Wednesday, August 3, 2022

Book Review - Andrea Penrose's A Question of Numbers

A Question of Numbers by Andrea Penrose
Publication Date: April 8th, 2019
Format: Kindle, 378 Pages
Rating: ★★★
To Buy

Saybrook and Arianna are doing his uncle, Lord Mellon, a favor. The alliances needed to defeat Napoleon are tenuous at best and everyone in London is on tenterhooks. Therefore when Lord Mellon is approached by a Prussian saying that he has proof of someone working against the alliance and that he will only speak to Arianna it's the least Arianna can do to hear this man out. After all Arianna still feels bad they weren't able to stop Napoleon from leaving Elba and she'll do what needs to be done to save more lives. But the Prussian, a delightful man who loved Shakespeare, Count Grunwald, is murdered before their rendezvous. Perhaps by a deadly assassin. Arianna doesn't know who the Count suspected but he thankfully left clues knowing that his own life was in danger. One of the clues is quite shocking. Saybrook and Arianna have often been forced to work with Lord Grentham. Lord Grentham's second in command, Pierson, was assumed killed during their previous mission on Elba. But the signet ring that Count Grunwald was clutching would indicate otherwise. This means that if Pierson were to break at the hands of his inquisitors the alliance could be lost as he holds a key piece of information that could turn the tide of war. Saybrook and Arianna though are more worried about rescuing their friend. Because if the French need leverage against Pierson they are sure to find it in Brussels, where Pierson's illegitimate daughter Emma is residing. The French are sure to seek her out so Saybrook, Arianna, and their whole crew, as Aunt Constantina and Sophia also insist on accompanying them, are heading to Brussels, to rescue a girl, and if they're lucky, her father as well. But in the whirl of the beau monde as they try to eek out one more day of pleasure as war comes swiftly on cats paws can Saybrook and Arianna find the truth or will they be distracted by spectacles and riddles that prove enigmatic. And what about the woman from Sandro's past, Paloma Marone-Cinzano? Is she a friend or a foe? And who is the father of her child?

I recently got around to watching the 2018 Vanity Fair miniseries, which aside from the weird musical choices at the end of each episode is probably my favorite version now, and I was once again struck with the weird dichotomy of the Battle of Waterloo happening mere steps away from the ton partying in Brussels like there's no tomorrow. But in fairness there might not have been a tomorrow, as Wellington himself said it was "the nearest-run thing you ever saw in your life." It's so hard to wrap one's head around this luxurious and ostentatious lifestyle happening concurrently with Napoleon cutting a swath through the continent during the Hundred Days. "Heaven forfend that the prospect of death and destruction interfere with the beau monde’s pleasures." Like many people my first introduction to the Regency era was through the works of Jane Austen, so my Napoleonic history was sketchy, at best. Which is one of the reasons I took British History in college, I wanted to know more. But my first introduction to Waterloo was actually via Thackeray's classic Vanity Fair. And I really thought it was fiction and not truth. I mean, seriously, this is an example of truth being stranger than fiction. Which is what I love about A Question of Numbers. Andrea Penrose perfectly captures this weird world that feels fictitious. The sojourns to the park to take a stroll and get the latest gossip on the impending invasion. You know, just a normal day. But Andrea really brings home the dark underbelly that is hidden beneath the balls and the ballgowns. All the nefarious dealings and struggles of spy versus spy. All the little players who played their part and, with a bit of luck, brought home a British victory at the cost of so many lives. In fact I couldn't help but feel that this volume of Arianna and Sandro's adventures was a bit of a Russian epic. That fighting despite the futility of war, though thankfully without any of our leads ending up under a train.

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