Showing posts with label Lyctor. Show all posts
Showing posts with label Lyctor. Show all posts

Wednesday, March 20, 2024

Book Review - Tamsyn Muir's Harrow the Ninth

Harrow the Ninth by Tamsyn Muir
Published by: Tor.com
Publication Date: August 4th, 2020
Format: Hardcover, 512 Pages
Rating: ★★★
To Buy

Something isn't quite right. Harrow the Ninth journeyed to Canaan House to become a Lyctor. She completed the trials. She ascended to Lyctorhood at great personal cost and is now serving the Emperor alongside Ianthe Tridentarius. It was traumatic. Harrow's cavalier Gideon Nav died. Ianthe's cavalier Naberius Tern died. Naberius's death doesn't bother Ianthe. She has access to all her powers. Harrow does not. This is a problem. Something is wrong with Harrow. Something that happened after she left Canaan House. God, the Emperor, otherwise known as John, needed new Lyctors in his battle against the Resurrection Beasts. They were spawned when he saved mankind, and he has been waging a war against them ever since. A war lasting millennia. He has lost most of his Lyctors to this battle. Only Mercymorn, Augustine, and "Ortus" remain. And they aren't exactly happy campers. In order to fight the Resurrection Beasts they have to enter the River, a realm where the Beasts can be astrally destroyed. Only because of her "failed" ascension Harrow is unable to enter the River. Therefore she is next to useless when the Resurrection Beasts attack the Mithraeum. Not only can she not help, she needs to be protected, because is she fighting an enemy outside the walls but she fears there is an enemy within the walls of the Mithraeum as well. Someone is trying to kill her but she doesn't know who or why. Something isn't quite right with her. She keeps dwelling on her time at Canaan House. When Ortus died so that she could become a Lyctor. But that isn't right is it? She's reliving her time at Canaan House but it doesn't feel right, it doesn't feel true. Is this how things happened? Who died? Who survived? Did she even survive? How can she even be sure that John is telling her the truth? There are secrets in the Mithraeum, there are secrets amongst the Lyctors, secrets that are worth dying for. What if the man viewed as God is actually fallible? What if his enemies aren't just the Resurrection Beasts? What if his enemies, like Harrow's, are inside the Mithraeum? When the battle starts, who will survive and who will die? But most importantly, at who's hand?

If there's one thing that will make me quickly hate a book it's writing it in second person narration. I just can't. I literally can't. Why would anyone write that way let alone expect people to read it? It doesn't make me connect with the narrative in a new and unique way it makes the book connect with my wall in a new and unique way. I literally didn't think that I would be able to read Harrow the Ninth. But I remembered my experience with Gideon the Ninth and was willing to give Tamsyn Muir the benefit of the doubt, or, you know, enough rope to hang herself like Harrow's parents. So I girded my loins and set forth to see if other reviewers were right and that I would actually get accustomed to the writing style. Well, they were right, I adjusted. Not to the point of enjoyment, but to the point of toleration. I don't even know if I'd allow this book an exemption from my hate, that is reserved for the little reveries in The Night Circus alone. But here's the thing that still irks me. This is one of those times in which the second person narration is actually someone talking to someone else that they refer to as "you." It's "The Joe Goldberg Second Person Narration Variation," TM pending. Which means it technically isn't a second person narrative but more importantly that it didn't need to be written this way. There was another way to write this book and that would have been to have Gideon's voice coming through loud and clear. Because it's obvious that the narrator is Gideon from the very first "you." But instead Tamsyn Muir holds back this "reveal" for over four hundred pages. We could have had a book with the same wonderful voice as the first volume and instead we have this. This is fine. This is acceptable. This isn't much else. I mean, there are probable "reasons" as to why the reveal was held back, maybe Tamsyn Muir wanted to lean into the mental instability of Harrow. To make us, the readers, think that our assumptions were wrong. That Gideon really was gone and that Harrow was insane. I mean, Harrow was rewriting her time at Canaan House in her mind with Ortus as her cavalier so we know she's unbalanced. Her broken mind was literally writing an epic poem, The Noniad, and attributing it to Ortus. But think, instead of playing with her readers Tamsyn Muir could have instead written a better book. Instead there's this. Which will forever be a stumbling block to rereading this series.

Friday, March 15, 2024

Book Review - Tamsyn Muir's Gideon the Ninth

Gideon the Ninth by Tamsyn Muir
Published by: Tor.com
Publication Date: September 9th, 2019
Format: Hardcover, 448 Pages
Rating: ★★★★★
To Buy

Gideon wants nothing to do with the Ninth. The house is nothing more than a creepy death cult guarding a locked tomb that is quickly dying out. She wants off the planet and out of the life she's begrudgingly lived. But her countless escape plans have never worked and this newest one is no different, even if it's the closest she's ever come. She is once again stopped by her nemesis, Harrowhark Nonagesimus. Harrowhark is the scion of the Ninth. A wickedly powerful necromancer who has been puppeteering her parents corpses for years in an effort to make it look like the Ninth is still functional and not on it's last legs. This appearance is more important than ever as the Emperor has called all nine houses to his abandoned palace, Canaan House, to compete for the honor to become Lyctors, eternals who serve at his side. The problem is that each house has to have a cavalier, a warrior, indefatigable and unbeatable, who protects the necromancer. And Harrowhark's actual cavalier is more interested in poetry. Therefore the only real contender for Harrowhark's cavalier is Gideon. The problem is Gideon wasn't trained for this role and more importantly she'd rather see Harrowhark dead than be the one having to save her. So Harrowhark makes a deal. They go to Canaan House, they put on the show of a lifetime, Harrowhark wins and becomes a Lyctor and Gideon gets to ride off into the sunset. Gideon doesn't like this plan. Gideon doesn't think it will work. I mean, how can she pass herself off with frilly fencing when she fights with a two-hander? Gideon better be a fast learner because Gideon doesn't have a choice. When they arrive at Canaan House Gideon is quickly abandoned by Harrowhark who plays up the mystique of the the Ninth House by being wreathed in shrouds and totally unavailable to Gideon. Gideon sees quite quickly that the reputation of the Ninth makes all the other houses wary of her, and yet, slowly, she starts to befriend them. That's when they start dying. This Lyctor test was set up in a way that makes the suspicious houses unable to win, but amply able to die. Will Gideon even live to cash in on Harrowhark's promise or will she die screaming in agony on a distant planet? At least she won't die near the benighted locked tomb...

Me and much lauded books rarely get along. My tastes are rarely the tastes of the masses. Yet again and again I feel drawn to read them. That's how I picked up Gideon the Ninth. I mean, lesbian necromancers in space sounds awesome, but there was that voice saying, but is it for you? Turns out it was. But it wasn't love at first sight. This is a book that improves on reread because, just like Jane Eyre, there's all this dark exposition that takes place before the book actually gets good. But thankfully, just like Jane Eyre, the second time you read it you fly through the dark bits knowing the good stuff is coming soon. And that good stuff? Well, it's the Gothic space thriller of my dreams! Teams of two pitted against each other in order to find keys to literally unlock secrets in the biggest most haunted space palace you could imagine. There were elements of The Haunting of Hill House and The Hunger Games and Rose Red! But the joy in a reread is that knowing the twists and turns to come I was watching the magnificent setup that Tamsyn Muir was orchestrating with awe. I wasn't furiously reading to figure out what was going on, I was luxuriating in the twists and turns. Though what I found interesting this time is that I was reading this book with friends, so all those theories I had about the book being the victim of hype to it just being very polarizing came into play in another way, in that it really divided my book club. And the thing is, I can see where they're coming from because for awhile that's where I was when I first read it. Opinions ranged from complete love to those who wanted to love it but just didn't to those who claimed it ruined their holidays. So, the complete gamut of emotions and responses on display. The one thing I found fascinating though is apparently this book is just crammed with meme references and cultural jokes deriving mainly from The Office. There are literally websites and Reddit forums dedicated to this. Personally I only caught a few so I thought it was like a funny Easter Egg, there so that if you know you know but not infringing on the text. But the thing is I've never really watched the US version of The Office, and two members of my book club said there were so many jokes just from that show they couldn't take the book seriously and it sullied it. So my advice is don't watch The Office? Seriously, I never "got" the US version anyway.

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