Phillip is an ass. And yet still not nearly as annoying as Benedict.

Older Posts Home