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Who would have thought when Harlan Coben signed his five year multi-million dollar Netflix deal in 2018 it would bring about this interesting subgenre of transplanting his American stories onto British soil with beautiful house and cars you doubt any of the characters can actually afford and Richard Armitage always on hand. I for one am glad this came about. They are immanently bingeable and tie everything up so nice and neat at the end with a large helping of loss that they are perfectly suited to the times we find ourselves in. Not to mention the casting, oh dear lord, it's like someone stole a peak at my list of favorite actors and brought them all together for one project. Or that Richard Armitage is actually getting to show what a great actor he is. I feel so bad for some of the productions he's ended up in, yes, I'm looking at you Hobbit franchise! The miniseries follows Cassie, a stripper, who left that life behind seventeen years previously and is now about to get married to the father of her three children when she makes one little mistake and her past life bleeds into the present with a trail of bodies, often at the hands of a young couple who are musical theater buffs and whose "thing" is choreographed killing. It's riveting and absurd all at the same time. And while I was able to guess the real serial killer due to that old system of means, motive, opportunity, and casting, leaning heavily on the casting, the reveal is so magnificently acted that figuring out who the killer is in advance doesn't diminish the reveal. But what made me really love this production was Eddie Izzard. I have been a fan of Eddie since I first saw Dressed to Kill when it aired on HBO in the summer 1999, right after the David Bowie VH1 Legends episode aired that Eddie just happened to narrate. The following year was the first time I saw her on stage. I have seen Eddie on stage almost more times than I can count, and the most recent time in 2017 I actually got to meet her. Eddie as the drug addict lawyer Harry Sutton who helps anyone down on their luck was the linchpin of this series. Troubled yet wanting to do better, wanting to help. The dinner Harry has at Cassie's house with her family, for a moment it shows what Cassie's life could be with the past and the present as one. But more than that, I am very glad that someone on the production is obviously an Eddie Izzard fan and added a little something special to the set design. I mean, they HAD to name that pet shop Harry runs his law practice out of Hannibal's Animals after Eddie's bit about strapping two elephants to your feet and skying down the alps right? I mean, there's the other possibility that it's named after the TV series she and Richard Armitage both played killers on... But I like to think it's about the elephants.
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