strange and random happenstance

That Summer by Lauren Willig
ARC Provided by the Publisher
Published by: St. Martin's Press
Publication Date: June 3rd, 2014
Format: Hardcover, 352 Pages
Rating: ★★★★★
To Buy

Julia Conley has inherited a house in England. A house on Herne Hill has been left to her by an unknown great-aunt. Julia and her father left England when she was six and her mother was killed in a car crash. Since her life in New York hasn't been going that well lately as one of the many unemployed, she decides to go to England and spend a few months sorting out the house and hopefully sorting out her life. For Julia who has viewed her family as just her and her father she finds it hard to come to gripes with the fact that this was where her mother came from and she still has family here with a few cousins, who of course feel slighted with great-aunt Regina's will. The more time Julia spends in the house the more she wishes she had been given the chance to know her great-aunt.

For Regina might have held the key to a lovely Pre-Raphaelite painting in one of the rooms of the house, which has a matching painting hidden deep at the back of one of the cupboards. Why was the one painting displayed and the other hidden? Who is this artist Gavin Thorne? Going back to 1849 we learn about the painter Gavin Thorne and his muse, Imogen Grantham, who happened to be the mistress of the house on Herne Hill and married to a wealthy and significantly older collector who was occasionally visited by the Pre-Raphaelite Brotherhood who doted on his historical relics. Yet why hide the painting? What connection does this painter and this wife have to Julia? More importantly, after 160 years can Julia find out?

Sometimes life is staggering in it's synchronicity. The very day that I received That Summer in the mail my Great-Aunt Vicki died. My family got the call that she had passed in her sleep and that the rest of the family was to descend on Madison to take care of her estate. My Great-Aunt was the last of the older generation, being preceded in death by all my Grandparents and even an Uncle. While sadly I have never been bequeathed a mysterious house, because she was the last of that generation I have gotten quite used to clearing out ancestral homes, my Grandparents farm having accumulated over a hundred years worth of ephemera, with sadly not a rare painting or a secret stash of cash in sight, but a random piano being used as a tool bench and much mouse effluvia. As I spent the following weeks sifting through the rooms of her house, picking what to keep and what to give away, I couldn't help but think of all the things I don't know about my family and where I come from. There is a strong ancestry bug that my family has, but I have not yet been bitten, and there's a part of me that keeps thinking, better now before it's too late.

The detritus is all we have left of our family's history. Random paintings around the house, Aunt so and so painted this, Cousin so and so did that one; just what if the painting was something more? What if the painting was a closely guarded secret that would unlock some mystery about yourself? The search for your own identity is caught up in the past, in where you come from. While Julia's search for what happened in her own past with her mother as well as to her ancestor's is something that might be uncommon, the search is something we can all identify with. Lauren has tapped into something deep within everyone, a longing to know where they're from in order to find out where they belong. This gives us a strong connection to the characters, we are on their journey with them and I wouldn't want it any other way.

While the time slip genre is nothing new, Lauren is able to create a more accessible story then some authors who mire their books in overly flowery details and descriptions that go on for so many pages you lose the thread of the story. This isn't to say the writing is sparse, it's exactly what it needs to be to conjure this world, no more and no less. Though there is a part of me that wishes at some time in the future Lauren would go all out and write a doorstop of a novel. Yet in Lauren's time slip she is able to capture the best of all worlds, with a little Kate Morton, a little Somewhere in Time, a nod to Du Maurier's Rebecca, a Keats Bridget Jones call out with a wink to Nancy Mitford's silly season. There are also echoes of Victorian literature, from Imogen's marriage mirroring Dorthea's in Middlemarch, to Gavin bringing a little of the John Thornton vibe from North and South. Yet these homages aren't derivative, they give us a touchstone for the time period but then become so distinctly their own story that while you remember the connections at the back of your mind they are inconsequential as the story takes on a life of it's own.

As for the Pre-Raphaelite Brotherhood, I will admit that this subject matter is what made me swoon when I heard over a year ago about Lauren's next planned stand alone. I think that I have adequately covered my love of them in previous posts and writings, but I will say that even in the BBC production of Desperate Romantics, they have always been a band apart. Outsiders who verged on Gods in their ways of self aggrandising each other and mythologizing their lives and works. They were Romantics in every sense of the word, demanding the capital letter "R". Yet Lauren brought them down off their pedestals. Packed into the snug sitting room on Herne Hill we see a human Rossetti with his schemes and ideas and his future spiraling out before him. The ways the Brotherhood sought out collectors of antiquities to give an authenticity to their paintings adds a realism to them and their works.

These men aren't Gods, no matter how many posters in English classrooms and dorm rooms might say otherwise, they are men. They have loved and lost and with Gavin we have a true romantic hero that is swoonworthy. And like all good writing, this one aspect of the book, the Brotherhood, it doesn't overpower the story, it compliments it, it strengthens and adds to it. You will fall into this book and even if you are just a fraction of a romantic the Pre-Raphaelite's were you will find yourself falling in love with both couples in the different time periods. I hope you enjoy this book as much as I did, and if you're coming into this book from Lauren's Pink Carnation series, there are a few gems hidden in the book, but like these painters who would hide the Brotherhood's initials in their paintings, you might have to have a keen eye to spot them.

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: Bridget Jones, Daphne Du Maurier, Desperate Romantics, Kate Morton, Lauren Willig, Middlemarch, Nancy Mitford, North and South, Pink Carnation, Pre-Raphaelite, Rebecca, Somewhere in Time, That Summer

Effie: The Passionate Lives of Effie Gray, John Ruskin and John Everett Millais by Suzanne Fagence Cooper
Published by: St. Martin's Griffin
Publication Date: May 1st, 2010
Format: Paperback, 288 Pages
Rating: ★
To Buy

"Years and years ago, my grandmother took me to an off-off-Broadway play about Effie Ruskin’s love affair with John Everett Millais. It was rather odd viewing for a ten year old, but it stuck with me somehow. I can still remember the red plush seats of the theatre and the Victorian parlor set on stage.

I hadn’t realized quite how much it had stuck with me until my editor asked me, after The Ashford Affair, what the next book was going to be, and I found myself burbling, “I want to write a book about a love affair between an unhappily married Victorian woman and a Preraphaelite artist.” My heroine is very different from Effie—and my hero, Gavin Thorne, was based more on William Holman Hunt than on Millais—but Ruskin was certainly a major influence on the character of my heroine’s husband." - Lauren Willig

Effie Grey thought that in marrying the erudite author and art critic John Ruskin that she was entering a life of parties and soirees peopled by the elite of London. Instead this young Scotch girl entered a loveless marriage where she was repeatedly berated and belittled not just by her husband but by her in-laws as well. She suffered through six years of daily horrors but was willing to accept her fate because it was the life she had chosen. But then John Everett Millais showed up in her life. They had once met at a dance years ago, before their lives took different paths, a meeting Millais remembered well. Those paths would converge when Ruskin took Millais under his wing. The two men working together and even vacationing together meant the young Effie and Everett where often thrown together, perhaps by Ruskin's doing, and love soon stirred in their hearts. Effie had the grounds to do something unheard of in Victorian England. Effie could leave Ruskin because their marriage was unconsummated and therefore was not a real marriage at all. With Everett's encouragement, she took this unheard of step to reclaim her life. But in trading one man for another, was Effie able to get what she wanted or was she stifled yet again? 

There are two ways in which this biography could have worked. One would have been to write more in the style of Philippa Gregory and make it a fictionalized biography though as thoroughly based in fact as possible. The other would have been to go more scholarly and linger on details and events. Instead Effie is a book that leaves you wondering why you are reading a book obviously dumbed down for the masses. At times the writing style shifts into a conversational conspiratorial style only to be followed up with dull facts and figures. I just wanted to shake the author and tell her to pick a style, any style. This mishmash of styles gave me extreme dissatisfaction and at times annoyed me to the point of wanting to throw the book. I've read my fair share of art history books and biographies but I don't think I've ever been this bored and frustrated by a book that combines two passions of mine.

At a little over two hundred pages, minus all the appendices, Suzanne Fagence Cooper has written little more then a fleshed out outline for a book. I got no sense of the three people one who this book hinges. In fact, Ruskin, Millais, and Effie, seemed nothing more then cardboard cut outs that occasionally mimicked Victorian stereotypes, but usually remained two dimensional. I'm sorry but two dimensional characters can not, by definition, have passion, so right there the title of the book is wrong. There's a part of me that just wishes to rewrite this whole book. Cooper had unheard of access to documents that have never been seen and the soapy miniseries Desperate Romantics did a better job of making these people flesh and blood in their minimal screen time then a scholar whose life is the Pre-Raphaelites. The fact that the secondary family members and friends were far more interesting then the subjects of the book is a sign that your book isn't working, just so you know for future reference.

But it's not just the writing style that is irksome. The structure of the book is such that I have a feeling I plot out my book reviews more then the author did this book. She relied too much on the gimmickry of using Millais artwork as chapter headings, work that is not included in the book, but more on that later, then bothering to realize her timeline was fucked. There is no way to capture her structure then by saying it's wibbly wobbly timey wimey. I get why Cooper starts out with a little flash forward to Effie leaving Ruskin, because it gives the beginning of the book a thrust, an event, a crisis we are building to. We only cover twenty-seven years in the first eight chapters, most of those concentrating on the six to seven years of Ruskin and Effie together, leaving us five chapters to cover the remaining forty-two years of her life, of which two chapters don't even deal with Effie, the supposed topic of this book. And it's these remaining five chapters I have the most issue with. They jump around and go forwards and backwards over events from different points of view and at different times. I have no freakin' idea of a coherent timeline of events in Effie's life other then she had tons of children. If there was just some through line, some way to sort things out into order instead of writing in such a way that it feels like Cooper forgot to tell part of her story and instead of going back and adding it in in the appropriate spot, she just wrote it into the section of the book she was on even if it made no sense, then I might have at least come to grips with the book.

Adding to the issues of the book making no sense is the fact that Effie and Millais really had too many children, and Effie too many siblings, and couple that with the propensity for using the same names in different branches of the family and you are at sea. Not to mention all the children had nicknames and while Cooper claims she will use the same naming conventions throughout the book, she does not, not that this is a surprise given the grammatical errors and the abysmal mess that is the appendices. I hope she knows there are standards for appendices, you can't sight something differently each time... which ties back in with the naming issues. Effie's eldest daughter is Effie... yep, this wasn't fun, because Cooper would quite often forget to say Effie the younger and so, who knows which Effie was which. There reached a point pretty early on when I realized I didn't care. Also, the multiple Everetts, the eldest son's nickname being Evie, which, when you are reading fast, as you do with books you are growing more and more in hate with and longing for the time when you can write a scathing review, well, it too reads like Effie. But again, what does this all matter. All these people, all their lives, I couldn't care less about any of them as they are portrayed by Cooper.

Now I must finally vent on a personal pet peeve. Graphics! I'll first just state I hate this cover with a passion. You have one of the greatest painters of ALL TIME as your subject and he painted his wife quite often and you have a crappy stock photo of a girl with ill fitting gloves. If there's one thing I learned, Effie loved her clothes and those gloves wouldn't do. Are you trying to appeal to the common demographic who you might lure to see the upcoming movie by making it look not about art? Cause right there, you're pissing me off with underestimating me, but then again, the book was written at such a basic level, perhaps the people who this book appeals to will find it fascinating, ie, not me. Yet this little cover rant isn't my main issue. My main issue is that when you have a book about artwork you MUST include pictures of ALL THE WORK! Yes, there are some pieces featured, but Cooper goes into great detail annoyingly waxing her own views on Millais' work only to not have the work included in the book. You talk about it, we have the right to see it. You can't get printing rights or some other snafu that doesn't let you include the art, you omit that section wherein you tried to color my views of the work with yours. Here's an idea lady, you go off and write your bland pap for the unwashed masses who hope to seem educated in picking up this paltry tome, and I'll avoid you and read fascinating works by real scholars.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Artwork, Desperate Romantics, Effie, John Everett Millais, Lauren Willig, Philippa Gregory, Pre-Raphaelite, Ruskin, Suzanne Fagence Cooper, That Summer, This Summer, Victorian, William Holman Hunt

City of Heavenly Fire by Cassandra Clare
Published by: Margaret K. McElderry Books
Publication Date: May 27th, 2014
Format: Hardcover, 752 Pages
To Buy

The official patter:
"Shadowhunters and demons square off for the final showdown in the spellbinding, seductive conclusion to the #1 New York Times bestselling Mortal Instruments series.

Darkness has descended on the Shadowhunter world. Chaos and destruction overwhelm the Nephilim as Clary, Jace, Simon, and their friends band together to fight the greatest evil they have ever faced: Clary’s own brother. Nothing in this world can defeat Sebastian—but if they journey to the realm of demons, they just might have a chance…

Lives will be lost, love sacrificed, and the whole world will change. Who will survive the explosive sixth and final installment of the Mortal Instruments series?"

The end is here!

Skin Game by Jim Butcher
Published by: Roc Hardcover
Publication Date: May 27th, 2014
Format: Hardcover, 446 Pages
To Buy

The official patter:
"Harry Dresden, Chicago's only professional wizard, is about to have a very bad day…

Because as Winter Knight to the Queen of Air and Darkness, Harry never knows what the scheming Mab might want him to do. Usually, it’s something awful.

He doesn’t know the half of it…

Mab has just traded Harry’s skills to pay off one of her debts. And now he must help a group of supernatural villains—led by one of Harry’s most dreaded and despised enemies, Nicodemus Archleone—to break into the highest-security vault in town, so that they can then access the highest-security vault in the Nevernever.

It's a smash and grab job to recover the literal Holy Grail from the vaults of the greatest treasure hoard in the supernatural world—which belongs to the one and only Hades, Lord of the freaking Underworld and generally unpleasant character. Worse, Dresden suspects that there is another game afoot that no one is talking about. And he's dead certain that Nicodemus has no intention of allowing any of his crew to survive the experience. Especially Harry.

Dresden's always been tricky, but he's going to have to up his backstabbing game to survive this mess—assuming his own allies don’t end up killing him before his enemies get the chance…"

Does Harry ever have good days?

The Given by Vicki Pettersson
Published by: Harper Voyager
Publication Date: May 27th, 2014
Format: Paperback, 368 Pages
To Buy

The official patter:
" The dramatic conclusion to New York Times bestselling author Vicki Pettersson's critically acclaimed Celestial Blues trilogy—an inventive blend of paranormal romance, noir mystery, and urban fantasy—involving a fallen angel and a flesh-and-blood rockabilly reporter.

After learning that his wife, Evelyn, survived the attack that killed him fifty years earlier, angel/PI Griffin Shaw will risk everything to find her. But to do so, Grif has to forsake his new love, journalist Katherine "Kit" Craig—the woman who made his life worth living again.

Yet when Kit is attacked again, it becomes clear that there are forces in both the mortal and heavenly realms determined to protect secrets long buried in the past. To survive, Grif must convince Kit to put aside her personal hurt and help him discover the truth—a dangerous journey that will put them in the crosshairs of enemies old and new . . . and test the limits of what one angel will sacrifice for love."

Finale time!

The Secret Life of Violet Grant by Beatriz Williams
Published by: Putnam Adult
Publication Date: May 27th, 2014
Format: Hardcover, 448 Pages
To Buy

The official patter:
"Passion, redemption, and a battered suitcase full of secrets: the New York Times-bestselling author of A Hundred Summers returns with another engrossing tale.

Manhattan, 1964. Vivian Schuyler, newly graduated from Bryn Mawr College, has recently defied the privilege of her storied old Fifth Avenue family to do the unthinkable for a budding Kennedy-era socialite: break into the Madison Avenue world of razor-stylish Metropolitan magazine. But when she receives a bulky overseas parcel in the mail, the unexpected contents draw her inexorably back into her family’s past, and the hushed-over crime passionnel of an aunt she never knew, whose existence has been wiped from the record of history.

Berlin, 1914. Violet Schuyler Grant endures her marriage to the philandering and decades-older scientist Dr. Walter Grant for one reason: for all his faults, he provides the necessary support to her liminal position as a young American female physicist in prewar Germany. The arrival of Dr. Grant’s magnetic former student at the beginning of Europe’s fateful summer interrupts this delicate détente. Lionel Richardson, a captain in the British Army, challenges Violet to escape her husband’s perverse hold, and as the world edges into war and Lionel’s shocking true motives become evident, Violet is tempted to take the ultimate step to set herself free and seek a life of her own conviction with a man whose cause is as audacious as her own.

As the iridescent and fractured Vivian digs deeper into her aunt’s past and the mystery of her ultimate fate, Violet’s story of determination and desire unfolds, shedding light on the darkness of her years abroad . . . and teaching Vivian to reach forward with grace for the ambitious future––and the love––she wants most."

Um, yes please?

Dubliners by James Joyce
Published by: Penguin Classics
Publication Date: May 27th, 2014
Format: Paperback, 336 Pages
To Buy

The official patter:
"For the centennial of its original publication, an irresistible Graphic Deluxe Edition of one of the most beloved books of the 20th century.

Perhaps the greatest short story collection in the English language, James Joyce’s Dubliners is a vivid and unflinching portrait of “dear dirty Dublin” at the turn of the twentieth century. These fifteen stories, including such unforgettable ones as “Araby,” “Grace,” and “The Dead,” delve into the heart of the city of Joyce’s birth, capturing the cadences of Dubliners’ speech and portraying with an almost brute realism their outer and inner lives. Dubliners is Joyce at his most accessible and most profound, and this edition is the definitive text, authorized by the Joyce estate."

Look at that cover and tell me you don't want to own this beautiful new edition!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Beatriz Williams, Cassandra Clare, City of Heavenly Fire, Dubliners, Harry Dresden, James Joyce, Jim Butcher, Mortal Instruments, Skin Game, The Given, The Secret Life of Violet Grant, Vicki Pettersson

Name: Richard Armitage

Dream Character Casting for the Lauren Willig Fantasy Movie Adaptation: Gavin Thorne

First Impression: Richard is a blessed actor in that this is the second time I have featured him. Interestingly enough I think that most of my opinions of his awesomeness have shifted over time. Though the first impression in North and South shall never waver. NEVER!

Why they'd be the perfect actor for the Lauren Willig Dream Movie Adaptation: There is no way that the character of Gavin Thorne isn't based on Richard Armitage as John Thornton. The last names are even similar. Thone... Thornton... The description of him. The fact that he hails from the north of England so you can perfectly hear that richly accented voice in your ear. Everything leads me to believe that this is Gavin. Plus, look at Richard in The Impressionists playing a young Monet... he's so cute as a painter, coupled with his sexiness in North and South, there'd be no stopping him!

Lasting Impression: This is where I revise my opinion. It's North and South, hands down, forget Vicar of Dibley, forget everything else. This scene at the train station, this is what romance is!

What else you've seen them in: Well, despite being in the horrid Star Wars prequel, he's gone on to achieve lasting fame. Aside from that whole John Thornton obsession that's griped all I know, he's gone on to many mysteries, from Lynley to George Gently, Marple to Malice Aforethought. But his two most memorable roles prior to The Hobbit are probably Guy of Gisborne in the now defunct series Robin Hood and Lucas North on Spooks (MI-5 stateside).

Can't believe it's them: The Hobbit. And not because he's not perfect, but cause he makes dwarves kind of sexy... yep, I said it, sexy dwarves. Though Aidan Turner should have already alerted you to this trend. But that scene where he sings about his misty mountain home, heck yeah.

Wish they hadn't: Robin Hood. Because the more I think about this series the more pissed off I am that it was so crap. There's a thin camp/crap line and every time (except the notable Toby Stephens exception) was crap.

Bio: Sexy, tall, baritone voice, has his own army... need I say more?

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: Armitage Army, Lauren Willig, North and South, Richard Armitage, Robin Hood, That Summer, That Summer Spotlight, The Hobbit, The Impressionists, Toby Stephens, Vicar of Dibley

The Tenant of Wildfell Hall by Anne Bronte
Published by: Oxford University Press
Publication Date: 1848
Format: Hardcover, 486 Pages
Rating: ★★★★★
To Buy (different edition then one reviewed)

"I have to confess: I loved this book as a teenager (an oppressed heroine fleeing from an abusive husband! A devoted hero who sees the good in the reclusive heroine! An adorable little moppet of a boy!), but when I was researching That Summer, I decided to watch the BBC version, since the costumes are exactly the right time period for me (and, yes, I may have a little weakness for BBC costume dramas). The heroine in the film version irked me. And now I can’t quite separate the two.

Anyhow, now that I’ve got that out of the way….

The Tenant of Wildfell Hall was a seminal work for me on the way to That Summer because, like Mary Barton, it was published in 1848. Unlike Mary Barton, it deals with the propertied classes with which my heroine, Imogen, would have been familiar. Like my Imogen, the heroine of The Tenant of Wildfell Hall, Helen, fancies herself in love in her youth, marries unwisely and then is forced to live out the consequences.

This is a theme that fascinates me. Remember your crushes in your teens? Remember the unwise romantic choices you made? What if you’d married one of them? And found yourself owned by that man, his property under the law, with no legal identity, no independent means, no recourse?

Sends a chill down your spine, doesn’t it?" - Lauren Willig

Wildfell Hall has a new resident. A mysterious widow and her young son who want nothing to do with the outside world. The outside world disagrees. The nosey neighbors must know everything they can about the mysterious Mrs. Graham. Young Gilbert Markham wants to know everything but for a very different reason, he is inexorably drawn to the young widow and cannot understand why she remains aloof and detached, craving solitude over companionship and love. But soon Helen Graham realizes that her feelings for Gilbert mean that she must disclose her past so that he can move on and realize their love is doomed, and not just because her husband isn't dead.

Mrs. Helen Graham is really Mrs. Helen Huntington, the wife of a cruel man who has more vices then she could enumerate. She has fled her husband because he was trying to imprint their your son with his own dubious morals.  Helen could have suffered anything if it was just herself that was the target of Huntongton's malice, she stubornly married him after all, but their son is another matter. After years of feeling trapped and hunted in her own home, can she remake her life, or will the old one haunt her?

Sometimes I am a very contrary person, The Tenant of Wildfell Hall is a case in point. Instead of reading the book before watching the miniseries I decided to watch the miniseries first which then put me off the book. For some reason I view the steadfast rule of reading the book first not applying to the Brontes. I had seen so many adaptations of their books prior to ever picking one up that they are grandfathered into my weird reading habits with this clause. Yet I still question how an adaptation with Toby Stephens and James Purefoy, not to mention Rupert Graves, Pam Ferris, and Paloma Baeza, could be so bad. It was dull and lifeless and I remember barely being able to finish it.

The miniseries turned me off the book and because of this the book has languished for years waiting for the time when I would pick it up and love it. I seriously can not think of any reasonable excuse why it took me this long to read it. I was under so many misconceptions about this book that I should have just trusted to my gut which tells me that Anne Bronte is awesome. I am serious when I say that I think Anne might just be my favorite Bronte. This isn't just me routing for the underdog, though she is the least embraced of the sisters, this is totally to do with how awesome her books are.

There's a part of me that knows Anne's desire for "truth" in this novel comes from a desire to counter the pro bad boy image her sisters had created in their works. But there's a deeper part of me that wonders if she's not just messing with Charlotte and Emily a little. Who, given the chance, wouldn't try to mess with their siblings a little? Her sisters did everything to make this bad boy redeemable by love trope and then in comes Anne and blasts them out of the water. Huntington is a bad boy to equal Heathcliff and Rochester, but love is unable to sway him. The Tenant of Wildfell Hall is an opus to the irredeemable. I can just picture the sisters sitting around their fireplace on a cold night in Haworth talking about their dream men and Anne just looking askance at them and plotting how to prove them wrong, preferably in three volumes, she was, after all, a silent plotter. I don't think anyone has ever summed this up better then Kate Beaton in her "Hark, a Vagrant" comic, "Dude Watchin' with The Brontes" so I won't attempt to and move onto other things.

So, other things! What I find amazing in this book, and in fact all the work by the Brontes, is how they were able to capture an entire world from outside their cloistered lives and put it on the page. It just goes to show that sometimes writing what you know isn't the only answer, but writing what you feel is. Over a hundred and fifty years later this book pulses with life. It was criticized at the time for being too repulsive and scandalous, but that is why it resonates till this day. It is the truth of human nature and fallibility that Anne sought out to capture and did. Infidelity, adultery, drugs, drink, games of chance, everything not written about in literature of it's day that still causes so much heartbreak.

The degraded life that Helen lives made me connect to her because, not only did I pity her, I worried that she wouldn't make it out of this situation, ironic because having watched the miniseries I knew the outcome, but still I worried. But as to the debauchery, one problem I have always had and mentioned repeatedly in literature set during this time is the overuse of the Hellfire Club. It seems if you are debauched during the Regency or early Victorian eras you therefore have to belong to some incarnation of said Hellfire Club. But here I make an exception. Usually the Hellfire Club is just a trope used by modern writers, as in those still currently writing. Think of the spunk it took for a little ex governess to allude to the Hellfire Club in a book written in 1848! You Anne Bronte are the exception that proves the rule! When you wrote those few lines alluding to fire and brimstone it was not yet hackneyed, it was controversial. I wish I could tell you how much you mean to me and literature, this poorly written review will have to suffice.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Anne Bronte, BBC Miniseries, Charlotte Bronte, Elizabeth Gaskell, Emily Bronte, Hark a Vagrant, Hellfire Club, James Purefoy, Mary Barton, That Summer, The Tenant of Wildfell Hall, This Summer, Toby Stephens

Pre-Raphaelites in Love by Gay Daly
Published by: Quality Paperback Book Club
Publication Date: 1989
Format: Paperback, 468 Pages
Out of Print

"Who hasn’t been in love with the Preraphaelites? Back in Upper School, my two best friends and I were a wee bit obsessed with the Preraphs—we decorated our notebooks with La Belle Dame San Merci and William Morris prints and recited Christina Rossetti’s Goblin Market to one another. (There’s a lot of clucking and clacking and mopping and mowing.) Let’s not even talk about the summer the Burne-Jones exhibit came to New York. We practically lived at the Met, and I still have the commemorative trivet.

What I loved about Gay Daly’s Preraphalites in Love is the way she situates the Preraphs in their context, looking beneath dashing legend to the individual men and their ups and downs. The period I visit in my book is the very early days of the Preraphaelite Brotherhood, back when they’re still signing their pictures PRB, before Burne-Jones, before William Morris, back when the nucleus was still John Everett Millais, William Holman Hunt, and Dante Gabriel Rossetti. Preraphaelites in Love captures, simultaneously, the newness of what these men were doing, and how deeply rooted they are in their culture.

Oh, yes, and those love affairs...." - Lauren Willig

Well, I knew life would catch up with me this month at sometime and one of the books would probably be unread. With an average of 556 pages for each book and most of them being Victorian, my reading speed isn't that fast... so sadly, Pre-Raphaelites in Love will be unread for awhile by me. Yet I couldn't forsake giving you Lauren's insights! So here's Lauren until I can finally finish the book and get my review up. So view this as a hopefully temporary placeholder!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Christina Rossetti, Dante Gabriel Rossetti, Gay Daly, Goblin Market, John Everett Millais, Lauren Willig, Pre-Raphaelites in Love, That Summer, William Holman Hunt, William Morris

Dangerous Creatures by Kami Garcia and Margaret Stohl
Published by: Little, Brown Books for Young Readers
Publication Date: May 20th, 2014
Format: Hardcover, 384 Pages
To Buy

The official patter:
"From the world of Beautiful Creatures-a dangerous new tale of love and magic.

Ridley Duchannes is nobody's heroine. She's a Dark Caster, a Siren. She can make you do things. Anything. You can't trust her, or yourself when she's around. And she'll be the first to tell you to stay away-especially if you're going to do something as stupid as fall in love with her.

Lucky for Ridley, her wannabe rocker boyfriend, Wesley "Link" Lincoln, never listens to anyone. Link doesn't care if Rid's no good for him, and he takes her along when he leaves small-town Gatlin to follow his rock-star dream. He teams up with a ragtag group of Dark Casters, and when the band scores a gig at a hot Underground club, it looks like all of Link's dreams are about to come true.

But New York City is a dangerous place for both Casters and Mortals, and soon Ridley realizes that Link's bandmates are keeping secrets. With bad-boy club owner Lennox Gates on her heels, Rid is determined to find out the truth. What she discovers is worse than she could have imagined: Link has a price on his head that no Caster or Mortal can ever pay. With their lives on the line, what's a Siren to do?

Kami Garcia and Margaret Stohl, the #1 New York Times bestselling coauthors of the Beautiful Creatures novels, are back to cast another magical spell. Their signature blend of mystery, suspense, and romance, with a healthy dose of wit and danger, will pull fans in and leave them begging for more."

Because obviously we want more, right?

Ghouls Rush In by H.P. Mallory
Published by: Montlake Romance
Publication Date: May 20th, 2014
Format: Paperback, 282 Pages
To Buy

The official patter:
"Do you believe in love after life?

Looking for a fresh start, Peyton Clark becomes the proud owner of a piece of New Orleans history: an Antebellum-era two-story house in the Garden District. It’s going to take time and a fat wallet to restore the fixer-upper to its former glory, but after her recent divorce, Peyton could use the distraction.

It’s not long before Peyton discovers she’s moved into the haunted home of a flirtatious paranormal prankster. She’s receiving kisses from unseen lips and caresses from a ghostly hand, and soon she begins to have vivid dreams, bringing her face-to-face with the incomparably handsome ghost of Drake Montague.

When Peyton grows closer to her general contractor, Ryan Kelly—who is as charming as he is alive—the chill in the air could only suggest Drake’s jealousy from beyond the grave. But even though she’s definitely attracted to and interested in Ryan, Peyton also can’t get Drake out of her dreams, or her heart, as she begins to uncover the frightening truth behind his death a century ago…"

Kind of tacky looking, but it might fill the cheesy gap left over from the departure of Sookie Stackhouse.

Beowulf by J.R.R. Tolkien
Published by: Adult
Publication Date: May 20th, 2014
Format: Hardcover, 448 Pages
To Buy

The official patter:
"The translation of Beowulf by J.R.R. Tolkien was an early work, very distinctive in its mode, completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication. This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book."

And geeks the world over cheered with glee, and maybe wept a little.

The Art of Neil Gaiman by Hayley Campbell
Published by: Harper Design
Publication Date: May 20th, 2014
Format: Hardcover, 320 Pages
To Buy

The official patter:
"With unprecedented access to Neil Gaiman’s personal archives, author Hayley Campbell gives an insider’s glimpse into the artistic inspirations and musings of one of the world’s most visionary writers.

Over the last twenty-five years, Neil Gaiman has mapped out a territory in the popular imagination that is uniquely his own. A master of several genres, including, but not limited to, bestselling novels, children’s books, groundbreaking comics, and graphic novels, it’s no wonder Gaiman has been called a rock star of the literary world. Now, for the first time, Gaiman reveals the inspiration behind his signature artistic motifs, giving author Hayley Campbell a rare, in-depth look at the contents of his personal notebooks and early work, even some of his abandoned projects. The result is a startling, intimate glimpse into the life and mind of one of the world’s most creative visionaries. The book is the first comprehensive, full-color examination of Gaiman’s work to date, tracing the genesis of his creative life as a starving journalist in the UK to his life as a successful comic book writer and, ultimately, a bestselling novelist.

Complete with running commentary, interview text, and annotated material that contextualizes the visual material, this deluxe compendium contains never-before-seen material and promises to be every bit as inspired as Gaiman is himself."

I have no reason not to buy this, none at all.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Beautiful Creatures, Beowulf, Dangerous Creatures, Ghouls Rush In, H.P. Mallory, J.R.R. Tolkien, Kami Garcia, Margaret Stohl, Neil Gaiman, Sookie Stackhouse, The Art of Neil Gaiman

Name: Tom Hiddleston

Dream Character Casting for the Lauren Willig Fantasy Movie Adaptation: Nicholas "Nick" Dorrington

First Impression: I don't really have a first impression of Tom. He was kind of in the background of so many things for so long and then wham, superstar, that I can't quite figure what left the first memory in my brain. Perhaps Return to Cranford, though I had seen him in many things prior to this.

Why they'd be the perfect actor for the Lauren Willig Dream Movie Adaptation: Because why not really? He's everywhere, so why can't he be here? Also he has the right sexiness to bookishness needed to pull of the role of Nick. Plus, he feels to me like he'd be a Dorrington descendant (aka, great whatever of these two, Henrietta and Miles). Can't you tell he'd love a ginger biscuit right about now?

Lasting Impression: Is there really anything else to choose from? If given a choice we would willingly surrender the world to Loki.

What else you've seen them in: Um... he's everywhere! He started in smaller British shows like Return to Cranford and an obligatory Dickens adaptation. Wallander though I think is what brought him into another tier of stardom. Working with Kenneth Branagh made him and introduced him to other big name directors like Woody Allen who perfectly cast him as F. Scott Fitzgerald in Midnight in Paris. Also, his ability to do Shakespeare, swoon worthy.

Can't believe it's them: I really can't believe that he was in Suburban Shootout, because I watched all that was available stateside and only vaguely remember him. Same but worse with Miss Austen Regrets and A Waste of Shame, no memory of him at all. At least I'll watch Miss Austen Regrets again, A Waste of Shame... I don't think you could pay me to watch that again...

Wish they hadn't: Quit Wallander! Seriously, bring him back. Damn you Branagh for making him a star and then having to eliminate him from your own series! On the other end of "wish they hadn't" is Return to Cranford. Oh how I hate this miniseries. It destroyed Cranford! All the characters went against type and they crammed in all these other short stories of Elizabeth Gaskell's to be filler, just, gaw. No.

Bio: Tall, handsome, went to Cambridge and got a double first in Classics, had his big break worldwide when he dyed his hair darker... seems to be really likable and tends to randomly sing and dance in interviews. Did a spot for Sesame Street about delayed gratification... mmm, just so many things right and wrong with that...

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: Elizabeth Gaskell, F. Scott Fitzgerald, Henrietta Selwick, Kenneth Branagh, Lauren Willig, Loki, Midnight in Paris, Miles Dorrington, Return to Cranford, That Summer, That Summer Spotlight, Tom Hiddleston