strange and random happenstance

The Poison Thread by Laura Purcell
Published by: Penguin Books
Publication Date: June 18th, 2019
Format: Paperback, 368 Pages
To Buy

The official patter:
"Dorothea Truelove is young, wealthy, and beautiful. Ruth Butterham is young, poor, and awaiting trial for murder.

When Dorothea's charitable work brings her to Oakgate Prison, she is delighted by the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets one of the prisoners, the teenaged seamstress Ruth, she is faced with another strange idea: that it is possible to kill with a needle and thread - because Ruth attributes her crimes to a supernatural power inherent in her stitches.

The story Ruth has to tell of her deadly creations - of bitterness and betrayal, of death and dresses - will shake Dorothea's belief in rationality, and the power of redemption. Can Ruth be trusted? Is she mad, or a murderer? For fans of Shirley Jackson, The Poison Thread is a spine-tingling, sinister read about the evil that lurks behind the facade of innocence."

I have been waiting with baited breath for this book since I read The Silent Companions! 

The Burning Chambers by Kate Mosse
Published by: Minotaur Books
Publication Date: June 18th, 2019
Format: Hardcover, 592 Pages
To Buy

The official patter:
"From the New York Times and #1 internationally bestselling author of Labyrinth, comes the first in an epic new series.

Power and Prejudice: France, 1562. War sparks between the Catholics and Huguenots, dividing neighbors, friends, and family - meanwhile, nineteen-year-old Minou Joubert receives an anonymous letter at her father’s bookshop. Sealed with a distinctive family crest, it contains just five words: She knows that you live.

Love and Betrayal: Before Minou can decipher the mysterious message, she meets a young Huguenot convert, Piet Reydon. Piet has a dangerous task of his own, and he will need Minou’s help if he is to stay alive. Soon, they find themselves on opposing sides, as forces beyond their control threaten to tear them apart.

Honor and Treachery: As the religious divide deepens, Minou and Piet find themselves trapped in Toulouse, facing new dangers as tensions ignite across the city - and a feud that will burn across generations begins to blaze..."

What is sure to be the beginning of a new fan favorite series. 

The Unofficial Ultimate Harry Potter Spellbook by Media Lab Books
Published by: Media Lab Books
Publication Date: June 18th, 2019
Format: Hardcover, 160 Pages
To Buy

The official patter:
"The Unofficial Ultimate Harry Potter Spellbook is a beautiful, elegantly designed reference that details all of the known spells cast in the Harry Potter films, books, video games and card games, as well as official Harry Potter spinoffs, such as Fantastic Beasts and Where to Find Them. There are 240 spells in all, along with a catalog of enchanted objects.

Each spell is given its own entry including spell name, pronunciation and etymology, a description of the spell effect, spell casting methods, wand movements and vocalizations, and primary sources in which the spell was used. Readers will also find trivia related to each spell, such as who it was used against, what the outcome was, or what a spell’s unusual history might be.

With an introduction on spellcasting and a guide to wand woods and cores, The Unofficial Ultimate Harry Potter Spellbook is a must-have magical treasure for any Harry Potter fan's library."

Because I need as much Harry Potter as possible in my life, even if that's spending the summer memorizing ALL THE SPELLS! 

Empress of Forever by Max Gladstone
Published by: Tor Books
Publication Date: June 18th, 2019
Format: Paperback, 480 Pages
To Buy

The official patter:
"From Hugo Award finalist Max Gladstone comes a smart, swashbuckling, wildly imaginative adventure; the saga of a rag-tag team of brilliant misfits, dangerous renegades, and enhanced outlaws in a war-torn future.

A wildly successful innovator to rival Steve Jobs or Elon Musk, Vivian Liao is prone to radical thinking, quick decision-making, and reckless action. On the eve of her greatest achievement, she tries to outrun people who are trying to steal her success.

In the chilly darkness of a Boston server farm, Viv sets her ultimate plan into motion. A terrifying instant later, Vivian Liao is catapulted through space and time to a far future where she confronts a destiny stranger and more deadly than she could ever imagine.

The end of time is ruled by an ancient, powerful Empress who blesses or blasts entire planets with a single thought. Rebellion is literally impossible to consider - until Vivian Liao arrives. Trapped between the Pride - a ravening horde of sentient machines - and a fanatical sect of warrior monks who call themselves the Mirrorfaith, Viv must rally a strange group of allies to confront the Empress and find a way back to the world and life she left behind.

A magnificent work of vivid imagination and universe-spanning action, Empress of Forever is a feminist Guardians of the Galaxy crossed with Star Wars and spiced with the sensibility and spirit of Iain M. Banks and William Gibson."

Yes, the premise sounds great, but it's that Hela-worthy headdress that caught my eye! 

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Empress of Forever, Guardians of the Galaxy, Harry Potter, Hela, Kate Mosse, Laura Purcell, Max Gladstone, Spells, Star Wars, The Burning Chambers, The Poison Thread, The Silent Companions, Tuesday Tomorrow

The Silent Companions by Laura Purcell
Published by: Penguin Books
Publication Date: March 6th, 2018
Format: Paperback, 404 Pages
Rating: ★★★
To Buy

Elsie is being exiled to her husband's decrepit country estate, The Bridge. She feels like they are burying her along with her husband. A pregnant mermaid drowning in black crepe. That is all she is now, the vessel for her dead husband's heir. Her marriage to Rupert Bainbridge was meant to raise her above her station. No more work at the match factory where she and her brother Jolyon slaved away until Rupert bailed them out of a tight spot. Now she'd have an idyllic life of luxury where she would walk through the streets of Fayford giving her beneficence to her new tenants. Instead on arrival she is greeted by her husband's corpse laid out in the great hall, a paltry indoor staff of three she can't bear facing, and the new knowledge that the villagers view the house as cursed and won't even deign to work there let alone accept anything from her. In fact the only person who has come to view her husband's body is the local preacher, Mr. Underwood. So here Elsie will waste away with only Rupert's cousin Sarah for companionship and the occasional visit from Mr. Underwood. But then there are the noises in the night. A hissing sound the cook writes off as the cat, or perhaps a nasty nest of squirrels. Only when Elise finally enters the locked room from whence the sounds came she finds no squirrels.

There are two eyes looking at her. She thinks it's a painting but it's "as if someone had cut the figure out of a painting and mounted it on a plank of wood." Elsie is intrigued by the figure that oddly looks like her, whereas Sarah is taken by the two slim volumes next to the figure, the diary of her ancestor, Anne Bainbridge, who was the doyenne of The Bridge when King Charles I and his wife visited in 1635. As uncanny happenings increase after the finding of the figure, with rooms changing and shifting, figures multiplying and poses changing and eyes following the two volume diary of Anne Bainbridge might hold the answers. Because it was in 1635 that The Bridge got it's nasty reputation of losing it's heirs, leading it to be left abandoned for years and years on end. Elsie laments that her life is starting to read like a bad penny dreadful. Only is this really happening? Perhaps the answers that Sarah finds about Anne and her husband Josiah, and their daughter Hetta, their miracle child who unnerves the servants and is otherworldly, and the Bainbridge Diamonds, will stop whatever is currently happening at The Bridge. Because it was Anne who brought these "silent companions" into the house. A trompe l'oeil treat bought in Torbury St. Jude that was just the thing to please his majesty. Or perhaps Elise is mad. Left silent in a sanatorium after her experiences at The Bridge.

I have a friend Matt. We've often joked that we should do a podcast because we literally do not agree on anything. Any book I love he hates and vice versa. Therefore it came as a shock to both of us to discover we agreed completely on The Silent Companions. I don't know what stars aligned or what parallel universe we entered, but we came to a consensus; we both thought it should have been more. The silent companions themselves were lacking. I think this has a lot to do with whomever wrote the cover blurb. Shame on you! When Elise opens "a locked door, beyond which is a painted wooden figure - a silent companion - that bears a striking resemblance to Elsie herself" I know every single person reading that thinks wooden weeping angels. There is not a single person who thought that the silent companions were basically set flats. I'm sorry, but set flats aren't scary. No matter how much they "change" or "multiple," cut-outs dragging their wooden selves across now deeply grooved floors doesn't inspire any kind of chills going up and down my spine. In fact I found them bordering on laughable. I don't know if this is because I am inured to cut-outs due to the popularity of having a cut-out of an actor from your favorite TV just chilling about your house or because I worked in theater... but the fact of the matter is, I was underwhelmed. By it all. I was sold by the blurb and the reality came nowhere near that frisson of fear I had the first time I read the synopsis.

Reading this book around the same time I was watching the new Netflix adaptation of The Haunting of Hill House I realized there was one area in which this book succeeds which I think is vital to the success of any true book purporting to be Gothic, and that is Laura Purcell nailed the sense of place. She nailed The Bridge and because of that there is a lot that can be forgiven plot wise. In fact, as I discussed this book with my fellow book club members I posited that I think I could actually draw the blueprints for this house. If there's one thing that I hate it is when I read a book and I can't get a good sense of the surroundings. I need to ground the characters in their setting. This book took it to a new level. Not only did I have the sense of the house, the house became a central character to the book, which I think was necessary for the narrative. That is why I compare it to The Haunting of Hill House. While the buildings have supernatural elements and events, you can still know where everything is and therefore when it changes, even subtly, you know something "other" is going on. Thinking on this further, and tying it into the set-piece like nature of the companions themselves, I wonder if there's a theatrical aspect that this book is embracing. Everything laid out just so so when it goes off the rails, you know where you were supposed to be but aren't any longer.

Enough about what I liked, an aspect of the book that really annoyed me was that Laura Purcell has an elliptical storytelling style. She drops potential plot points and red herrings all along the path and maybe one or two are actually resolved. I know there are people who say, but that makes the book more realistic, not having everything tied up in a neat little bow. To them I say, that's why I read books! Because unlike in real life everything can have a resolution and you won't be grumbling about what exactly happened in the heroine's past. Because really, there is a lot of heavy-handed doom and gloom about what went on in Elsie's life prior to her marriage. Abuse allegations about her parents, the struggling match factory, and her relationship with her brother... and yet not a single one of these is dealt with. We don't even really get any sense as to why Rupert married her. And I think the event that then catalyzes the entire narrative of the story should at least be discussed don't you? What annoyed me most though is that the book drops hint after hint that Elsie's much younger brother, Jolyon Livingstone, was perhaps her son. It would explain the strain in her relationship with her parents, whether Jolyon was the product of incest, again strongly hinted at that would be firmly rooted in the Gothic, or whether they were just forced to raise their grandson as their son, it would explain a lot. But nope. Nothing whatsoever is elucidated and for a minute I thought the book could be completely written off.

But Laura Purcell finally delivered! It's amazing how the final few pages of a book can retroactively fix many of the issues you previously had. And yes, I'm looking at you The Circle. Sure, there are all these threads left dangling, but the most important, the crucial thread was picked up and given a tug. I was wonderfully surprised that one of the many plot points Laura Purcell set up actually paid off with a little twist at the end. And no, I am not going to spoil it for you because you'd be able to pick up the one important thread at the beginning and not follow all the ones that are cut short. Yet I will say that what I liked most about this twist was that it took several of the unnatural occurrences at The Bridge and put it on one character's shoulders. Everything weird and uncanny tied back to one character. What's more, this had the added benefit of tying the two timelines together. Often in books with two timelines so far apart, two hundred years here, authors tend to have the past inform the present but not really carry anything over of importance from the past. Here that's different, and I think that is what raised this book up to being a satisfying read while also firmly classifying it as Gothic. So while this might not have been everything I wanted it to be, it surprised me in the end because the author broke her pre-established patterns and gave us one satisfying answer.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Elliptical, Going Gothic, Gothic, Incest, Laura Purcell, Netflix, Sense of Place, The Circle, The Haunting of Hill House, The Silent Companions, The Weeping Angels, Theatre, Victorian