Showing posts with label Zoltar. Show all posts
Showing posts with label Zoltar. Show all posts

Wednesday, October 19, 2016

American Gods Reminiscence

My grandparents had a farm on County Highway JJ in Lone Rock, just twenty some minutes from one of Wisconsin's weirdest attractions, The House on the Rock. The House on the Rock is a shrine to one man's weird collections and architectural dreams. The house itself is like some shag pile automated party house for Austin Powers, while the outlying warehouse-like buildings are crammed with everything from creepy dolls and dollhouses to mannequins wearing some of the oddest outfits to Eastern shrines and vast copper kettles surrounded by little walkways and staircases that go nowhere. And then there's the carousel. It's the world's largest indoor carousel that features 269 carousel animals, 182 chandeliers, over 20,000 lights, and hundreds of mannequin angels hanging from the ceiling. I spent much of my childhood hoping to ride that carousel, but alas, they don't allow it. I literally don't know how many times my parents took me there, it was a way to divert my brother and me for hours. I loved getting lost in the recreation of old streets and looking into fake houses, always wondering about other places and other people's lives.

The last time I went with my parents was for one of my brother's birthday parties. I remember it was sometime after the movie Big came out because I was 100% convinced that my fortune from the Esmeralda Machine, like Zoltar, would come to pass. In fact, it kind of did. I scoffed at it saying I'd end up in theatre and then I went and got myself a degree doing theatre tech! Though I am to this day grateful the card didn't say:

EVERY ENDING IS A NEW BEGINNING. 
YOUR LUCKY NUMBER IS NONE. 
YOUR LUCKY COLOUR IS DEAD. 
Motto: LIKE FATHER, LIKE SON.

Years later when I was out of high school I went back with my friends and was still awed by the weirdness of it all. Last fall I went for what I am claiming will be my last time. The place was dusty and dilapidated, hot and overwhelming. And so cacophonous with the om-pah-pah music reverberating everywhere. But it's been a part of my life for so long it's no surprise that when I heard there was a book set there written by Neil Gaiman I ran to the bookstore and bought it. I am glad that American Gods wasn't the first Gaiman book I read because I have a feeling I would never have read anything else by him. He has often stated that American Gods is his most polarizing book and I can see that just among my friends. Some view it as the best book they've ever read and some have never been able to finish it. I just feel stupid when I read it, like I need a PHD in mythology to grasp the plot. I even tried to re-read it last fall before my final excursion to The House on the Rock and failed after the first section. But American Gods does hold a special place in my heart because Neil perfectly captured a place that was part of my growing up and immortalized it. So when the dust and decay and faulty wiring finally consume Alex Jordan's vision it will live on through Neil's writing.

Sunday, April 25, 2010

The Beast Below

Never judge a new doctor by his first episode, always judge them by their second. The first is all kind of new and maybe a little weird, the second is when they come into their own. I gotta say, I'm loving Matt Smith. Not my lustful worshipping of David Tennant, but in a quieter, he's goofy and works as a sort of Tom Baker Doctor kind of way. The second episode of a new companion always has to be a huge moment, the moment not when they meet the Doctor and deal with him on their turf, but the moment when he takes them out into his turf. His turf happens to be the British Isle floating in outer space. There are weird menacing mechanical carny booths, think Zoltar, in the 30s, but with a real hidden wicked streak and total control over the ships populous called Smilers. Theirs a complete distillation of all things British into one wickedly fun market, like Bladrunner with bunting. There does seem to be more of a children slant, could it be that they're actually going to not traumatize children forever? No, this episode would so have traumatized me. I already have an unnatural fear of elevators, if one of those Smilers went all evil and dropped me into the bowels of a ship for not doing my homework, I'm sorry, I would have totally lost it. It's that underlying menace of what the Smilers do and that no one stands up to them or even tries to change it that makes the Doctors arrival so important.

So we have an oppressed British people hurtling through space and a Queen, cause there always has to be a Queen, searching for a truth that she is not meant to find and when she does, it's a doozy. But it's the Queen that makes this episode the best. Sophie Okonedo as Liz 10 was a combination of Lara Croft and V. Flowing cap, guns at the ready, and lots of goblets of water laying about as if she were in the movie Signs. The eventual saving of the day happens, of course not from the Doctor but from Amy, who was very Arthur Dent and saved the world in her pajamas. But the Doctor being wrong, and not just slightly wrong, but majorly wrong, was interesting. This Doctor is willing to make harder decisions... he's willing to let there be a looser, versus all winners come hell or high water. But Amy tempers him. Too bad next week we have the stupid overused Daleks, because I like where Steven Moffat is taking us, new villains not the same old same old... well at least that's what I thought till I saw those freakin' Daleks!

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