Around the World in 80 Days
Hot air balloons and Phileas Fogg go together like Amelia Earhart and aeroplanes. But here's the thing I learned from Michael Palin; Phileas Fogg never goes up in a hot air balloon once in the book. It's a conceit entirely made up for the adaptations and ingrained on our minds by the poster for the 1956 film starring David Niven. In fact almost everything I know about Around the World in Eighty Days I learned from Michael Palin and his documentary where he tried to recreate the journey. Perhaps I should read the book? Or perhaps not. Reading the summary it doesn't seem to have aged well with regard to indigenous cultures. Well, the best thing that can be said about this adaptation is it gets the balloon out of the way in the first episode. I really don't know who this adaptation is made for, aside from my Dad who loves it despite all it's faults. Each episode feels like they have to build to a "teaching moment" with a "very special guest star" who will explain why whatever the issue of the day is is bad. How did they get Lindsay Duncan to do this show? I know she has some schlock on her resume, but seriously? Which brings me back to the who is this written for? Children would be bored stiff, adults just see what's wrong with the whole production and feel a little talked down to when we're told racism is bad. Yeah, I do know a lot of people might need reminding, but I don't think those people are watching PBS. The aesthetic is more Dickensian than Attenborough, and I think you'd want to marvel at the world not make it so dark and dirty. But perhaps they were pushing against all the previous primary color adaptations. As for the music? Hans Zimmer's studio has a lot to answer for for this entirely unappealing Murray Gold wannabe vibe it's failing hard at. It would literally be better without music. Or if it wasn't ripping off another of their own productions, His Dark Materials. In fact everything about this production, aside from the casting, is poor. I actually feel sorry for the actors. David Tennant, Ibrahim Koma, and Leonie Benesch are acting their hearts out and breaking ours and the material is just failing them. I feel bad. Especially for Miss Fix. Here we have a woman finally with her own initiative in this male's world, being based on Nellie Bly and her attempt to beat the fictional Phileas Fogg's eighty day journey, and instead it takes her from being a world class journalist and intrepid explorer to someone prey to love and yelling about the Chinese not inventing forks. Seriously!?! At least have some standards for the writing! And shoehorning in how she's "changed" as a throwaway line in the finale doesn't count as proper character development. And don't get me started on her pretty dress!
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