Showing posts with label Charles II. Show all posts
Showing posts with label Charles II. Show all posts

Friday, March 7, 2025

Book Review - Carter Dickson's The White Priory Murders

The White Priory Murders by Carter Dickson
Published by: Poisoned Pen Press
Publication Date: November 7th, 2023
Format: Paperback, 320 Pages
Rating: ★★★
To Buy

Mr. James Boynton Bennett has heard tales of his uncle, the great Sir Henry Merrivale. And on first meeting him he is surprised he meets his expectations exactly. The description was to a T. Bennett has arrived in London to escort a newspaper mogul, Lord Canifest and his daughter Louise Carewe, and stopped in to meet his uncle as he's a renowned sleuth and Bennett has a conundrum on his hands. The actress Marcia Tait is a huge Hollywood star who started her career in a flop in the West End. Tim Emery, her publicist, and Carl Rainger, her director, made her who she is and are aghast that she has broken her contract to once again tread the boards. She's set to star opposite Jervis Willard as a Restoration doxie in The Private Life of Charles the Second by Maurice Bohun, presented by Maurice's brother, John, who is in love with The Tait. Lord Canifest is backing the play and he and Bennett have been invited down to the Bohuns' place near Epsom, the White Priory, for Christmas. But for the last three weeks the situtation has been tense as Emery and Rainger try to get her to return to the studio while the Bohuns and Canifest are rooting for the play. Things took a turn though the day before when someone sent The Tait a poisoned box of chocolates, of which John Bohun suggested they ALL take a piece, because whomever refuses is obviously the culprit. Bohun, Emery, Willard, Rainer, and Bennett all took a piece, Emery collapsed two hours later with strychnine poisoning. And it's this toxic group of fellows who plan to decamp to Epson for the holidays, and Bennett is tagging along, but is curious what his uncle's take on the situation is. Could it escalate? Indeed it will, though they were powerless to stop it. The Bohuns have had the White Priory in their family since the time of Charles the Second when they built a "merry house." The "merry house" is called the Queen's Mirror and is off limits to tourists. The structure looks like an imitation temple on an ornamental sheet of water as it stands in the middle of an artificial lake. It was built in 1664 for Lady Castlemaine, perhaps Charles the Second's most notorious mistress. There's a scene in the play set in the pavilion and The Tait insisted on spending her nights at the White Priory in the Queen's Mirror. It was so like Marcia. And this decision would be her last. Because as Bennett arrives on the scene John Bohun has found Marcia dead. It had snowed overnight and there's only one set of prints that go towards the merry house, those of John's. It is a true mystery. A mystery that Bennett thinks only his uncle can solve.

One of the things I plan most assiduously for the holidays is my reading. I want just the right level of classic to modern murder mysteries. Because that is what the holidays are about, murder. Because you're trapped with your family and there's snow and by all that is holy, someone is going to die. So when Poisoned Pen Press reprinted Carter Dickson's 1934 Christmas mystery, The White Priory Murders, back in 2023 I knew it had to be on my holiday reading list. And then I learned it was the second Sir Henry Merrivale book. Which meant I couldn't just skip to the second volume, oh no, I had to first read The Plague Court Murders. But seeing as I learned this when it was still the Halloween season and the first book involves a séance, I felt like fate was throwing me a win. What was more interesting though is reading these two books back to back I couldn't help but wonder why he basically used the same locked-room contrivance. Now there are a million ways to do locked-room mysteries, I should know, I've read enough of them, but what's odd here is the similarities. In both books we have a freestanding structure, one is a stone hut, the other is a marble pavilion. Then we have the structure surrounded by a substance that would leave an impression if anyone had approached it, one is mud, the other is snow. Then we have the body found inside the structure, oh no! And it's not death, it's murder! How was this impossible crime committed!?! Now Carter Dickson was the king of the locked-room mystery, so while others might think this is sloppy to repeat yourself in such a way, I think it was a major flex. He created two entirely different books with basically the same setup. Like he wanted to give the reader another answer to his first book. Almost as if he was writing a Choose Your Own Adventure. Not satisfied with how Roger Darworth died? Try option two with Marcia Tait! It took balls, and I admire it. As for the Sir Henry Merrivale's detection skills? I have issues. Because Sir Henry has no fucks to give about the victims. He honestly doesn't care about them. They are nothing more than a riddle to be solved. And, if possible, solved without stepping outside his cloistered little bubble. I take umbrage that a person is nothing more than an object to him. The criminal and the howdunit are all that matters to him. The background of the victim? Why should that matter? It's like he doesn't believe the past informs how they died, which is ludicrous. It's not about timelines and who could have done what and when but why this person? Why did they have to die? And the answer isn't to provide Sir Henry with a diversion. But maybe that's me? Maybe I want depth, I want more, I don't want tab A going into slot B. That's too clinical a crime.

Wednesday, January 11, 2017

Book Review 2016 #7 - Daphne Du Maurier's Frenchman's Creek

Frenchman's Creek by Daphne Du Maurier
Published by: Virago Press
Publication Date: 1941
Format: Paperback, 260 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

Dona St. Columb has tired of court. What she did with Rockingham shames her. It wasn't an infidelity against her husband Harry, it was a stupid prank that scared an old lady. A prank that has made her rethink her life, fleeing with her two children to Cornwall and Navron. Perhaps reconnecting with nature and leaving the din of London behind will help her to find a new Dona, one she can like. She hasn't been back to her husband's estate of Navron since they were first married; aside from the painting of herself hanging in the master bedroom it is quite different. There's only one servant, the almost impudent but ultimately amusing William, who seems to have run the household according to his whims. Soon Dona starts to suspect William of having another master other than her husband. There are artifacts left in her room that hint at another occupant while she was roistering in London.

But that partying Dona is gone, replaced by one reveling in the trill of a bird call and the smell of a flower. Therefore the Cornish society trying to thrust themselves on her is very unwelcome. Lord Godolphin and his ilk whinging on about French pirates are of no interest to her. Especially when she has formed a bond with the very pirate they hunt. The Frenchman is William's true master and is the one who has been sleeping in Dona's bed while she was away. She stumbled upon his ship, La Mouette, hidden in a creek near Navron. She could have given them up, told the law the secret base of the pirates, instead she joins the crew. With William as her conspirator every moment she can spare is spent with the Frenchman. They fish, they talk, he draws birds and Dona. But soon he must take again to the high seas and Dona wants to accompany him. Will his latest heist bring the law down on him or will he and Dona sail off into the sunset?

Frenchman's Creek was one of a very few books by Daphne Du Maurier that was available stateside when I was growing up, and yet it never caught my interest. I think again it's down to the misapplied moniker of "Romance Author" that Du Maurier was forever burdened with. A problem that isn't just with Du Maurier's unwelcome title but with me. For years I've often dismissed a book because it was labelled a romance. At least by this time in my life I'm willing to not let a book's genre classification sway me. Yet of all Du Maurier's books I've read this is the most romantic, but it's romantic in a way similar to The Princess Bride. There's just so much more than the romance that to brand it as such does the book a disservice. Though, playing devil's advocate, in the Frenchman, Jean-Benoit Aubéry, Du Maurier has created perhaps the ideal romantic hero. He is a classic, a paragon of the romantic ideal. He has poetry in his soul and the desire to capture nature on paper. Who wouldn't want to run away with him?

Even if years ago I could have brought myself to look past the "romance" label of the book I think the period aspect of it would have tripped me up. Frenchman's Creek is set during The Restoration, a time in England where the return of the monarchy and Charles II to the throne spurred a cultural and artistic revolution; as well as a lot of debauchery and excess. I studied this in two different history classes in college, as well as reading a plethora of plays from this time period in my theatre classes, I did mention artistic revolution didn't I? This was heavily in the theatre arena. At this point I hadn't actually hit saturation, that was to come with Charles II: The Power and the Passion. I had REALLY been looking forward to this miniseries airing and at about hour three I was flagging... in fact at about three and a half hours I reached a point where my love of Rufus Sewell couldn't compete with my boredom. So this Restoration revulsion that took place in me made me avoid Frenchman's Creek for too long because it is so fresh and so entertaining that it goes beyond the period trappings to be a timeless tale.

If I were to describe this book to someone who had a slight grasp of Du Maurier's canon I'd say Frenchman's Creek is the opposite of Jamaica Inn. Jamaica Inn is all about a good girl thrown in amongst scoundrels who are evil and bad ship-wreckers, whereas Frenchman's Creek is about a bad girl thrown in amongst pirates who do a world of good for her and are really not that bad a group of fellows. The genius of Du Maurier is that she can write two completely opposite stories and yet make you fall completely in love with both of them. In Jamaica Inn you were praying for Mary to be saved by the kindly gentry, yet here, here the gentry are fools who are to be laughed at and mocked and you are with Dona all the way as she schemes to steal from them with her Frenchman. What's more is that if you think on Dona she's an interesting character. Over the course of the book she turns away from her husband and her children and yet you are rooting her on. You sympathize enough with her that you WANT her to become a pirate. You are complicit in her crimes and you love every dangerous heart-stopping moment. Leave the children behind, take to the high seas!

And it's that desire to leave your life behind that clues you into the deeper meaning of Frenchman's Creek. Just below the surface of all Du Maurier's books you always see her. Even if she didn't openly acknowledge it she used her books as therapy. In Rebecca she dealt with the duality of a wife, who she was meant to be versus who she really was. Here it's the masculine versus the feminine self. She always viewed her creative impulses as masculine, and therefore Dona constantly referring to her adventurous side as masculine, as a cabin boy, makes sense in relation to Du Maurier. This desire to go out into the world, to please yourself, to seek adventure, to do, was in Du Maurier's mind a male impulse. Whereas the homemaker, the mother, that was the feminine self. In the atrocious TV Movie Daphne, you get the barest glimpse into her acting on her male instincts with Gertrude Lawrence. But, like Dona in the end, Du Maurier chose hearth and home, going back to her family. She may have tapped into her male side from time to time, but it was the female side that won out. But more importantly, it's the way she has dramatized this and her other struggles that have left us with such an impressive body of work. Here's to the writer with issues!

Wednesday, December 28, 2016

Book Review - Daphne Du Maurier's Frenchman's Creek

Frenchman's Creek by Daphne Du Maurier
Published by: Virago Press
Publication Date: 1941
Format: Paperback, 260 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

Dona St. Columb has tired of court. What she did with Rockingham shames her. It wasn't an infidelity against her husband Harry, it was a stupid prank that scared an old lady. A prank that has made her rethink her life, fleeing with her two children to Cornwall and Navron. Perhaps reconnecting with nature and leaving the din of London behind will help her to find a new Dona, one she can like. She hasn't been back to her husband's estate of Navron since they were first married; aside from the painting of herself hanging in the master bedroom it is quite different. There's only one servant, the almost impudent but ultimately amusing William, who seems to have run the household according to his whims. Soon Dona starts to suspect William of having another master other than her husband. There are artifacts left in her room that hint at another occupant while she was roistering in London.

But that partying Dona is gone, replaced by one reveling in the trill of a bird call and the smell of a flower. Therefore the Cornish society trying to thrust themselves on her is very unwelcome. Lord Godolphin and his ilk whinging on about French pirates are of no interest to her. Especially when she has formed a bond with the very pirate they hunt. The Frenchman is William's true master and is the one who has been sleeping in Dona's bed while she was away. She stumbled upon his ship, La Mouette, hidden in a creek near Navron. She could have given them up, told the law the secret base of the pirates, instead she joins the crew. With William as her conspirator every moment she can spare is spent with the Frenchman. They fish, they talk, he draws birds and Dona. But soon he must take again to the high seas and Dona wants to accompany him. Will his latest heist bring the law down on him or will he and Dona sail off into the sunset?

Frenchman's Creek was one of a very few books by Daphne Du Maurier that was available stateside when I was growing up, and yet it never caught my interest. I think again it's down to the misapplied moniker of "Romance Author" that Du Maurier was forever burdened with. A problem that isn't just with Du Maurier's unwelcome title but with me. For years I've often dismissed a book because it was labelled a romance. At least by this time in my life I'm willing to not let a book's genre classification sway me. Yet of all Du Maurier's books I've read this is the most romantic, but it's romantic in a way similar to The Princess Bride. There's just so much more than the romance that to brand it as such does the book a disservice. Though, playing devil's advocate, in the Frenchman, Jean-Benoit Aubéry, Du Maurier has created perhaps the ideal romantic hero. He is a classic, a paragon of the romantic ideal. He has poetry in his soul and the desire to capture nature on paper. Who wouldn't want to run away with him?

Even if years ago I could have brought myself to look past the "romance" label of the book I think the period aspect of it would have tripped me up. Frenchman's Creek is set during The Restoration, a time in England where the return of the monarchy and Charles II to the throne spurred a cultural and artistic revolution; as well as a lot of debauchery and excess. I studied this in two different history classes in college, as well as reading a plethora of plays from this time period in my theatre classes, I did mention artistic revolution didn't I? This was heavily in the theatre arena. At this point I hadn't actually hit saturation, that was to come with Charles II: The Power and the Passion. I had REALLY been looking forward to this miniseries airing and at about hour three I was flagging... in fact at about three and a half hours I reached a point where my love of Rufus Sewell couldn't compete with my boredom. So this Restoration revulsion that took place in me made me avoid Frenchman's Creek for too long because it is so fresh and so entertaining that it goes beyond the period trappings to be a timeless tale.

If I were to describe this book to someone who had a slight grasp of Du Maurier's canon I'd say Frenchman's Creek is the opposite of Jamaica Inn. Jamaica Inn is all about a good girl thrown in amongst scoundrels who are evil and bad ship-wreckers, whereas Frenchman's Creek is about a bad girl thrown in amongst pirates who do a world of good for her and are really not that bad a group of fellows. The genius of Du Maurier is that she can write two completely opposite stories and yet make you fall completely in love with both of them. In Jamaica Inn you were praying for Mary to be saved by the kindly gentry, yet here, here the gentry are fools who are to be laughed at and mocked and you are with Dona all the way as she schemes to steal from them with her Frenchman. What's more is that if you think on Dona she's an interesting character. Over the course of the book she turns away from her husband and her children and yet you are rooting her on. You sympathize enough with her that you WANT her to become a pirate. You are complicit in her crimes and you love every dangerous heart-stopping moment. Leave the children behind, take to the high seas!

And it's that desire to leave your life behind that clues you into the deeper meaning of Frenchman's Creek. Just below the surface of all Du Maurier's books you always see her. Even if she didn't openly acknowledge it she used her books as therapy. In Rebecca she dealt with the duality of a wife, who she was meant to be versus who she really was. Here it's the masculine versus the feminine self. She always viewed her creative impulses as masculine, and therefore Dona constantly referring to her adventurous side as masculine, as a cabin boy, makes sense in relation to Du Maurier. This desire to go out into the world, to please yourself, to seek adventure, to do, was in Du Maurier's mind a male impulse. Whereas the homemaker, the mother, that was the feminine self. In the atrocious TV Movie Daphne, you get the barest glimpse into her acting on her male instincts with Gertrude Lawrence. But, like Dona in the end, Du Maurier chose hearth and home, going back to her family. She may have tapped into her male side from time to time, but it was the female side that won out. But more importantly, it's the way she has dramatized this and her other struggles that have left us with such an impressive body of work. Here's to the writer with issues!

Wednesday, April 27, 2011

Book Review - L.M. Boston's The Children of Green Knowe

The Children of Green Knowe by L.M. Boston
Published by: Odyssey
Publication Date: 1954
Format: Paperback, 192 Pages
Rating: ★★★★
To Buy
Toseland is being sent off to the country to spend the holidays at Green Noah, the family estate on his mother's side. His father is off gallivanting in warmer climates with his new wife while Tolly braves the flooded plains to reach his great-grandmother's, just as if he was Noah himself. The house is warm and inviting after the waterlogged journey. Tolly feels instantly at home. Every shadow is a friend, and if he's patient enough, Granny Oldknow hints, then perhaps the house will offer up it's secrets. Green Noah has remained in the family down through the centuries, and ghosts do tend to happen in big English Manor Houses. But the ghosts here are family. Their lives are stories to enchant young Toseland at the fireside with Granny Oldknow. She weaves the past into a living memory. Toby and his faithful horse Feste, his younger brother Alexander, whose voice and flute entranced Charles II, and young Linnet, with her animals, become Tolly's best friends. They might have died hundreds of years ago, but they do start to make rare appearances just for Tolly. Soon Tolly's life is a magical adventure, as the flood waters recede and the ground is covered in a thick blanket of snow. He plays with the animals, especially the birds, who were Linnet's favorites as well. The house and it's abiding spirits have welcomed Tolly, only there is a dark secret. A gypsy curse that haunts the ground... if Tolly is strong enough, perhaps he can overcome the evil and be lucky enough to finally see that which he wants to most, Toby's loyal steed, Feste, who is notoriously shy.

The Children of Green Knowe is an enchanting quick read sure to capture the minds of young readers. L.M. Boston has created a world where ghosts aren't scary or terrifying, but welcoming and family. She believes in the legacy of family and the importance of history. All the history it not sugarcoated, everyone doesn't live, but there's a feeling of safety, a feeling that everything will be all right. It has a similar feeling to that of The Chronicles of Narnia, only it lacks the saccharine sweetness and the religious overtones. For being written over fifty years ago, it has a contemporary feeling. Also, unlike many children authors, L.M. Boston doesn't talk down to the reader. There is no patronizing, there is no shielding, there is just a good story.

Oh, how I wish that all authors would just rely on children to be able to read without condescension and instead feed their imagination. Just go back and read The Wizard of Oz sometime, or any of the rest of the Oz series, yes, there where other books. L. Frank Baum just talked down to you. Reading those books you felt as if he was patting you on the head and congratulating you on being able to form a sentence. You ended up wanting to harm him, whereas here, I just desperately needed the next book. I want to champion this book as a new old classic. It lets your imagination fill in the blanks, it doesn't spell out everything, like the battle with the evil... now that would be telling. I didn't want to throttle Tolly, I didn't hate him as I did those characters form that well regarded children's classic, The Secret Garden. How I wish I could harm those children. But alas, you can't harm those who reside in books, instead, just pick up this book and realize what a classic it should be. Fans of The Spinderwick Chronicles are heartily encouraged to devour this book, trust me, it's right up your street.

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