Tuesday Tomorrow
Death in Daylesford by Kerry Greenwood
Published by: Poisoned Pen Press
Publication Date: June 1st, 2021
Format: Hardcover, 336 Pages
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The official patter:
"Taking the waters has never been more delicious - or dangerous...
When a mysterious invitation for a spa holiday arrives for Miss Phryne Fisher from an unknown retired Captain Herbert Spencer, Phryne's curiosity is piqued. Spencer runs a retreat in Victoria's rural spa country for shell-shocked veterans of World War I. It's a cause after Phryne's own heart, but what can Spencer want from her?
Phryne and her faithful servant Dot set out for Daylesford, viewing their rural sojourn as a short holiday. While Dot gets to know the remarkable women who run the hotel where they are lodging, Phryne enjoys an enticing meal - and dessert - with the attractive Captain Spencer. But their relaxation is short-lived as they are thrown into treacherous Highland gatherings, a mysterious case of disappearing women, and a string of murders committed under their very noses. Meanwhile, back at home, Phryne's three wards are busy solving a mystery of their own when a schoolmate is found floating facedown near the docks - and pregnant at the time of her death.
With her usual pluck and deft thinking, Phryne methodically investigates the strange goings-on in this anything-but-tranquil spa town."
I can literally not adequately express how excited I am that we have a new Phryne Fisher mystery.
The Shape of Darkness by Laura Purcell
Published by: Penguin Books
Publication Date: June 1st, 2021
Format: Paperback, 320 Pages
To Buy
The official patter:
"A struggling silhouette artist in Victorian Bath seeks out a renowned child spirit medium in order to speak to the dead - and to try and identify their killers - in this beguiling new tale from the queen of Gothic fiction, Laura Purcell.
As the age of the photograph dawns in Victorian Bath, silhouette artist Agnes is struggling to keep her business afloat. Still recovering from a serious illness herself, making enough money to support her elderly mother and her orphaned nephew Cedric has never been easy, but then one of her clients is murdered shortly after sitting for Agnes, and then another, and another...Why is the killer seemingly targeting her business?
Desperately seeking an answer, Agnes approaches Pearl, a child spirit medium lodging in Bath with her older half-sister and her ailing father, hoping that if Pearl can make contact with those who died, they might reveal who killed them. But Agnes and Pearl quickly discover that instead they may have opened the door to something that they can never put back."
I was literally so excited for this book that I ordered it from England because I could not wait. Also the American cover is pretty meh.
The Skeleton Tree by Diane Janes
Published by: Severn House Publishers
Publication Date: June 1st, 2021
Format: Hardcover, 224 Pages
To Buy
The official patter:
"Is Wendy's dream house about to turn into her worst nightmare?
From the moment Wendy Thornton first laid eyes on number 37, The Ashes, she knew she had to have it. It may seem neglected on the outside, but Wendy is convinced it's her perfect family home. It just needs to be loved. It needs her.
When Wendy receives an unexpected sum of money from her aunt's will, her dream of buying The Ashes becomes a reality. But as Wendy moves in with her young family and starts uncovering its past, she soon learns that The Ashes is hiding a number of dark secrets.
Is Wendy's dream house about to become her worst nightmare? As she is drawn further into The Ashes' dark history, Wendy's own life starts to unravel in the most spectacular and devastating way..."
I am SO HERE for The Ashes. Named houses are always the best and spookiest!
Palace of the Drowned by Christine Mangan
Published by: Flatiron Books
Publication Date: June 1st, 2021
Format: Hardcover, 320 Pages
To Buy
The official patter:
"It’s 1966 and Frankie Croy retreats to her friend’s vacant palazzo in Venice. Years have passed since the initial success of Frankie’s debut novel and she has spent her career trying to live up to the expectations. Now, after a particularly scathing review of her most recent work, alongside a very public breakdown, she needs to recharge and get re-inspired.
Then Gilly appears. A precocious young admirer eager to make friends, Gilly seems determined to insinuate herself into Frankie’s solitary life. But there’s something about the young woman that gives Frankie pause. How much of what Gilly tells her is the truth? As a series of lies and revelations emerge, the lives of these two women will be tragically altered as the catastrophic 1966 flooding of Venice ravages the city.
Suspenseful and transporting, Palace of the Drowned brings the mystery of Venice to life while delivering a twisted tale of ambition and human nature."
Just a dash of Patricia Highsmith.
The Chosen and the Beautiful by Nghi Vo
Published by: Tordotcom
Publication Date: June 1st, 2021
Format: Hardcover, 272 Pages
To Buy
The official patter:
"Immigrant. Socialite. Magician.
Jordan Baker grows up in the most rarefied circles of 1920s American society - she has money, education, a killer golf handicap, and invitations to some of the most exclusive parties of the Jazz Age. She’s also queer and Asian, a Vietnamese adoptee treated as an exotic attraction by her peers, while the most important doors remain closed to her.
But the world is full of wonders: infernal pacts and dazzling illusions, lost ghosts and elemental mysteries. In all paper is fire, and Jordan can burn the cut paper heart out of a man. She just has to learn how.
Nghi Vo’s debut novel The Chosen and the Beautiful reinvents this classic of the American canon as a coming-of-age story full of magic, mystery, and glittering excess, and introduces a major new literary voice."
The cover sold me. And then the magical Gatsby-esque story really sold me.
The Nature of Witches by Rachel Griffin
Published by: Sourcebooks Fire
Publication Date: June 1st, 2021
Format: Hardcover, 384 Pages
To Buy
The official patter:
"From a stunning new voice in YA comes the fierce, romantic story about a world on the brink of destruction, the one witch who holds the power to save it, and the choice that could cost her everything she loves.
For centuries, witches have maintained the climate, their power from the sun peaking in the season of their birth. But now their control is faltering as the atmosphere becomes more erratic. All hope lies with Clara, an Everwitch whose rare magic is tied to every season.
In Autumn, Clara wants nothing to do with her power. It's wild and volatile, and the price of her magic - losing the ones she loves - is too high, despite the need to control the increasingly dangerous weather.
In Winter, the world is on the precipice of disaster. Fires burn, storms rage, and Clara accepts that she's the only one who can make a difference.
In Spring, she falls for Sang, the witch training her. As her magic grows, so do her feelings, until she's terrified Sang will be the next one she loses.
In Summer, Clara must choose between her power and her happiness, her duty and the people she loves...before she loses Sang, her magic, and thrusts the world into chaos."
I like the whole weather witches angle, it's very Ozian.
The Coming Storm by Regina M. Hansen
Published by: Atheneum Books for Young Readers
Publication Date: June 1st, 2021
Format: Hardcover, 288 Pages
To Buy
The official patter:
"Music, myth, and horror blend in this romantic, atmospheric fantasy debut about a teen girl who must fight a powerful evil that’s invaded her Prince Edward Island home - perfect for fans of An Enchantment of Ravens.
There’s a certain wild magic in the salt air and the thrum of the sea. Beet MacNeill has known this all her life. It added spice to her childhood adventures with her older cousin, Gerry, the two of them thick as thieves as they explored their Prince Edward Island home. So when Gerry comes up the path one early spring morning, Beet thinks nothing of it at first. But he is soaking wet and silent, and he plays a haunting tune on his fiddle that chills Beet to the bone. Something is very, very wrong.
Things only get worse when Marina Shaw saunters into town and takes an unsettling interest in Gerry’s new baby. Local lore is filled with tales of a vicious shape-shifting sea creature and the cold, beautiful woman who controls him - a woman who bears a striking resemblance to Marina. Beet is determined to find out what happened to her beloved cousin, and to prevent the same fate from befalling the handsome new boy in town who is winning her heart, whether she wants him to or not. Yet the sea always exacts a price..."
I have a real thing for stories set on Prince Edward Island.
The Tea Dragon Tapestry by K. O'Neill
Published by: Oni Press
Publication Date: June 1st, 2021
Format: Hardcover, 128 Pages
To Buy
The official patter:
"Join Greta and Minette once more for the heartwarming conclusion of the award-winning Tea Dragon series!
Over a year since being entrusted with Ginseng's care, Greta still can't chase away the cloud of mourning that hangs over the timid Tea Dragon. As she struggles to create something spectacular enough to impress a master blacksmith in search of an apprentice, she questions the true meaning of crafting, and the true meaning of caring for someone in grief. Meanwhile, Minette receives a surprise package from the monastery where she was once training to be a prophetess. Thrown into confusion about her path in life, the shy and reserved Minette finds that the more she opens her heart to others, the more clearly she can see what was always inside.
Told with the same care and charm as the previous installments of the Tea Dragon series, The Tea Dragon Tapestry welcomes old friends and new into a heartfelt story of purpose, love, and growth."
NO! No conclusion, tea dragons FOREVER!
Poison Ivy: Thorns by Kody Keplinger and Sara Kipin
Published by: DC Comics
Publication Date: June 1st, 2021
Format: Paperback, 208 Pages
To Buy
The official patter:
"New York Times bestselling author of The DUFF Kody Keplinger and artist Sara Kipin reimagine an iconic DC antihero with a Gothic-horror twist.
There's something unusual about Pamela Isley - the girl who hides behind her bright red hair. The girl who won't let anyone inside to see what's lurking behind the curtains. The girl who goes to extreme lengths to care for a few plants. Pamela Isley doesn't trust other people, especially men. They always want something from her. Something she's not willing to give.
When cute goth girl Alice Oh comes into Pamela's life after an accident at the local park, she makes her feel like pulling back the curtains and letting the sunshine in. But there are dark secrets deep within the Isley house. Secrets Pamela's father has warned must remain hidden. Secrets that could turn deadly and destroy the one person who ever cared about Pamela, or as her mom preferred to call her...Ivy.
Will Pamela open herself up to the possibilities of love, or will she forever be transformed by the thorny vines of revenge?"
Picked it up for Sara Kipin, staying for the "Gothic-horror twist!"
Rememberings by Sinéad O'Connor
Published by: Houghton Mifflin Harcourt
Publication Date: June 1st, 2021
Format: Hardcover, 304 Pages
To Buy
The official patter:
"From the acclaimed, controversial singer-songwriter Sinéad O’Connor comes a revelatory memoir of her fraught childhood, musical triumphs, fearless activism, and of the enduring power of song.
Blessed with a singular voice and a fiery temperament, Sinéad O’Connor rose to massive fame in the late 1980s and 1990s with a string of gold records. By the time she was twenty, she was world famous - living a rock star life out loud. From her trademark shaved head to her 1992 appearance on Saturday Night Live when she tore up Pope John Paul II’s photograph, Sinéad has fascinated and outraged millions.
In Rememberings, O’Connor recounts her painful tale of growing up in Dublin in a dysfunctional, abusive household. Inspired by a brother’s Bob Dylan records, she escaped into music. She relates her early forays with local Irish bands; we see Sinéad completing her first album while eight months pregnant, hanging with Rastas in the East Village, and soaring to unimaginable popularity with her cover of Prince’s “Nothing Compares 2U.”
Intimate, replete with candid anecdotes and told in a singular form true to her unconventional career, Sinéad’s memoir is a remarkable chronicle of an enduring and influential artist."
Please be as unhinged and brilliant as she is! Also, I HOPE we get more of that random Prince/Arsenio Hall Illinois story!
Moonlight: An Oral History by Scott Ryan
Published by: Fayetteville Mafia Press
Publication Date: June 1st, 2021
Format: Paperback, 288 Pages
To Buy
The official patter:
"Once upon a time ABC-TV’s Moonlighting was among the most buzzed-about shows in the country, thanks largely to the bravado of creator Glenn Gordon Caron, who never met a television convention he didn’t want to break, and the sizzling on-screen chemistry between glamorous erstwhile film star Cybill Shepherd and a New Jersey bartender nobody had ever heard of before named Bruce Willis, who bickered and flirted ceaselessly on screen and engaged in epic off-screen battles that all these years later remain the stuff of Hollywood legend. This combustible blend of creative brilliance produced some of the most acclaimed, audacious, and innovative programming of the eighties, including a black and white tribute to film noir, with an introduction by Orson Welles; a parody of Shakespeare’s The Taming of the Shrew, written in iambic pentameter; an homage to The Honeymooners; and countless metafictive episodes breaking through the fourth wall - almost unheard of at the time for hourlong comedy-dramas. Without a doubt, Moonlighting helped pave the way for the era of prestige television we are now all enjoying. The real story of this pioneering television series and the extraordinary behind-the-scenes challenges, battles, and rewards has never been told - until now, Author Scott Ryan (The Last Days of Letterman, thirtysomething at thirty: an oral history, The Blue Rose, Scott Luck Stories) conducted over twenty interviews with the actors, writers, directors, and producers who made Moonlighting such a dynamic, unforgettable show, delving deep into their thoughts and feelings as they relive this magical moment in pop culture history in this full color oral history. New Interviews with: Cybill Shepherd (Maddie Hayes), Allyce Beasley (Ms. Dipesto), Curtis Armstrong (Herbert Viola), Glenn Gordon Caron Creator, Executive Producer, Writer Jay Daniel Executive Producer, Director Roger Director Writer, Producer, Season 4 Showrunner Allan Arkush Director Bob Butler and more."
The brilliant show that went SO off the rails. I am HERE for all the hot goss!































































Starting out in a whorehouse and ending in a prison with heavy Jack the Ripper overtones throughout makes The Charmer feel a bit off-brand and risque for Masterpiece Theatre. But it was the late eighties, perhaps they were trying to embrace an audience fed on years of Dynasty and Dallas? And you can't say it doesn't grab your attention with the charming yet menacing turn by Nigel Havers as Ralph Gorse, a man who'd never say no to a ligature. But knowing it's based on a series of books by Patrick Hamilton, the master of despair and dread, who supposedly based the character of Gorse on a serial killer, you can't say you didn't know what you were getting into...Unless you totally forgot about Patrick Hamilton's pedigree of Rope and Gaslight like I had, then you're watching the show slightly baffled that what you thought was going to be a nice little romp in the thirties veers into very dark territory. In fact, this note should have been passed along to whomever did the music, it's a little too cheerful, if you get my drift, and you'll get the Cole Porter song "You're the Top" stuck in your head for days. The material is primarily pulled from the second volume in Hamilton's series, Mr. Stimpson and Mr. Gorse, which I think would have been a far better title. Because while Gorse is a charming gigolo working his way into weary women's lives for a bit of lucre it's really the cat and mouse game between him and Mr. Stimpson that drives the plot. Mr. Stimpson feels that Ralph thwarted his love affair with Joan Plumleigh-Bruce, played divinely by Rosemary Leach. And OF COURSE Ralph did. But the problem is even if Ralph is a psychopath with sociopathic tenancies, he's not this dogmatic hypocritical stick in the mud that is everything Mr. Stimpson is. I'm not sure if it's because of how Bernard Hepton plays the roll or just how Mr. Stimpson is written, but you want him to lose. You want him to lose so bad. Yet ironically he is the voice of reason. But while there are reviewers who claim they wanted Ralph to get away with his crimes, I did not. I wanted accountability for everyone and for Joan to come out on top. Well, two out of three isn't bad.
When I went looking for shows to fill in the gaps of my Masterpiece Theatre knowledge accessibility was the prime directive. Could I actually find it to watch. So many of the shows aren't on streaming and many of those that were released on DVD are now out of print, so I've been relying heavily on eBay, a habit my wallet doesn't like. And I won't deny that the nineteenth season had an obvious choice in Traffik, because it's one of the most famous series from Masterpiece Theatre and it went on to be adapted into the Oscar winning film by Steven Soderbergh. But then I saw that The Dressmaker was on Amazon. I literally knew nothing about it going in other than it has a small yet stellar cast in Dame Joan Plowright, Billie Whitelaw, Pete Postlewaite, and a painfully young Jane Horrocks. The story itself is rather simple, Jane Horrocks plays Rita, a young girl raised by her aunts who finally gets asked to her first party, a bit of a do for the American GIs who have come to Liverpool. There she meets Wesley, who, as their relationship progresses, wants to move faster than Rita is comfortable with. He plays cruelly with her heart, not showing up for dates, refusing to call her. The most romantic thing he ever said to her is that she looked like a drowned rat. Eventually he's brought round to meet the aunts and he takes a real shine to Margo played by Billie Whitelaw. She instantly knows that this boy is after one thing and one thing only and is nowhere good enough for their Rita. Sadly for Rita, her heart is going to be broken. Now the handling of World War II is a bit like if the writers from Riverdale decided to take a stab at it, with laughable brawls between the Yanks and the Brits, but thankfully this is the backdrop, not the bones of The Dressmaker. The bones are the family unit; Aunts Nellie and Margo, Rita and her dad Jack. The way they bicker and carry on, it's comedic gold. This alone would have made it a good little movie, but the ending, oh, the ending takes it to a whole other level. I don't want to spoil it, I so don't, but I will say, the triumph on Joan Plowright's face as she stands atop the staircase would be worthy of Damehood if she wasn't one already!
The Kingdoms by Natasha Pulley
Honeycomb by Joanne M. Harris
Sixteen Scandals by Sophie Jordan
A Peculiar Combination by Ashley Weaver
The Cave Dwellers by Christina McDowell
The End of the Golden Gate Introduction by Gary Kamiya
If there's one book my Mom pushed more than any other over the years it was Summer's Lease by John Mortimer. When I was growing up my Dad didn't have time to read so I remember every single business trip he had to take my Mom would sneak this book into his luggage in the hope he'd finally read it. I have yet to confirm with him, but I do believe he did finally read it... or at least he said he did. OK, I checked, he did read it but says he remembers more about the miniseries than the book, and that's all down to John Gielgud. Because the truth of it is this miniseries exists for one reason and one reason only, and that was for John Gielgud to get an Emmy so that he became an EGOT. That's it. And in fact, in my opinion, there could have been more John Gielgud. The book and therefore the miniseries as well, is about a mystery loving mother who's feeling stifled and whisks her family, including her father played by John Gielgud, off to Italy for their summer vacation so she can see some art by Piero della Francesca. The mother becomes obsessed with their absent landlord. When the agent who let the house to them dies under mysterious circumstances, she becomes obsessed with getting to the bottom of the mysteries their summer rental has put at her feet. Needless to say it's her meddling that has catastrophic results, which is why my mother likes the story so much. If things had been left alone nothing would have happened... So it's not really a whodunit more a story of cause and effect which was totally preventable. Personally I found the whole series kind of depressing. When the highlight of a miniseries set in Italy is the bad charades performance by a very young Gabrielle Anwar, you know you have issues. But this is why this miniseries is the perfect show to watch right now. Summer's Lease somehow makes Italy look bleak! It makes Italy depressing. It makes you never, in your life, want to go to Italy. And right now, as we're all still trapped indoors hoping the vaccine does some good so that one day we'll have vacations again, watch this so at least for the moment you won't feel like you're missing out!
If you're a true Anglophile you have pondered, once or twice, about reading Samuel Richardson's Clarissa. Don't deny it, you know you have and you just as quickly realized you probably never would. Because while it is ranked as one of the greatest English novels it is also one of the longest. I am not saying this lightly. I've breezed through doorstop tomes in my life and this one makes me stop and consider if I'm that committed a reader. I mean yes I want to but realistically, no I won't. I remember seeing the book once physically at Borders and wondered if it was a dictionary. The type was so tiny! The tome so weighty! Which is why this miniseries is great. As I see it, if you can make this good a miniseries, which is only four episodes long, out of a book that has 943,000 or 984,870 words in it depending on which of Richardson's edits you're reading then the book might be a tad overwritten. The story is a simple one, girl inherits fortune, family try to influence her, drive her into the arms of the wrong man, and she dies in sin. Richardson was apparently pissed that people liked Clarissa being seduced by the wicked Lovelace, hence the different editions of the book. But this miniseries fully plays into this love of the unrepentant bad boy by casting Sean Bean. He's so deliciously evil. Sean Bean as Lovelace was also a major inspiration in a series I love by Lauren Willig. Without Sean Bean there'd be no Lord Vaughn! You want to think good of Lovelace, you want Clarissa to run from the original literary rake, and at the same time, you so want them to play out this doomed love affair to the very end. And oh, that ending! In fact, I think that is what made the greatest impression on me, when Lovelace falls to the blade wielded by someone he thought was his friend, and that someone is played by an even better Sean than Bean! Sigh. I'm talking about Sean Pertwee. Yes, as in the Third Doctor's son. I fell irretrievably in love with Sean Pertwee as Jack Belford. A few years back he was scheduled to be at a comic convention near my house and I was totally going to go just to see him. I even thought, would if be weird if I asked him to sign a copy of Clarissa? But then he had to film a guest spot on Prodigal Son. So while I haven't met him (YET!) at least that guest appearance was totally worth it. Seriously, you all need to be watching Prodigal Son!
The Betrayals by Bridget Collins
The Lights of Prague by Nicole Javis
Madam by Phoebe Wynne
Goblin: A Novel in Six Novellas by Josh Malerman
Yes, Daddy by Jonathan Parks-Ramage
Last Summer at the Golden Hotel by Elyssa Friedland
Stephen Fry and Hugh Laurie are gateway drugs to the best of British comedy. For me it all started with Peter's Friends, which is technically not a comedy, but Fry and Laurie also go beyond the bounds of the comedic label, so I think that's a good starting off point. From there I found The Young Ones, Filthy Rich and Catflap, Blackadder, A Bit of Fry and Laurie, and, of course, Jeeves and Wooster. To this day they are to me everything that is great and good about British acting and television. I will listen to or watch anything that they are in, but it's when they are working together that they reach new heights. Jeeves and Wooster was actually made concurrently with A Bit of Fry and Laurie and I think that them working together at all times made the relationship between Bertie and Jeeves that much more real. What's more, their personalities kind of fit their characters so much so that at times I might wonder if Stephen Fry is wandering around Hugh Laurie's house tidying it up and putting things to rights. Stephen Fry's fussy side comes out while Hugh Laurie's goofy side with a large dollop of musicality come to the fore. Jeeves and Wooster is pure fun comfort viewing, it has the beautiful country houses, troubles that aren't too troubling, and there's the fact that you'll see all your favorite British actors playing minor rolls which were constantly being recast, usually to delightful results. I mean four different actresses playing Aunt Dahlia kind of lends itself to the idea that Bertie has a never-ending stream of interfering aunts. But series two was when the show found it's stride. Series one they rouged Laurie's checks so much he looked like a comical vaudeville drunk. But in series two Simon Langton took over as director! Not only did he direct the seminal Pride and Prejudice adaptation, the one with Colin Firth, but episodes of Upstairs, Downstairs, The Duchess of Duke Street, Love for Lydia, Rebecca with Jeremy Brett, Poirot, Rosemary and Thyme, Foyle's War, and Midsomer Murders! Plus series two happens to have my most watched episode of Jeeves and Wooster. How is it I've seen "Chuffy" what seems like a million times? Perhaps because it's the episode where Jeeves quits... Heaven forfend! Don't worry, it all works out! It always does in the England that never was of P.G. Wodehouse.
While Masterpeice Theatre has been around all my life the real moment I became a British miniseries addict was in 1996 when I first saw Pride and Prejudice starring Colin Firth. This was the point of no return. And I was canny enough to lay a lot of the credit at the feet of Andrew Davies. The more I saw of his adaptations the more I realized how good he was at his job. I don't care for all these revisionists out there, Andrew Davies was and is the king of adaptions. Period. In my attempt to watch everything he'd ever adapted I stumbled into George Eliot's Middlemarch. What struck me most was this adaptation was made only a year before Pride and Prejudice and at that time it was apparent that Andrew Davies was attempting to make a different Firth a star, Colin's younger brother Jonathan. Jonathan is a very talented actor but he has never attained the stardom his brother has. Whether this is just coincidence or lack of drive I don't know. But I first saw him in Covington Cross, a show notable stateside for the fact Glenn Quinn quite Roseanne to be on it. Jonathan also played a right asshole in the first season of The Inspector Lynley Mysteries as well as the ghost of a circus performer I believe on an episode of Ghost Whisperer. As I've said, an odd career. But with Middlemarch there's a scene where he's playing pool that gave me a chilling sense of deja vu. Because the same scene is in Pride and Prejudice! Literally the only difference is they swapped Firths and the felt covering on the pool table is a different cover. It's like Davies KNEW this scene had to work with a Firth brother and the first time didn't take so he tried it again and sunk it perfectly in the corner pocket. While these Firthian observations are all well and good the more pressing draw to me now is my love of Rufus Sewell. Oh my Lord M who is the only highlight of Parade's End. I first saw you in Cold Comfort Farm, then was amazed by your performance of Fortinbras in Hamlet, you only blinked six times the entire time you were on screen! But you stole my heart as Will Ladislaw, just as you did Dorthea's! Who needs financial security when you have love?
Black Water Sister by Zen Cho
A Master of Djinn by P. Djèlà Clark
Son of the Storm by Suyi Davies Okungbowa
Long Lost by Jacqueline West
Willow by Mariko Tamaki and Natacha Bustos
Year Book by Set Rogan
Ah, The Cinder Path, I think this might have been my first foray into Catherine Cookson territory. There's a chance that this other movie I was obsessed with might have been written by Catherine Cookson, but I have yet to figure out which one or even if it is by her. Let me know in the comments below if you have a detailed knowledge of films that are about farm girls who look vaguely like Kathy Ireland who get involved with their boss's son/nephew and have a magical summer together but she ends up pregnant and he goes back to his friends... You would literally be solving one of the mysteries of my life. Back to The Cinder Path. So there's one reason and one reason only I watched The Cinder Path, and that's Lloyd Owen. So I've always been obsessed with The Young Indiana Jones Chronicles. Like hardcore obsessed. Like I have a fan magazine actually signed by Indy himself, that would be Sean Patrick Flanery to everyone else. Well when I was rewatching the show a few years back now I was all, who is that hot actor playing Professor Henry Jones, Sr., the role iconically created by Sean Connery? The answer was Lloyd Owen. So I started looking up other things he'd been in around the time he was Indy's dad. I vaguely remembered him in Coupling, but The Cinder Path looked interesting. Also Catherine Zeta-Jones from around the time of The Darling Buds of May! Interesting fact, she was also on The Young Indiana Jones Chronicles if you were interested in other facts from that show. I have lots of facts from that show. LOTS. Anyway, this is pure Catherine Cookson, slightly over the top, I mean, love saves our hero from the shrapnel that could either move towards his heart and kill him or away from his heart and save him. It's so melodramatic it's kind of ridiculous but also hits the spot just right when you're in the mood. The only real complaint I had for this miniseries is that Catherine Zeta-Jones spent way too much time on horses and "the cinder path" which was a form of punishment didn't look that punishing. I wanted more, walking on hot coals, this was kind of, could they at least look like they're in pain?
In the days before the internet you'd be channel surfing, usually late at night, and find something you really liked and you'd watch as much of it as you could before you fell asleep because you never knew if you'd see it again let alone find out what it was called. After the successful airing of Colin Firth's Pride and Prejudice, on a cable channel no less, lots of shows that were originally shown on Masterpiece Theatre started showing up on cable channels late in the night to the delight of Anglophile insomniacs and night owls everywhere. Of course I'd catch them and wouldn't find out what they were until years later. Sometimes it was because I was able to accurately describe a scene to someone and they'd fill me in on what it was, hence the miniseries about deflating sheep turned out to be Far from the Madding Crowd with Colin Firth's younger brother Jonathan. But most often it was eventually an actor I recognized that got me to finally put a title to a favorite movie or series. This is how I learned the title of Louisa May Alcott's The Inheritance, because of Greg from Dharma and Greg. Also it's fabulous but nothing like the original story if you watch it and yes, that is Chilton from Gilmore Girls. So all I had to go on to find the title of The Buccaneers was that it stared the actress from Pauly Shore's Son in Law. To more knowledgeable people, that would be Carla Gugino, to me it was Crawl's love interest. I might have seen that movie a few too many times. So once I finally knew the name of the miniseries I obviously bought it, no questions about watching it first. This is everything an Anglophile growing up in America wishes for, that they go to England and are wooed by the most eligible of bachelors. Oh the cast, Michael Kitchen, Jenny Agutter, Connie Booth, Mira Sorvino, Greg Wise, and James Frain before he made it his lifelong ambition, or so I assume, to be in every science fiction show I've ever watched. And the houses! Yes, they DO film at Castle Howard, made immortal by Brideshead Revisited. Oh dear, I think writing this has convinced me I need to go watch this miniseries immediately, it's been too long.
The Lady Has A Past by Amanda Quick
The Glorious Guinness Girls by Emily Hourican
The Nature of a Lady by Roseanna M. White
Bronte by Manuela Santoni
The Shadow in the Glass by Jja Harwood
The Bookshop of Second Chances by Jackie Fraser
I Speak Boy by Jessica Brody
The Secret to Superhuman Strength by Alison Bechdel
Rogue Untouched by Alisa Kwitney
Bottle Demon by Stephen Blackmoore
Shadowed Steel by Chloe Neill
Hail Mary by Andy Weir
Thief of Souls by Brian Klingborg
Friend of the Devil by Ed Brubaker and Sean Phillips
21st Birthday by James Patterson and Maxine Paetro
















