Showing posts with label Munsell. Show all posts
Showing posts with label Munsell. Show all posts

Wednesday, January 8, 2020

Book Review 2019 #9 - Jasper Fforde's Shades of Grey

Shades of Grey: The Road to High Saffron by Jasper Fforde
Published by: Viking
Book Provided by Viking
Publication Date: December 29th, 2009
Format: Hardcover, 390 Pages
Rating: ★★★★★
To Buy

Edward Russett lives in a very organized and hierarchical society. What color you can see is everything, creating color castes, from the regal purples to the proletarian greys. Eddie is a red living in a green world. Eddie has upset the balance of good behavior and polity by playing a prank on a purple, Bertie Magenta, son of Jade-under-Lime's purple prefect. But he also has dangerous notions on how to improve queuing. To atone for his errors in judgement and gain some humility he is being sent to the fringes of polite society to conduct a pointless chair census. His father, a Swatchman, who is, for all intents and purposes, a doctor, is accompanying him to East Carmine, to fill in for their recently deceased Swatchman, Robin Ochre. Little does Eddie realize what is about to happen to him could change everything. At a stop over at Vermillion, Eddie fails to see the last rabbit, but helps his dad save a grey illegally wrongspotting as a purple and is accosted by a girl with a very retrousse nose who is unaccountably rude and in danger of being sent to reboot to learn some manners. Eddie can't help being intrigued.

Arriving in East Carmine, a town where nothing interesting happens, a new Swatchman and his son sure cause a lot of excitement. From Eddie's new best friend, the shyster Tommo, trying to place him in the marriage market, to the prefects demanding respect and Eddie's return ticket to Jade-under-Lime, to a Lincoln swatch illegal drugs market, to suspicions of the old Swatchman being murdered, to the mysterious naked man who lives in their house that no one can openly admit to seeing, to the new surly maid, who happens to be Jane, the girl with the retrousse nose, Eddie's arrival has caused an avalanche of excitement to this small border town. But will Eddie, with his unwelcome queuing suggestions, be able to stay out of trouble? Can he avoid the everyday dangers of lightning, man-eating Yatveo plants, and swans, while staying on the right side of Tommo and the yellow prefect's son Courtland Gamboge? Plus what if he decides to abandon his half promise to the bitchy princess Constance Oxblood back home and make a go of it with Jane? That's if Jane, or the ill fated trip to High Saffron, doesn't kill him first...

Shades of Grey, the first book in a proposed series from Jasper Fforde, the author of the Thursday Next and Nursery Crime Series, is a cult favorite where ten years on fans of the book are still clamoring for more adventures from Brunswick and deMauve. From the man whose worldbuilding gave us a land where characters in books police their own plots, we are treated to another inventive story, this time centering on color. If you strip away all the color theory and color related aspects, you are left with a very basic, but solid, post apocalyptic, post something that happened world, akin to the best dystopian novels, the likes of Orwell's 1984. An evil, unseen government is trying to keep their people in line by separation, isolation, ignorance, and strict rules enforced by fear, even if the rules are more geared toward maintaining politeness than anything else. Enter plucky and likable Eddie, who has notions above his station and falls for a girl who hates his guts all the while butting heads with the local authorities and asking a few too many questions.

While the book is standing on firm dystopian soil, it's all the colorful bits of tosh that Fforde scatters throughout the narrative that makes this book easily one of my favorites. Of course, being in the arts, I could have a bias for color theory based jokes, but even with just a simple grasp of color gleaned from your box of Crayola's as a kid will make this book that much more multilayered and enjoyable. The color jokes run the gamut from the dictator's, I mean leader's name being Munsell, the creator of the first workable and adapted color theory with the naming of hue, value, and chroma, to the test for the character's color placement, the Ishihara, being the test for color blindness in our world. But it's not just these, or the jokes of color pipes being upgraded from RGB to CMYK, sure to send any graphic designer into fits of hysterical laughter, but the way Fforde seamlessly integrates them into the plot and has color as the lynch pin of this society. Yet how did humans evolve so that they can only see specific color frequencies allowing this hierarchical society to form?

Because the thing is, color doesn't actually exist. I know this is a hard thing to grasp, especially if you start thinking about additive color when mixing paint. But the truth is that how we see color and how light works with subtractive color, where all colors combined equal white not black, gets you closer to understanding that everything we see is a product of our minds. Our minds interpret color and tell us what to see. Therefore what happened to these peoples minds that they can only see certain frequencies? Are their frequencies somehow jammed? There are only a few hints, one being that pupils aren't able to dilate anymore, always being a pinprick and making seeing in the dark impossible. The second is that when shown certain color swatches the brain starts to reconfigure, as if it's a computer. So did the evil overlords rewire human brains in order to exert control? Or did evolution take a weird and quirky step sideways. Every time I read this book I learn so much more but conversely end up with so many more questions.

But, as with any post apocalyptic society or even parallel society, it's the mystery of how our world devolved and became this world. Trying to work out exactly how things changed, and not just the physical changes, but other more significant ones. Like how did swans become large and such a danger? Why is there such a fear of lightning? Who knew rhododendrons would be such a threat? Also the little jokes where we know what things were, but that they have morphed into something totally different, like the titles of the mandatory musical theater adaptations being slightly off kilter... "Red Side Story" anyone? Or how they assume the RISK board game is not only a map of how the earth was, but of the color distribution of the inhabitants. Then of course you encounter the deeper mysteries of the plot that keep you reading late into the night. What really happened to Robin Ochre? What does reboot really entail? Because if someone told me they were sending me on the night train to Emerald City I know I'd be nervous.

Picking up this book again ten years after it was published I was still obsessed with the emotions facing Eddie when he learned what Mildew really is all while hoping that his spork loophole will solve the lack of spoons once and for all. And while there's a part of me that holds this book in a special place in my heart, it was the first unsolicited book that showed up on my doorstep after starting my blog, I re-read it with a critical eye. Fforde can sometimes get so caught up in his little jokes and Easter eggs, ones written for his own amusement, it's possible for the reader to feel alienated from the text; creating an unease that they are probably only catching ten percent of what is actually going on. Yet for me Shades of Grey is different. It works on so many different levels that even if you feel occasionally a little lost it's just another layer of the onion to discover when you next read it. Of course, I'm still desperate for any more information on Eddie's world. I want all the answers... but sometimes we are left wanting, just as Eddie and Jane were after their Ishiharas.

Friday, May 31, 2019

Best Book of 2009 - Jasper Fforde's Shades of Grey

Shades of Grey: The Road to High Saffron by Jasper Fforde
Published by: Viking
Book Provided by Viking
Publication Date: December 29th, 2009
Format: Hardcover, 390 Pages
Rating: ★★★★★
To Buy

Edward Russett lives in a very organized and hierarchical society. What color you can see is everything, creating color castes, from the regal purples to the proletarian greys. Eddie is a red living in a green world. Eddie has upset the balance of good behavior and polity by playing a prank on a purple, Bertie Magenta, son of Jade-under-Lime's purple prefect. But he also has dangerous notions on how to improve queuing. To atone for his errors in judgement and gain some humility he is being sent to the fringes of polite society to conduct a pointless chair census. His father, a Swatchman, who is, for all intents and purposes, a doctor, is accompanying him to East Carmine, to fill in for their recently deceased Swatchman, Robin Ochre. Little does Eddie realize what is about to happen to him could change everything. At a stop over at Vermillion, Eddie fails to see the last rabbit, but helps his dad save a grey illegally wrongspotting as a purple and is accosted by a girl with a very retrousse nose who is unaccountably rude and in danger of being sent to reboot to learn some manners. Eddie can't help being intrigued.

Arriving in East Carmine, a town where nothing interesting happens, a new Swatchman and his son sure cause a lot of excitement. From Eddie's new best friend, the shyster Tommo, trying to place him in the marriage market, to the prefects demanding respect and Eddie's return ticket to Jade-under-Lime, to a Lincoln swatch illegal drugs market, to suspicions of the old Swatchman being murdered, to the mysterious naked man who lives in their house that no one can openly admit to seeing, to the new surly maid, who happens to be Jane, the girl with the retrousse nose, Eddie's arrival has caused an avalanche of excitement to this small border town. But will Eddie, with his unwelcome queuing suggestions, be able to stay out of trouble? Can he avoid the everyday dangers of lightning, man-eating Yatveo plants, and swans, while staying on the right side of Tommo and the yellow prefect's son Courtland Gamboge? Plus what if he decides to abandon his half promise to the bitchy princess Constance Oxblood back home and make a go of it with Jane? That's if she, or the ill fated trip to High Saffron, doesn't kill him first...

Shades of Grey, the first book in a proposed series from Jasper Fforde, the author of the Thursday Next and Nursery Crime Series, is a cult favorite where ten years on fans of the book are still clamoring for more adventures from Brunswick and deMauve. From the man whose worldbuilding gave us a land where characters in books police their own plots, we are treated to another inventive story, this time centering on color. If you strip away all the color theory and color related aspects, you are left with a very basic, but solid, post apocalyptic, post something that happened world, akin to the best dystopian novels, the likes of Orwell's 1984. An evil, unseen government is trying to keep their people in line by separation, isolation, ignorance, and strict rules enforced by fear, even if the rules are more geared toward maintaining politeness than anything else. Enter plucky and likable Eddie, who has notions above his station and falls for a girl who hates his guts all the while butting heads with the local authorities and asking a few too many questions.

While the book is standing on firm dystopian soil, it's all the colorful bits of tosh that Fforde scatters throughout the narrative that makes this book easily one of my favorites. Of course, being in the arts, I could have a bias for color theory based jokes, but even with just a simple grasp of color gleaned from your box of Crayola's as a kid will make this book that much more multilayered and enjoyable. The color jokes run the gamut from the dictator's, I mean leader's, name being Munsell, the creator of the first workable and adapted color theory with the naming of hue, value, and chroma, to the test for the character's color placement, the Ishihara, being the test for color blindness in our world. But it's not just these, or the jokes of color pipes being upgraded from RGB to CMYK, sure to send any graphic designer into fits of hysterical laughter, but the way Fforde seamlessly integrates them into the plot and has color as the lynch pin of this society. Yet how did humans evolve so that they can only see specific color frequencies allowing this hierarchical society to form?

Because the thing is, color doesn't actually exist. I know this is a hard thing to grasp, especially if you start thinking about additive color when mixing paint. But the truth is that how we see color and how light works with subtractive color, where all colors combined equal white not black, gets you closer to understanding that everything we see is a product of our minds. Our minds interpret color and tell us what to see. Therefore what happened to these peoples minds that they can only see certain frequencies? Are their frequencies somehow jammed? There are only a few hints, one being that pupils aren't able to dilate anymore, always being a pinprick and making seeing in the dark impossible. The second is that when shown certain color swatches the brain starts to reconfigure, as if it's a computer. So did the evil overlords rewire human brains in order to exert control? Or did evolution take a weird and quirky step sideways. Every time I read this book I learn so much more but conversely end up with so many more questions.

But, as with any post apocalyptic society or even parallel society, it's the mystery of how our world devolved and became this world. Trying to work out exactly how things changed, and not just the physical changes, but other more significant ones. Like how did swans become large and such a danger? Why is there such a fear of lightning? Who knew rhododendrons would be such a threat? Also the little jokes where we know what things were, but that they have morphed into something totally different, like the titles of the mandatory musical theater adaptations being slightly off kilter... "Red Side Story" anyone? Or how they assume the RISK board game is not only a map of how the earth was, but of the color distribution of the inhabitants. Then of course you encounter the deeper mysteries of the plot that keep you reading late into the night. What really happened to Robin Ochre? What does reboot really entail? Because if someone told me they were sending me on the night train to Emerald City I know I'd be nervous.

Picking up this book again ten years after it was published I was still obsessed with the emotions facing Eddie when he learned what Mildew really is all while hoping that his spork loophole will solve the lack of spoons once and for all. And while there's a part of me that holds this book in a special place in my heart, it was the first unsolicited book that showed up on my doorstep after starting my blog, I re-read it with a critical eye. Fforde can sometimes get so caught up in his little jokes and Easter eggs, ones written for his own amusement, it's possible for the reader to feel alienated from the text; creating an unease that they are probably only catching ten percent of what is actually going on. Yet for me Shades of Grey is different. It works on so many different levels that even if you feel occasionally a little lost it's just another layer of the onion to discover when you next read it. Of course, I'm still desperate for any more information on Eddie's world. I want all the answers... but sometimes we are left wanting, just as Eddie and Jane were after their Ishiharas.

Wednesday, December 30, 2009

Jasper Fforde Interview Part 1

At the end of November I was contacted by the publicity manager at Viking about my request for a copy of the new Jasper Fforde book, Shades of Grey. Needless to say, what has transpired since has not only been unprecedentedly awesome, making Viking my new bff, but is also how this post came into being. You see… they offered me an interview! How cool is that!?! Not only did they send me this book, which was amazingly awesome and original and funny (my review), but then they asked if I’d like to talk to the man whose brain is capable of writing such prose. Of course I jumped at the chance… well, danced more like… even if this was something that had me nervous as to how horrid I think my voice sounds to what if this brilliant person thinks I’m a dolt, I had to do it. There wasn’t any ifs, ands, or buts, this was for me. So I spent the days leading up to the early morning hours of December the 18th (Wales is six hours ahead) swotting up on my Fforde knowledge and trying to craft some interesting questions… did you know there are over 500 questions that he has cataloged on his site that he’s been asked?!? That was a lot of cramming I must say. What follows is, I hope, a funny and interesting interview that sheds light onto this creative author and his wonderful new book, Shades of Grey. (To help those who are less freakishly color knowledgeable, the footnoterphone has agreed to make an appearance, and I also promise there will be no undedicated dialogue traps).

Man who turns out to be Jasper: It is, yes, that’s me.

Nervous interviewer, who will be referred to as Elizabeth from now on: Hi, I’m Elizabeth. I’m calling from Strange & Random Happenstance, we have an interview (internal dialogue, god I hate my own voice.)

Elizabeth: Yeah, I was kind of watching the clock here.

Jasper: Little laugh

Elizabeth: Um, well can I get right to it?

Jasper: Yeah, absolutely.

Elizabeth:Ok, I just loved your new book.

Jasper: Oh, thank you.

Elizabeth: It was really just so fascinating, I’m a graphic designer by trade so I really related to a lot of the stuff in it.

Jasper: Ok, oh good.

Elizabeth: My first question is was Shades of Grey written with artists and graphic designers in mind?

Jasper: It’s interesting that you should say that actually, just this moment I downloaded an animated sort of commercial[1] that Hodder[2] have done for me here in the UK and of course graphic designers are suddenly going, oh great, we’ve got colors, we’ve got things changing colors, we’ve got some things in colors and some things not in colors and feed pipes that lead to colors and you can follow the color along a feed pipe and then it makes a flower green or blue or whatever. I’ve just received it and we’ve been looking at it and we both love it and it does seems a bit as though it is a gift to graphic designers doesn’t it?

Elizabeth: I’ve told a few people just of the RGB to CMYK[3] update and they just love that joke.

Jasper: Yeah, well I thought all you people who actually know about color, color models, might actually appreciate that kind of stuff. Cause most people don’t you see.

Elizabeth: I just thought it was just great. How much research did you go into in color theory for this book, seeing as you know many concepts are familiar to people who've studied color, like Munsell[4] and the Ishihara[5] being the color blindness test?

Jasper: I did enough to make me appear as though I probably knew more than I did. Color is a really tricky thing to get your head round. And even the notion that the color you see on your tv is completely separate to the color that is printed out by your printer[6]. And when I was first researching color I suddenly realized the immense complexity of a program that would allow you to view what you view on your screen to actually come out in a printer roughly the same color. And people take that sort of stuff for granted and I suddenly realized, oh my goodness, this is actually monstrously complicated. And even if you talk about subtractive or additive[7] it’s a sort of major deal. But I’m interested about everything really, so as soon as I have to research a new field I always sort of throw myself into it a bit and think, well ok, there’s got to be real experts out there so lets just chuck in a few little gags, you know, that they’ll pick up and enjoy.

Elizabeth: Yeah for my digital photography class that I took we had a seven-hour lecture on just the basics of monitor to printer.

Jasper: Yeah.

Elizabeth: I mean that doesn’t even scratch the surface at all

Jasper: Yeah, I know, it’s all completely different. And for awhile I’m sure everybody in the class is starring there a bit sort of confused and then after awhile you suddenly start realizing and there’d be this nodding of the heads as you suddenly click as to just how bizarre color is.

Elizabeth: Especially when you think of the fact that color is really a perception of the mind, that paints and dyes are just what is there for the brain to interpret as color.

Jasper: Hmm, oh yeah, color has no color. There is no color in real life. Color is entirely something that we’ve made up.

Elizabeth: It’s just brain functions that create it, it’s just unbelievable.

Jasper: Yeah, color is a function of the brain and the brain alone, and that’s what I think one of my stopping off points, or the jumping off points rather for the whole book. It was that notion when someone told me years ago what color is, what red actually means, and it’s merely a sensation. And the fact that we’d probably never ever be able to even find out what red actually is. It is actually completely in the brain. Color is a wonderful sort of thought really, that it’s there and it’s real and it’s tangible and yes of course it’s red and there it is but, no, it’s not, it’s just in your head.

Elizabeth: One of my friends is colorblind and he’s the best painter I’ve ever seen, colorwise, and he’s just doing it how he’s been taught how to paint, taught what the colors are.

Jasper: I had to speak to people who had color blindness as well to see their perceptions of color and everything. It was fascinating I must say.

Elizabeth: The next question I have is, your books are very graphically branded with National Color[8], The Cheese Enforcement Agency[9] and Goliath[10] and others all having logos giving them a more real presence. When did you decide to do this?

Jasper: I think it was quite early on. The first website we wrote was thursdaynext.com and that was really to give a sort of visual feel to the book, and I think what I was trying to do was to spread out from the edges of the book and say, no we can actually give it an edge of reality by actually creating this sort of slightly visual world with the logos and all that sort of nonsense. I thought it was fun, actually, at the time, and that’s really the reason I did it. But we do live in a very visual, iconic, logo driven world. I think it does give people a sort of routing in reality to the series. Also, I usually put satire in my books, for two reasons, first of all it’s quite fun, and it’s amusing, but secondly it’s because it makes the books very recognizable as something that happens in the real world. It seems very familiar and I think it’s the same when you create logos for companies in my books, it just makes them seem that much more sort of real and familiar. But I think really it’s just a way of expanding beyond the cover of the book to try and make it more real.

Elizabeth: I just think it’s great, even the letters I got from Viking here in the US, they had the little National Color Logo up in the corner, it was just great.

Jasper: Oh good. What I did is, I had that logo made up about a year ago, the little splashy paint logo which I love, and I actually I had it embroidered on the back of a bomber jacket, I’m going to put that up on the website quite soon. But quite early on I sent it to Hodder and Viking and I said this is the logo that’s going to be used in the book. I’m going to use this in merchandising and on the website and everything, so wherever you can use it, like pop it in as well, and then it just makes everything real. Cause what happens often is that the designers for the publishers have a very different idea as to how things look than I do. And I thought, well if I can get Viking and Hodder and me all together with at least some aspects of it, then we can be this sort of united front and don’t give such a disjointed view of the visual impact of the world. So quite early on I had that logo designed and I said to them, right, the type script we’re going to use is Berlin Sans, which I really really like, and could you do this, this, this and this. And, you know, they don’t do it all, but every now and again it sneaks in. I do just think that it makes it just that much more real and interesting, and, I don’t know, I just like it.

Elizabeth: Well it creates a nice continuity with the font choice and the logo choice. My next question is, if each village has a Vermeer[11], there must not be many villages within this society, with only about 31 paintings attributed to him?

Jasper: Yeah, does it say, I don’t think everyone has a Vermeer[12].

Elizabeth: It said like almost every town had a Vermeer.

Jasper: Oh right, or maybe it’s meant to refer to a painting.

Elizabeth: Yeah, I mean, it makes sense it would be a painting.

Jasper:Yeah, I think that might have been a syntax error, on my behalf[13]. I think what I meant was that everybody had at least one half decent painting. There wouldn’t be enough Vermeers to go around would there?

Elizabeth: No, I was thinking that would make a very small post apocalyptic society.

Jasper: It would. But they might not know it though would they? There’s so little movement between villages.

Elizabeth: Yeah, you get a few names, probably, what ten names for cities, so you’re not sure exactly how big.

Jasper: So we don’t really know how many people there are.

Elizabeth: The color system is like a distinct Caste System[14], from purple leaders to blue teachers, what color do you think you would be in this society?

Jasper: Oh, a writer/entertainer I think came out as orange. I don’t know whether it’s in the final book[15], but I think on the train, there’s a couple of oranges who are sort of traveling players, who do training plays, a bit like training films. And I think they’re oranges and they’re in the wrong place in the carriage and everyone gets very upset about it cause it upsets the sort of natural order and everyone is sort of flustering. So I think I’d definitely be in the orange category, which everyone would kind of ignore, because they’re certainly not going to be purple and they’re kinda sort of half yellow, but not, and they’re sort of red and at the bottom. And they come out quite well actually, because they’re sort of like the greens, they’re half and half, they consist of lower colors, even though they’re sort of higher than the red. So I think I’d probably I’d end up being an orange.

Elizabeth: What do you think would happen if complimentary[16]colors bred? Would it be more of a dilution to grey or perhaps could they view even more of the color spectrum and thus pose a threat to the Colortocracy[17]?

Jasper: Well it certainly sounds like there’s something going on. I’m not quite sure exactly what. But it’s been enshrined in rule and I think there’s a reason for most rules, so I think we might assume that something threatening could come from that union.

Elizabeth: So Jane and Eddie would be even more of a threat then?

Jasper: Yes, could be, but the interesting thing is, if you do start mixing complimentaries, you get a very strange color. You don’t really get a color at all, I mean what is brown but the brain saying, “nope, don’t know, sorry, can’t figure it out.” So, I don’t know quite what’s going to happen if that does come to pass, but it seems such a taboo, a terrible thing, that I don’t think anyone would try it.

Now ends the color centric part of our talk, appropriate for a book so wonderful coated in color. Stop by tomorrow when libraries and killer swans are topics of the day!

[1]
[2] Jasper’s British publishers.
[3] RGB is the Red, Green, Blue additive color model primarily used for televisions and video screens. CMYK is the Cyan, Magenta, Yellow and Black subtractive color model primarily used in the printing process. They are the crux of what graphic designers do on a daily basis.
[4] Albert H. Munsell, in the early 1900s created a 3-D model of a color space, separating color into hue, value (lightness) and chroma (color purity), or as used in the book, hue, saturation, brightness (HSB). Munsell and his color space are still used and taught to this day.
[5] A test for red/green color blindness, named after Doctor Ishihara, who designed it in 1917.
[6] RGB vs. CMYK
[7] Subtractive is mixing of paints and dyes to create colors utilizing CMYK. In Subtractive mixing, all colors together “in essence” are black, in reality it’s an icky brown. Additive is mixing colors of light utilizing RGB. In Additive mixing, all colors together are white.
[8] National Color is the body who look after the collection of scrap color and the manufacture of universally visible colors in Shades of Grey.
[9] Division of SpecOps (SpecOps-31) formed as a result of the growing illegal Cheese Smuggling Industry that arose as a result of the "Cheese levy".
[10] Rebuilt England after the War, but not without their own agenda.

[11] Johannes Vermeer, famous painter of The Girl with the Pearl Earring and others. So few pieces remain that if one were ever found it’s worth would be astronomical.
[12] I know I read this somewhere not in the book, because I wouldn’t make it up… truthfully…
[13] Not his error, but an error in a press release… I swear I read it somewhere… if only I could find it again then I’d not feel as if my mind is slipping away.
[14] Fundamental scale of basic colors, with red as the lowest on the color spectrum: red, orange, yellow, green, blue, purple.
[15] It is.
[16] Colors opposite on a color wheel, red and green, blue and orange, purple and yellow are all complimentary colors.
[17] The "benevolent" government in Eddie's world.

Tuesday, December 29, 2009

Book Review - Jasper Fforde's Shades of Grey

Shades of Grey: The Road to High Saffron by Jasper Fforde
Published by: Viking
Book Provided by Viking
Publication Date: December 29th, 2009
Format: Hardcover, 390 Pages
Rating: ★★★★★
To Buy

Edward Russett lives in a very organized and hierarchical society. What color you can see is everything, creating color castes, from the regal purples to the proletarian greys. Eddie is a red living in a green world. Eddie has upset the balance of good behavior and polity by playing a prank on a purple, Bertie Magenta, son of Jade-under-Lime's purple prefect. But he also has dangerous notions on how to improve queuing. To atone for his error and gain some humility he is being sent to the fringes of polite society to conduct a pointless chair census. His father, a Swatchman, who is, for all intents and purposes, a doctor, is accompanying him to East Carmine, to fill in for their recently deceased Swatchman, Robin Ochre. Little does Eddie realize what is about to happen to him could change everything. At a stop over at Vermillion on the way to East Carmine, Eddie fails to see the last rabbit, but saves a grey illegally wrongspotting as a purple and is accosted by a girl with a very retrousse nose who is unaccountably rude and in danger of being sent to reboot to learn some manners. Eddie can't help being intrigued. On the train ride to their final destination Eddie is bullied around by a green and then befriends a yellow, Travis Canary, on the run from reboot and offering hits of lime, the best euphoric color. But he has not had his last run in with nasty types, the yellow working the train station, Bunty McMustard, is just the first in a nasty streak of yellow that runs through the red streets of East Carmine.

Nothing interesting happens in East Carmine, so a new Swatchman and his son sure cause a lot of excitement. From Eddie's new best friend, the shyster Tommo, trying to place him in the "reds" marriage market, to the prefects demanding respect and Eddie's return ticket to Jade-under-Lime, to a green Lincoln swatch illegal drugs market, to suspicions of the old Swatchman being murdered, to the mysterious naked man who lives in his house that no one can openly admit to seeing, to the new surly maid, who happens to be Jane, the girl with the retrousse nose, his arrival has caused an avalanche of excitement to this small border town. But will Eddie, with his unwelcome queuing suggestions, be able to stay out of trouble? Can he avoid the everyday dangers of lightning, man-eating Yatveo plants and swans, while staying on the right side of Tommo and the yellow prefects son Courtland Gamboge? Plus what if he decides to abandon his half promise to the bitchy princess Constance Oxblood back home and make a go of it with Jane? That's if she doesn't kill him first...

But fate seems to have a plan... and it hinges on Eddie's insatiable and unsuitable curiosity. Eddie won't let go of the wrongspotting grey from Vermillion. As he starts to investigate, his life becomes more and more a target for danger. From Yatveos to Courtland to Jane, he is not safe. But on an expedition to Rusty Hill, the town abandoned due to the Mildew outbreak that killed the entire populace, Eddie starts to learn the world is not as it seems. Behind the veneer of order and manners, there may be a darker agenda and secrets of the past, before "The Something That Happened", that the Colortocracy doesn't what the people to know about. And the appearance of a National Color representative, Matthew Gloss, might be more than just as an examiner for the Ishihara that the 21 year olds will be taking for their final color placements, Eddie among them. But after a fateful game of Hockyball, Eddie is branded a liar and agrees to head an expedition to High Saffron... a place where no one has ever returned from. But even if Eddie returns, his future seems bleak, and the toppling of a corrupt government, nigh on impossible, unless he has Jane by his side.

The first book in a new series from Jasper Fforde, the author of the Thursday Next and Nursery Crime Series, is sure to be another hit. From the man who created a world where characters in books police their own plots, we are treated to another inventive story, this time centering on color. If you strip away all the color theory and color related aspects, you are left with a very basic, but solid, post apocalyptic, post something that happened world, akin to the best dystopian novels, the likes of Orwell's 1984. An evil, unseen government is trying to keep their people in line by separation, isolation, ignorance and strict rules enforced by fear, even if the rules are more geared toward maintaining politeness than anything else. Enter plucky and likable Eddie, who has notions above his station and falls for a girl who hates his guts all the while butting heads with the local authorities and asking a few too many questions. While I'd read and like a book like that, it's all the levels Fforde places on top of this simple structure that make this book memorable and one of the best books I've read this past year. Of course, being in the arts, I could have a bias for color theory based jokes, but even with just a simple grasp of color gleaned from your box of Crayola's as a kid, will make this book that much more multilayered and enjoyable.

The color jokes run the gamut from the dictator's, I mean leader's, name being Munsell, the creator of the first workable and adapted color theory with the naming of hue, value and chroma, to the test for their color placement, the Ishihara, being the test for color blindness in our world. But it's not just these, or the jokes of color pipes being upgraded from RGB to CMYK, sure to send any graphic designer into fits of hysterical laughter, but the way Fforde seamlessly integrates it into the plot and has color as the lynch pin of this society. Plus just the thought of how color has become so dominate a force is intriguing. How humans have somehow evolved so that they can only see specific color frequencies and have lost the ability to have their pupils dilate is something I hope will be answered in the next book in this series. I wonder if something happened to human's brains so that color, which is a function of our brains and technically doesn't exist without the brain interpreting the data objects send, can't be properly processed. It's an interesting dilemma and I really look forward to finding out what Fforde's explanation for this phenomenon is.

But, as with any post apocalyptic society or even parallel society, it's the mystery of how our world became this world. Trying to work out exactly how things evolved, and not just the physical changes, but other more significant ones. Like how did swans become large and such a danger? Why is there such a fear of lightning? Who knew rhododendrons would be such a threat? Also the little jokes where we know what things were, but that they have morphed into something totally different, like the titles of the mandatory musical theater adaptations being slightly off kilter... "Red Side Story" anyone? Or how they assume the RISK board game is not only a map of how the earth was, but of the color distribution of the inhabitants. Then of course you encounter the deeper mysteries of the plot that keep you reading late into the night. What really happened to Robin Ochre? What does reboot really entail? Because if someone told me they were sending me on the night train to Emerald City, I know I'd be nervous. Also the discovery of what is really going on with Mildew and the still looming question of what about the spoons makes me content but at the same time desperately wanting the next volume. I can not wait for the next installment, and if it lives up to this first book, it will be well worth the wait... even if I'd prefer not to wait.

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