Season 40 - Emma (2010)
Emma is one of the perennial Austen adaptations. Every few years another one comes along. Last year we were treated to the delightful Anya Taylor-Joy version, or as I refer to it, the Miranda Hart version. Because Miranda Hart is a goddess and why oh why would they try to remake her TV series!?! Deep breath, let it go. Back to Austen... But for all the adaptations out there, from the Gwyneth Paltrow with the oddly healthy and robust Jane Fairfax to Andrew Davies' overly creepy Mr. Knightly, there are only two I feel are worth mentioning, the 2010 Romola Garai adaptation and Clueless. And then, if I'm being pedantic, the Emma miniseries wins because it's the only one of the two where our heroine is named Emma Woodhouse. This version with it's four episodes was given room to breath. Room to actually include her family for once! I mean, you wouldn't cast Michael Gambon as Mr. Woodhouse and then relagate him to a chair with no dialogue like the Gwyneth Paltrow version now would you? I should hope not! Though it's because of the inspired casting of Miss Woodhouse that this adaptation shines. Romola Garai is perfection. She brings that joy that Jennifer Ehle did to Pride and Prejudice. An infectious smile that couples well with Emma's scheming and mischievous nature. As for Jonny Lee Miller? He's the perfect balance! He himself is quite goofy with his laying about in chairs, his eye rolls, his sighs. His comedic timing is perfect. The two of them form a very good double act which makes their romance believable. Because, the thing with Mr. Knightly and Emma is that if not properly cast they come across as just a convenient not a realistic couple. They just get married because Emma doesn't want her nephew to lose out on his inheritance to a child of Harriet Smith's and well, what's good for her sister is good for her, so how about a Knightly! Here you actually believe it. Yes, there's a beautiful dance and lots of swelling music to help sell it, but what's interesting is that those aren't the moments that make my heart hurt. It's when he scolds Emma about her behavior or when she is just sitting and looking at his usual chair now empty. Their being apart or fighting or just not talking physically hurts me. Because if an adaptation can make me feel that deeply, it is indeed perfection.
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