Book Review - Anne Bronte's The Tenant of Wildfell Hall
The Tenant of Wildfell Hall by Anne Bronte
Published by: Oxford University Press
Publication Date: 1848
Format: Hardcover, 486 Pages
Rating: ★★★★★
To Buy (different edition then one reviewed)
"I have to confess: I loved this book as a teenager (an oppressed heroine fleeing from an abusive husband! A devoted hero who sees the good in the reclusive heroine! An adorable little moppet of a boy!), but when I was researching That Summer, I decided to watch the BBC version, since the costumes are exactly the right time period for me (and, yes, I may have a little weakness for BBC costume dramas). The heroine in the film version irked me. And now I can’t quite separate the two.
Anyhow, now that I’ve got that out of the way….
The Tenant of Wildfell Hall was a seminal work for me on the way to That Summer because, like Mary Barton, it was published in 1848. Unlike Mary Barton, it deals with the propertied classes with which my heroine, Imogen, would have been familiar. Like my Imogen, the heroine of The Tenant of Wildfell Hall, Helen, fancies herself in love in her youth, marries unwisely and then is forced to live out the consequences.
This is a theme that fascinates me. Remember your crushes in your teens? Remember the unwise romantic choices you made? What if you’d married one of them? And found yourself owned by that man, his property under the law, with no legal identity, no independent means, no recourse?
Sends a chill down your spine, doesn’t it?" - Lauren Willig
Wildfell Hall has a new resident. A mysterious widow and her young son who want nothing to do with the outside world. The outside world disagrees. The nosey neighbors must know everything they can about the mysterious Mrs. Graham. Young Gilbert Markham wants to know everything but for a very different reason, he is inexorably drawn to the young widow and cannot understand why she remains aloof and detached, craving solitude over companionship and love. But soon Helen Graham realizes that her feelings for Gilbert mean that she must disclose her past so that he can move on and realize their love is doomed, and not just because her husband isn't dead.
Mrs. Helen Graham is really Mrs. Helen Huntington, the wife of a cruel man who has more vices then she could enumerate. She has fled her husband because he was trying to imprint their your son with his own dubious morals. Helen could have suffered anything if it was just herself that was the target of Huntongton's malice, she stubornly married him after all, but their son is another matter. After years of feeling trapped and hunted in her own home, can she remake her life, or will the old one haunt her?
Sometimes I am a very contrary person, The Tenant of Wildfell Hall is a case in point. Instead of reading the book before watching the miniseries I decided to watch the miniseries first which then put me off the book. For some reason I view the steadfast rule of reading the book first not applying to the Brontes. I had seen so many adaptations of their books prior to ever picking one up that they are grandfathered into my weird reading habits with this clause. Yet I still question how an adaptation with Toby Stephens and James Purefoy, not to mention Rupert Graves, Pam Ferris, and Paloma Baeza, could be so bad. It was dull and lifeless and I remember barely being able to finish it.
The miniseries turned me off the book and because of this the book has languished for years waiting for the time when I would pick it up and love it. I seriously can not think of any reasonable excuse why it took me this long to read it. I was under so many misconceptions about this book that I should have just trusted to my gut which tells me that Anne Bronte is awesome. I am serious when I say that I think Anne might just be my favorite Bronte. This isn't just me routing for the underdog, though she is the least embraced of the sisters, this is totally to do with how awesome her books are.
There's a part of me that knows Anne's desire for "truth" in this novel comes from a desire to counter the pro bad boy image her sisters had created in their works. But there's a deeper part of me that wonders if she's not just messing with Charlotte and Emily a little. Who, given the chance, wouldn't try to mess with their siblings a little? Her sisters did everything to make this bad boy redeemable by love trope and then in comes Anne and blasts them out of the water. Huntington is a bad boy to equal Heathcliff and Rochester, but love is unable to sway him. The Tenant of Wildfell Hall is an opus to the irredeemable. I can just picture the sisters sitting around their fireplace on a cold night in Haworth talking about their dream men and Anne just looking askance at them and plotting how to prove them wrong, preferably in three volumes, she was, after all, a silent plotter. I don't think anyone has ever summed this up better then Kate Beaton in her "Hark, a Vagrant" comic, "Dude Watchin' with The Brontes" so I won't attempt to and move onto other things.
So, other things! What I find amazing in this book, and in fact all the work by the Brontes, is how they were able to capture an entire world from outside their cloistered lives and put it on the page. It just goes to show that sometimes writing what you know isn't the only answer, but writing what you feel is. Over a hundred and fifty years later this book pulses with life. It was criticized at the time for being too repulsive and scandalous, but that is why it resonates till this day. It is the truth of human nature and fallibility that Anne sought out to capture and did. Infidelity, adultery, drugs, drink, games of chance, everything not written about in literature of it's day that still causes so much heartbreak.
The degraded life that Helen lives made me connect to her because, not only did I pity her, I worried that she wouldn't make it out of this situation, ironic because having watched the miniseries I knew the outcome, but still I worried. But as to the debauchery, one problem I have always had and mentioned repeatedly in literature set during this time is the overuse of the Hellfire Club. It seems if you are debauched during the Regency or early Victorian eras you therefore have to belong to some incarnation of said Hellfire Club. But here I make an exception. Usually the Hellfire Club is just a trope used by modern writers, as in those still currently writing. Think of the spunk it took for a little ex governess to allude to the Hellfire Club in a book written in 1848! You Anne Bronte are the exception that proves the rule! When you wrote those few lines alluding to fire and brimstone it was not yet hackneyed, it was controversial. I wish I could tell you how much you mean to me and literature, this poorly written review will have to suffice.
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