Book Review - Ally Carter's The Most Wonderful Crime of the Year
The Most Wonderful Crime of the Year by Ally Carter
Published by: Avon Books
Publication Date: September 24th, 2024
Format: Hardcover, 304 Pages
Rating: ★★
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Maggie Chase has been having a hell of a year. Not only did she find out that her husband was cheating on her with her best friend but he was able to worm his way into a "legitimate" claim as co-writer of her cozy mysteries. He took everything. And she gets the consolation prize of overhearing her fellow authors discuss her downfall at her publisher's Christmas party. What's worse is the eager listener is none other than Ethan Wyatt, Leather Jacket Guy. One of her least favorite things in the world and he just happens to be a number one New York Times bestselling author. Her other two least favorite things are Christmas and parties. She knew she should have stayed home. But her editor Deborah insisted. Back in her office she hands Maggie an envelope. Maggie has been invited to the home of one of her biggest fans in England for Christmas. This is a nightmare. She was lured to one party to invite her to another. Deborah insists that this is legit and that something very big might be coming Maggie's way if she just gets on that plane. What Deborah didn't tell her was that Ethan Wyatt would also be on that plane. He would be there, calling her Marcie, and just being all leather clad and in her face. Though perhaps it's worth it as they cross the stone bridge and approach the palace made of stone and glass and centuries. They have arrived at Mistletoe Manor. Ethan is sure that someone wants to hunt them for sport and Maggie insists that that's the plot to an Eleanor Ashley novel. The author who has been with her as a guiding light her entire life who Ethan claims to have never heard of. Maggie's frayed paperbacks are nothing compared to the wall of first editions at her publisher's office. That's why she signed with Killhaven Books, because they're Eleanor's publisher. And then all the pieces click into place and she realizes that her host for Christmas is none other than Eleanor Ashley. Well, that and the fact that Eleanor is standing right behind her. She will be spending Christmas with the Duchess of Death. And her family. All of whom have ulterior motives. Eleanor is a wealthy woman, and where there is wealth there are those wanting to separate you from it. Even if you are related to them by blood. But as a storm moves in Eleanor disappears from a locked room. Is this stunt? Is she in danger? Cut off from the outside world Maggie and Ethan are the only ones capable of investigating what has happened to Eleanor and revealing all the secrets held in Mistletoe Manor. Even their own.
This is a book I was determined to love. I mean, even if it wasn't great anything was better than the cover. Seriously, that artwork, those horrid fonts, who designed this and where do they live!?! And there are aspects of the book I love, the leads have chemistry, there's incisive observations on what it's like to be gaslit and how that seeps into your every single decision, plus Thrombey level relatives. But there are two things I can't get past. Maggie and Ethan have wonderful snarky banter when she's under the misapprehension that they are each other's nemesis. And then halfway through the book her eyes are opened as Ethan comes in as a second narrator and the book stagnates. Now it's not that they aren't the perfect couple, because there are swoonworthy moments, it's that the pacing and the mystery of Eleanor Ashley are forgotten and it's more important for them to make out next to the entrance to the secret tunnel than to explore said secret tunnel. It was so...damn...glacial. I raced through the first half of the book and then limped to the finish line. That is not a momentum you should strive for in your storytelling. Yet, that could have been forgiven and forgotten. Because, as I've said, they are a perfect couple who I might have wished stayed more snarky than Nick and Nora once they hooked up, but then Ally Carter ruined it in the end. How you ask? Well, that requires spoilers, which I'm totally about to drop. You have been warned. So Ally Carter got the idea for this novel after learning about Agatha Christie's disappearance. This is a mystery that will endure forever. Where was she for those eleven days? Was it a mental break? Was it a PR stunt? Was she undercover solving a mystery? Was it giant alien space wasps? And yes, these are all theories that have been posited. Obviously one on Doctor Who, so that one probably isn't accurate. Or is it? So here's the fictional Eleanor Ashley, key FICTIONAL. She magics herself away from a locked room and the answer for how she did it is that she's Eleanor Ashley. That is a freakin' cop out of the highest magnitude. This is fiction, fiction is for resolution, not for giving us yet another unsolved mystery. This just enraged me. I was strongly reminded of the book Cartwheel by Jennifer duBois which was a fictionalized account of the Amanda Knox case. Again, fictional. And we got no resolution. None. And in the case of Cartwheel it has the EXACT SAME setup only for the answers to life's greatest mysteries to be what? Ineffable? Give me the answers or get out of my face. Which means that Ally Carter can still save this book with an additional epilogue for the paperback release. Let's make it so.
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